Here are 100 books that Catiline's War, The Jugurthine War, Histories fans have personally recommended if you like
Catiline's War, The Jugurthine War, Histories.
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The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Not necessarily the world’s first novel (the world’s first novel is probably lost) nor even the world’s first great novel (that would be Petronius’ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the world’s first great novel that has survived through the centuries intact.
It’s the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.
That doesn’t sound so bad, but no one’s ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! There’s nothing filthy about it! But no one will believe you!
Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Ever wonder where Shakespeare got his ideas from? He plundered the classics, especially Plutarch and Plautus. Plautus can't really complain about that as his plays are mostly re-workings of (now lost) Greek originals. This play is Shakespeare's Comedy of Errors, set 1500 years earlier. It's still a good read and should elicit a few giggles. Try Riley's translation on Digireads.
Considered to be Plautus's greatest play, "Menaechmi; Or, The Twin-Brothers" is the story of two twin brothers, Menaechmus and Sosicles, who are separated at age seven when their father takes Menaechmus on a business trip. This classic play, which provided the inspiration for Shakespeare's "Comedy of Errors", draws heavily on the theme of mistaken identity.
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
With this one I'm not going to recommend an edition, because while Martial is witty, bitingly sarcastic and a keen commentator on his society he can also be breathtakingly obscene. Imagine teenage scrawls on toilet walls - if those scrawls were written by Shakespeare - and you'll be close enough. So pick your edition with care – however broad you imagine your mind to be, an unexpurgated Martial will stretch it a bit more and have you chuckling and nodding the rest of the time.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
What I really enjoy about this book is the engaging and lively way in which Emma Dench examines, across a broad chronological (third century BC to third century AD) and geographical scope, the various different ways in which local peoples, groups, identities, and cultures experienced and responded to Roman power.
I particularly appreciate how the emphasis is not on accepting a sense of loyalty to Rome but rather the importance of the political currency of Roman symbols of power within a complex and wide-ranging negotiation of identity in the Mediterranean world. Perhaps one of my favourite things about the book is the diverse range of places, peoples, and evidence explored.
This book evaluates a hundred years of scholarship on how empire transformed the Roman world, and advances a new theory of how the empire worked and was experienced. It engages extensively with Rome's Republican empire as well as the 'Empire of the Caesars', examines a broad range of ancient evidence (material, documentary, and literary) that illuminates multiple perspectives, and emphasizes the much longer history of imperial rule within which the Roman Empire emerged. Steering a course between overemphasis on resistance and overemphasis on consensus, it highlights the political, social, religious and cultural consequences of an imperial system within which functions…
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This book provides an exemplary hour-by-hour guide to what life was like for a citizen of Rome at the height of its power. I love that Angela not only gives us the high-society angle, bringing us into the lush gardens and sumptuous homes of Rome’s wealthy and powerful, but also the crowded apartments and streets that were home to the vast majority of the ancient city’s citizens. You walk alongside them, getting a ground-level view of the patterns of a normal day in all its mundane details, from clothing to food to labor to entertainment, rendered in fascinating prose.
The wondrous extravagance of banquets where flamingos are roasted whole and wine flows like rivers. The roar of frenzied spectators inside the Colosseum during a battle between gladiators. A crowd of onlookers gathered at a slave auction. The silent baths and the boisterous taverns...Many books have dealt with the history of ancient Rome, but none has been able to so engage its readers in the daily life of the Imperial capital.
This extraordinary armchair tour, guided by Alberto Angela with the charm of a born storyteller, lasts twenty-four hours, beginning at dawn on an ordinary day in the year 115…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
There are, of course, lots of amazing non-fiction resources on Ancient Rome, but I love the way this one is written as a travel guide, as though you’re a tourist clutching a copy of Lonely Planet.
This is a fun and accessible book, easy to dip in and out of, but also great to read in one hit. There aren’t any emperors or empire-defining battles in this one, just walking tours of the city, tips on where to eat and what to see, and where to go for shopping and entertainment.
The only disappointing thing about this book is the realisation that time travel isn’t actually a thing.
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
Very few histories of Rome manage to be both trenchant and laugh-out-loud funny. Emma Southon’s is one. I was laughing and wincing at the same time. I was especially impressed because many of the figures Southon discusses (Tanaquil, Lucretia, Tarpeia) are shrouded in Rome’s self-serving patriotic myths.
Southon tells their stories in a colorful, empathetic narrative that dares to imagine what the women’s point of view might have been like. She also makes clear how much Rome, that quintessentially patriarchal ancient empire, imagined itself as founded on the bodies of women.
From the acclaimed author of A Fatal Thing Happened on the Way to the Forum, a wildly entertaining new history of Rome that uses the lives of 21 women to upend our understanding of the ancient world
The history of Rome has long been narrow and one-sided, essentially a history of “the Doing of Important Things.” And as far as Roman historians have been concerned, women don’t make that history. From Romulus through the political stab-fest of the late Republic, and then on to all the emperors, Roman historians may deign to give you a wife or a mother to…
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
