Fans pick 100 books like The Poems

I was drawn to Sappho as a teenager, and in many ways, her poems are classic poems of teen angst, love, jealousy, and rejection. Over the years, I’ve also come to admire her poetic craft and skill at composing beautiful verse, as well as the music of her poetry.

If only more of her poems had survived! Even many of the surviving poems are marked by gaps and omissions. The fragmentariness of the poems is part of their mystique. An accomplished poet, Anne Carson captures the force and charm of these ancient love songs superbly in her version.

Ovid is an expert on all kinds of love and doesn’t hesitate to tell you regularly about his expertise. His seduction tips are hopelessly absurd and often offensive. But what a talented poet he is! 

I find the poems riveting even as I accept that his sensibilities are not mine. The poet tells us that he was exiled from Rome during the reign of the emperor Augustus, and I wonder what mischief lies behind this unfortunate experience.  

I know it’s weird to suggest a Roman epic on a list of books about climate change! But Virgil’s poem is fundamentally a story of a group of people who overcome immense obstacles—enemies, monsters, puzzles, temptations—to found a new world.

It narrates how to cultivate a strong, even heroic character and engage in sustained collective action—exactly what we need to resolve the climate crisis. I read this book for lessons and inspiration! 

Even after 20 years of separation, brought on by the Trojan War and the gods, Odysseus and Penelope hold on to their love and reunite in Ithaca. They must overcome tremendous obstacles: divine anger, violent suitors, jealous lovers, ghosts, and monsters.

Of course, the poem has double standards regarding relations between men and women. And yet, the central love story hasn’t lost its appeal since antiquity. Fitzgerald’s English translation of the Odyssey is one of the best and a wonderful creation in its own right: it’s a magnificent rendition of Odysseus and his world.

I opened up this book as a skeptic–how interesting could a history of this ubiquitous writing tool be? However, I quickly ate my words (a fitting metaphor for such a book) after diving into Henry Petroski’s meticulously researched and easy to read tale of how a common thing becomes common in the first place.

While the book is a study in engineering, it’s also a story of people who doodle, think, design, and imagine. Petroski taught me that much as we live in a digital age, we’re indebted to the simple and impressively designed artifacts that stick around century after century. 

Osgood details the ancient version of a phenomenon we may recognize: a cold-blooded grift by a charismatic, lawless, leader transmuted into terrorism while posing as patriotism.

Detailing the violent conspiracy of L. Sergius Catilina (63 BCE), Osgood’s elegant translation of Sallust’s The War Against Catiline (c. 43 BCE) emphasizes the danger that political violence and intimidation pose to communal welfare and stability. The Romans never found the recipe for combining individual freedom with equality and political harmony. (Rome’s 450-year-old Republic ultimately devolved into civil war and autocracy.)

Sallust’s tale and Rome’s experience caution us against preserving inequities even as we seek to preserve the rule of law.

A team of experts got together to create this wonderful book. It is well illustrated, clearly written throughout, and firmly based on textual and other evidence. That is, the authors typically start with a general statement such as “There were increased opportunities for women to be educated in the Hellenistic world,” and then go on for a few pages to show how this came about by translating and commenting on the relevant texts, and showing the relevant vase paintings. Ancient Greek history tends to be very male-oriented – almost all ancient Greek writing was done by men, for instance – so this book is a much-needed antidote.

As a cancer survivor and bone marrow transplant recipient, I found this book enormously helpful personally as well as professionally.

Drawing on his experience as a theater director producing ancient Greek tragedies for survivors of war, addiction, natural disasters, and other calamities, Doerries brings these ancient plays to life for contemporary audiences. His moving, personal, generous account – part memoir, part philosophical exploration – eloquently exposes the value of Greek tragedy for coping with trauma and tragedy today.

The ancient world has always held a fascination for me. It must be in my genes because one of my fondest memories is my father telling me stories about the Greek gods. As a kid, I also found a book in our house that had been handed down through generations within my family entitled The Myths and Legends of Ancient Greece and Rome by E.M. Berens. This book was published in 1892 but Berens is still in print, no doubt in its umpteenth edition.

My book has a leather cover, the spine frayed so that the webbing that binds the folios is exposed. The pages are mottled, yellowing. It is a treasure. Inside, the lives of the fickle, adulterous, benevolent, or malevolent deities are revealed; their bickering and flaws similar to mortals but their ability to bless, curse, and manipulate man’s fate, divine.

The fact that this trilogy was turned into a stage show is a measure of its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.

Apparently, he spent several years immersing himself in contemporary literature before putting pen to paper, and it really shows. I admired how his research paints vivid background colour without ever stepping upon the toes of the brilliantly drawn characters. I loved his Cicero (and Caesar and Pompey and Antony) and, despite some tough competition, cannot think of any historical figures so authentically portrayed in any other Roman historical fiction.

And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke… show more.