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I first visited ancient Greece as an undergraduate. Homer and Plato seemed to speak directly to me, addressing my deepest questions. How do you live a good life? What should you admire? What should you avoid? Frustrated by English translations (each offers a different interpretation), I learned to read ancient Greek and then Latin. In college and then graduate school, I came to know Homer, Plato, Aeschylus, Cicero, Ovid, and many others in their own words. The ancient Greeks and Romans faced the same existential struggles and anxieties as we do. By precept, example, and counter-example, they remind me of humanity’s best tools: discernment, deliberation, empathy, generosity.
Full disclosure: Donald Kagan was my professor and mentor in graduate school.
Arguably the greatest modern historian of ancient Greece, Kagan addresses timeless questions of leadership, decision making, and the radically innovative political experiment of democratic government.
This slender biography of the great Athenian statesman and general Pericles provides guidance for anyone interested in the rationale for democracy and in methods for developing and preserving it.
From Simon & Schuster, Pericles of Athens and the Birth of Democracy is Donald Kagan's, 20th century history of Athenian democracy, exploration of one of history's greatest subjects.
An incisive portrait of Pericles is set against the shifting political trends, international tensions and relations, and intellectual movements of the ancient Greek civilization.
I first visited ancient Greece as an undergraduate. Homer and Plato seemed to speak directly to me, addressing my deepest questions. How do you live a good life? What should you admire? What should you avoid? Frustrated by English translations (each offers a different interpretation), I learned to read ancient Greek and then Latin. In college and then graduate school, I came to know Homer, Plato, Aeschylus, Cicero, Ovid, and many others in their own words. The ancient Greeks and Romans faced the same existential struggles and anxieties as we do. By precept, example, and counter-example, they remind me of humanity’s best tools: discernment, deliberation, empathy, generosity.
Jerry Pollitt was another professor and inspiring mentor to me in graduate school.
In graceful, accessible prose, Pollitt traces the development of Classical Greek art (c. 480-322 BCE) as it intersects with Greek history, philosophy, and literature. Identifying potent interactions between art, culture, and political thought, this book offers a useful paradigm for understanding how these reciprocal influences shape our attitudes and aspirations still.
An account of the development of Greek art in the Classical period (about 480-320 BC) which places particular emphasis on the meaning and content of Greek sculpture, architecture and painting. Professor Pollitt reminds us that the visual arts in Greece, as elsewhere, were primarily vehicles of expression. He does not ignore formal development but always relates this to social and cultural history, which it reflected and from which it grew. While his subject is art, he refers frequently to the literature and philosophy of the period which were shaped by the same influences.
I first visited ancient Greece as an undergraduate. Homer and Plato seemed to speak directly to me, addressing my deepest questions. How do you live a good life? What should you admire? What should you avoid? Frustrated by English translations (each offers a different interpretation), I learned to read ancient Greek and then Latin. In college and then graduate school, I came to know Homer, Plato, Aeschylus, Cicero, Ovid, and many others in their own words. The ancient Greeks and Romans faced the same existential struggles and anxieties as we do. By precept, example, and counter-example, they remind me of humanity’s best tools: discernment, deliberation, empathy, generosity.
As a cancer survivor and bone marrow transplant recipient, I found this book enormously helpful personally as well as professionally.
Drawing on his experience as a theater director producing ancient Greek tragedies for survivors of war, addiction, natural disasters, and other calamities, Doerries brings these ancient plays to life for contemporary audiences. His moving, personal, generous account – part memoir, part philosophical exploration – eloquently exposes the value of Greek tragedy for coping with trauma and tragedy today.
This is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. For years, theater director Bryan Doerries has led an innovative public health project that produces ancient tragedies for current and returned soldiers, addicts, tornado and hurricane survivors, and a wide range of other at-risk people in society.
Drawing on these extraordinary firsthand experiences, Doerries clearly and powerfully illustrates the redemptive and therapeutic potential of this classical, timeless art: how, for example, Ajax can help soldiers and their loved ones better understand and grapple with…
I first visited ancient Greece as an undergraduate. Homer and Plato seemed to speak directly to me, addressing my deepest questions. How do you live a good life? What should you admire? What should you avoid? Frustrated by English translations (each offers a different interpretation), I learned to read ancient Greek and then Latin. In college and then graduate school, I came to know Homer, Plato, Aeschylus, Cicero, Ovid, and many others in their own words. The ancient Greeks and Romans faced the same existential struggles and anxieties as we do. By precept, example, and counter-example, they remind me of humanity’s best tools: discernment, deliberation, empathy, generosity.
As a Classics professor, I rejoiced at Zuckerberg’s ability to insert rationality and fact into the often bad-faith debate swirling in universities and online regarding the value today of ancient Greek and Roman languages and literature.
Concentrating primarily on Roman sources, Zuckerberg critiques on-line distortions and misappropriation of Classical texts intended to promote misogyny and white supremacy.
A disturbing expose of how today's alt-right men's groups use ancient sources to promote a new brand of toxic masculinity online.
A virulent strain of antifeminism is thriving online that treats women's empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims-arguing that they articulate a model of masculinity that sustained generations but is now under siege.
Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim…
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
The fact that this trilogy was turned into a stage show is a measure of
its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.
Apparently, he spent several years immersing himself in contemporary
literature before putting pen to paper, and it really shows. I admired
how his research paints vivid background colour without ever stepping
upon the toes of the brilliantly drawn characters. I loved his Cicero
(and Caesar and Pompey and Antony) and, despite some tough competition,
cannot think of any historical figures so authentically portrayed in any
other Roman historical fiction.
And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke…
When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history.
The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.
