I’ve always loved well-told stories of people who came before us, because I’ve always assumed that their lives offer us lessons. Subtle ones, perhaps, but important ones. That’s how, many years ago, I came across the Parallel Lives of Plutarch, who’s been called history’s first biographer. Eventually, I decided to have my own stab at interpreting the biographies of historical figures, and to weave history, philosophy, and psychology into (hopefully) gripping stories. As a journalist and a dual citizen of the US and Germany who’s also lived in the UK and Asia, I naturally looked all over the world for the right characters. And I still do.
The life of Julius Caesar, as brought to life by Goldsworthy, remains one of the most fascinating tales of ups and downs, boldness and overreach, war, statecraft, and propaganda (yes, he mastered that too). And adventure. Even if you think you know him, you probably don’t. What, for example, did he do after he was kidnapped at age 25 by pirates? Let’s just say you don’t want to be the pirates. But ultimately you don’t want to be Caesar either. Not least, you want to be careful with wannabe Caesers today, because he was also the most effective populist in history.
The story of one of the most brilliant, flamboyant and historically important men who ever lived.
'A superb achievement' LITERARY REVIEW
'Combines scholarship with storytelling to bring the ancient world to life: in his masterly new CAESAR he shows us the greatest Roman as man, statesman, soldier and lover' Simon Sebag Montefiore
'Magnificent' DAILY TELEGRAPH
From the very beginning, Caesar's story makes dazzling reading. In his late teens he narrowly avoided execution for opposing the military dictator Sulla. He was decorated for valour in battle, captured and held to ransom by pirates, and almost bankrupted himself by staging games for…
Born and raised in New Zealand I got hooked on history as a child and began university life as an ancient and medieval double major studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I had decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach many different aspects of that transformation, from the Roman Republic to early Christianity and the Goths, and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
It would seem strange not to include at least one work on Julius Caesar in any list of recommended reading on the Republic’s fall, and Stevenson’s book strikes just the right balance between Caesar’s career and the wider Republican background against which Caesar must be set. The challenging evidence for Caesar’s life and motivations is presented with great clarity, including his own writings, and so too are the often contradictory judgments made by modern scholars. Stevenson taught me during my MA at the University of Auckland, so I was delighted to see this book appear, and he has provided an invaluable contribution to the ongoing debates over Caesar’s responsibility for the Republic’s collapse and the transformation from Republic to Empire.
Julius Caesar and the Transformation of the Roman Republic provides an accessible introduction to Caesar's life and public career. It outlines the main phases of his career with reference to prominent social and political concepts of the time. This approach helps to explain his aims, ideals, and motives as rooted in tradition, and demonstrates that Caesar's rise to power owed much to broad historical processes of the late Republican period, a view that contrasts with the long-held idea that he sought to become Rome's king from an early age. This is an essential undergraduate introduction to this fascinating figure, and…
I write books that I hope will make people laugh and feel better – so far, they are the three Jonathon Fairfax novels and a novella called The Pursuit of Coconuts. I suffer from depression, and have always found the world quite a difficult and confusing place, so – ever since I learned to read – I’ve escaped into books. Reading is so soothing and absorbing, and there’s something oddly intimate about joining an author inside a book. When a book’s genuinely funny, it feels as though – in a flash – it reveals the essential foolish absurdity of the world. I’ve listed five of the books that have worked that little miracle on me.
This was among the first (and by far the best) of my parents’ books that I borrowed.
The premise is charming: after a long and careful study of British history, your memory will retain only a small quantity of garbled nonsense; so why not save time by just reading the garbled nonsense? At its best, it’s so freewheelingly, surreally silly that I still vividly remember crying with laughter. There were bits – like the names of the Wave of Pretenders – that made me laugh every time I read them.
It was a revelation to me that adults – and even adults from the past – could have brains that were just as silly, odd, and obscure as children’s.
"Canute began by being a Bad King on the advice of his Courtiers, who informed him (owing to a misunderstanding of the Rule Britannia) that the King of England was entitled to sit on the sea without getting wet." 1066 And All That is a book that has itself become part of our history. The authors made the claim that "All the History you can remember is in the Book" and, for most of us, they were probably right. But it is their own unique interpretation of events that has made the book a classic; an uproarious satire on textbook…
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This is my favorite of McCullough’s Masters of Rome series. Though fictional, they are impeccably researched, rendering the collapse of the Republic in truly astonishing detail. McCullough manages to render the twists and turns of Roman politics in a way that a reader can not only follow them, but understand why they mattered so much. You’ll feel as though you are right there in the Forum or the dining-room with Caesar, Antony, Pompey, Servilia, Fulvia, and the rest. McCullough’s vivid prose drives home that these were real people, living real lives, with the same petty concerns and daily frustrations as all of us, even when they were also shaping the fates of nations.
By the author of "Thornbirds", this is the fourth in the "Masters of Rome" series and centres around Caesar in his ascension. The Republic of Rome is as much a place of women as it is of men, and no one knows Rome's women quite as Caesar does.
Born and raised in New Zealand I got hooked on history as a child and began university life as an ancient and medieval double major studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I had decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach many different aspects of that transformation, from the Roman Republic to early Christianity and the Goths, and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
Named for the river that Julius Caesar crossed when he invaded Italy and began the civil war which brought the Roman Republic to its knees, this book offers a sweeping account of the Republic’s fall and has been rightly described as narrative history at its best. All the major characters are vividly presented, from Marius and Sulla to Pompey, Cicero and Caesar, in prose that manages to remain readable and fast-paced while spanning almost 400 pages. Tragedy is arguably more apparent than triumph, understandably in a book devoted to the collapse of the Republican order. But the glory of the Republic does also shine through, and the story is told on a larger scale than my book would have allowed.
The Roman Republic was the most remarkable state in history. What began as a small community of peasants camped among marshes and hills ended up ruling the known world. Rubicon paints a vivid portrait of the Republic at the climax of its greatness - the same greatness which would herald the catastrophe of its fall. It is a story of incomparable drama. This was the century of Julius Caesar, the gambler whose addiction to glory led him to the banks of the Rubicon, and beyond; of Cicero, whose defence of freedom would make him a byword for eloquence; of Spartacus,…
I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
Boldly venturing into territory already claimed by Robert Graves, Allan Massie gives us the life of Augustus, the first Roman emperor. Full of authentic detail, both witty and serious, bawdy and censorious, this book makes ancient Rome thoroughly believable to modern readers. Augustus vividly describes his ruthless rise to power following the assassination of Julius Caesar, and reflects on his life and achievements, justifying his schemes, deceptions and crimes. Would we have done the same in his place? Maybe, if civilization depended on it.
I particularly like the two Prefaces, in which author, citing fake scholars and non-existent institutions, persuades us that this work of fiction has been translated from an ancient manuscript found in a monastery. I have used the same trick myself.
Augustus was the founder of the Roman Empire, adopted son of Julius Caesar, friend and later foe of Mark Antony, patron of Horace and Virgil. Frank and forceful, this putative autobiography tells his story from the assassination of Caesar, through his military, political and personal struggles to his final days as Emperor in everything but name.
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
It’s a compact 100+ pages with 80 images, showcasing Morris’s passionately held view that beautiful, functional design should be accessible to all. All expressed through quotations from his own words and those of his friends, colleagues, and biographers.
Fits in a pocket and is a perfect introduction for those who do not yet know of Morris’s ideas and influence. Also a handy source of quotations on the aesthetics of design.
Born in London in 1834, William Morris was a radical thinker whose democratic vision for society and art has continued to influence designers, artists and writersto this day, long after his death in 1896. He was a gifted poet, architect, painter, writer and textile designer, who also founded the Kelmscott Press, the most famous of the Arts and Crafts private presses. Morris's ideas later came to influence the Garden City movement, as well as numerous artists and craftspeople, who sought to negotiate a viable place within the modern world in the troubled years that followed the First World War. His…
Crassus is one of the most important yet least known of the major characters inhabiting the late Roman Republic in its transition to Empire. Cicero, Pompey, Mark Antony, and Julius Caesar are much more prominent in the public eye, yet the huge wealth of Crassus was decisive in promoting the upward trajectory of Caesar himself.
Crassus is mainly noted from the film Spartacus, where, portrayed by Sir Laurence Olivier, he crushed the gladiator and slave revolt led by Spartacus. But Crassus also met a tragic end when invading Parthia with inadequate resources.
His story is related in magnificent prose by former Times editor Peter Stothard, whose description of Crassus’ heart-rending demise, as molten gold was poured down his throat by the victorious Parthians, brings the adventure to a spectacular and climactic termination.
I am a historian and history teacher in Ohio with a passion for studying the endlessly fascinating Roman Republic. It was a time when many believed the gods walked the earth, when legend and reality mixed. The resulting stories lure us with their strangeness while reminding us of our modern world. For me, no topic in the Republic captures this paradox of strangeness and familiarity more than the political systems of the Republic. Our very ideas about representative democracy come from the Romans. But the legacy is deeper. In Roman politicians’ thirst for votes and victory, their bitter rivalries we can, perhaps, see the dangers of excessive political competition today.
I’ve used this text a number of times teaching courses on the Republic and it is a terrific overview that will expand on many areas. Short, informative, packed with anecdotes and examples and surveying the whole of the Republic. For those interested in a more academic survey, while still very approachable, text on the period of the Republic, Gwynn’s work offers just the right balance of depth and briskness.
The rise and fall of the Roman Republic occupies a special place in the history of Western civilization. From humble beginnings on the seven hills beside the Tiber, the city of Rome grew to dominate the ancient Mediterranean. Led by her senatorial aristocracy, Republican armies defeated Carthage and the successor kingdoms of Alexander the Great, and brought the surrounding peoples to east and west into the Roman sphere. Yet the triumph of the Republic was also its tragedy.
In this Very Short Introduction, David M. Gwynn provides a fascinating introduction to the history of the Roman Republic and its literary…
I bought Shakespeare in a Divided America in the misguided belief that the author was the son of an old friend and colleague. The other attraction was Shakespeare himself: My mother was a high school English teacher, and the words of the Bard were a lingua franca at our dinner table. The book did not disappoint!
In a series of chapters that carry the reader from the 1830s to the 2020s, Shapiro shows how Shakespeare’s plays have been entwined with the politics and culture of the nation on subjects ranging from race to manifest destiny, from immigration to same sex love.
The author is a professor of English at Columbia University who has written award-winning books about Shakespeare. What he offers here is an exciting intellectual journey. Drawing from original sources, he connects the dots to show how Othello was used by John Quincy Adams to support his opposition to…
One of the New York Times Ten Best Books of the Year * A National Book Critics Circle Award Finalist * A New York Times Notable Book
A timely exploration of what Shakespeare's plays reveal about our divided land.
"In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life." -The Guardian (London)
The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes-presidents…