This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
A self-contained description of a war fought in Africa against an ambitious monarch, in which the Roman superpower struggles with an elusive enemy. Roman efforts are badly hampered by corrupt generals and Sallust, writing a generation later makes no attempt to conceal his contempt for the aristocratic establishment which happily pocketed Jugurtha's bribes. A book that reads well and is relevant today. Get the Oxford University Press edition, and get the Catiline conspiracy thrown in for free.
Sallust (86-c. 35 bc) is the earliest Roman historian of whom complete works survive, a senator of the Roman Republic and younger contemporary of Cicero, Pompey and Julius Caesar. His Catiline's War tells of the conspiracy in 63 bc led by L. Sergius Catilina, who plotted to assassinate numerous senators and take control of the government, but was thwarted by Cicero. Sallust's vivid account of Roman public life shows a Republic in decline, prey to moral corruption and internal strife. In The Jugurthine War he describes Rome's fight in Africa against the king of the Numidians from 111 to 105…
I’ve always been attracted to picking apart “taken-for-granted” things and wondered how ubiquitous and mundane technologies have become that way. What were they before they were ordinary? When I started researching and writing about push buttons, I discovered that the interfaces right under our fingers have a long and complex history. I loved reading about a time when pushing a button was both a novelty and a danger, and these recommended books similarly reframe familiar technologies as anything but familiar. I hope that these books will add a little bit of strangeness to the every day, just like they did for me!
I opened up this book as a skeptic–how interesting could a history of this ubiquitous writing tool be? However, I quickly ate my words (a fitting metaphor for such a book) after diving into Henry Petroski’s meticulously researched and easy to read tale of how a common thing becomes common in the first place.
While the book is a study in engineering, it’s also a story of people who doodle, think, design, and imagine. Petroski taught me that much as we live in a digital age, we’re indebted to the simple and impressively designed artifacts that stick around century after century.
Henry Petroski traces the origins of the pencil back to ancient Greece and Rome, writes factually and charmingly about its development over the centuries and around the world, and shows what the pencil can teach us about engineering and technology today.
I’m a British scholar – a former university lecturer, many moons ago – now living in rural southern Greece. In fact, I have Greek as well as UK citizenship, which really pleases me because I’ve loved Greece and things Greek since boyhood. I started to learn ancient Greek at the age of ten! I’ve written over fifty books, mostly on ancient Greek history and philosophy, including many volumes of translations from ancient Greek. But I’ve also written children’s fiction in the form of gamebooks, a biography, a book on hypnosis, a retelling of the Greek myths (with my wife Kathryn) ... I’ll stop there!
A team of experts got together to create this wonderful book. It is well illustrated, clearly written throughout, and firmly based on textual and other evidence. That is, the authors typically start with a general statement such as “There were increased opportunities for women to be educated in the Hellenistic world,” and then go on for a few pages to show how this came about by translating and commenting on the relevant texts, and showing the relevant vase paintings. Ancient Greek history tends to be very male-oriented – almost all ancient Greek writing was done by men, for instance – so this book is a much-needed antidote.
BL The only study to integrate such a wide range of materials on the women of ancient Greece and Rome into one accessible volume BL Written by a team of distinguished classical scholars and art historians Women in the Classical World gathers the most important primary written and visual sources on the lives of ancient women and presents them in a chronological sequence, within their historical and cultural contexts.
I’m an Australian author who lives on the other side of the Pond. I’m a self-confessed Romaholic but my great love is for the Etruscans. My curiosity was first piqued to learn about these people when I saw an Etruscan sarcophagus depicting a couple embracing for eternity. The casket was unusual because women were rarely commemorated in funerary art let alone a couple depicted in such a pose of affection. What ancient society revered women as much as men? Discovering the answer led me to the decadent and mystical Etruscan civilisation and the little-known story of a ten-year siege between Rome and the Etruscan city of Veii.
The ancient world has always held a fascination for me. It must be in my genes because one of my fondest memories is my father telling me stories about the Greek gods. As a kid, I also found a book in our house that had been handed down through generations within my family entitled The Myths and Legends of Ancient Greece and Rome by E.M. Berens. This book was published in 1892 but Berens is still in print, no doubt in its umpteenth edition.
My book has a leather cover, the spine frayed so that the webbing that binds the folios is exposed. The pages are mottled, yellowing. It is a treasure. Inside, the lives of the fickle, adulterous, benevolent, or malevolent deities are revealed; their bickering and flaws similar to mortals but their ability to bless, curse, and manipulate man’s fate, divine.
HarperCollins is proud to present its incredible range of best-loved, essential classics.
'This was the slaying of the Minotaur, which put an end forever to the shameful tribute of seven youths and seven maidens which was exacted from the Athenians every nine years.'
The gods, heroes and legends of Greek mythology and their Roman interpretations are as fascinating as they are instructive. They include the almighty Zeus and his many wives; heroic Perseus, slayer of the snake-headed Medusa; Helen of Troy, whose beauty caused a great war; Medea, driven mad by jealousy; and tragic Persephone, doomed to live half of…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
Winterer provides the classic discussion of the place of Rome (and then Greece) in early American education and intellectual life. The book is about how American classicists sought to shape a relationship to the classical past that persists to this day, creating a canon of ancient texts as a reaction against and refuge from modernity. The real payoff of this book for me lies in showing how the past is never just the past but a continuing aspect of our own identity-formation.
Debates continue to rage over whether American university students should be required to master a common core of knowledge. In The Culture of Classicism: Ancient Greece and Rome in American Intellectual Life, 1780-1910, Caroline Winterer traces the emergence of the classical model that became standard in the American curriculum in the nineteenth century and now lies at the core of contemporary controversies. By closely examining university curricula and the writings of classical scholars, Winterer demonstrates how classics was transformed from a narrow, language-based subject to a broader study of civilization, persuasively arguing that we cannot understand both the rise of…
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