Here are 100 books that Menaechmi; Or, The Twin-Brothers fans have personally recommended if you like
Menaechmi; Or, The Twin-Brothers.
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The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Not necessarily the world’s first novel (the world’s first novel is probably lost) nor even the world’s first great novel (that would be Petronius’ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the world’s first great novel that has survived through the centuries intact.
It’s the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.
That doesn’t sound so bad, but no one’s ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! There’s nothing filthy about it! But no one will believe you!
Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
A self-contained description of a war fought in Africa against an ambitious monarch, in which the Roman superpower struggles with an elusive enemy. Roman efforts are badly hampered by corrupt generals and Sallust, writing a generation later makes no attempt to conceal his contempt for the aristocratic establishment which happily pocketed Jugurtha's bribes. A book that reads well and is relevant today. Get the Oxford University Press edition, and get the Catiline conspiracy thrown in for free.
Sallust (86-c. 35 bc) is the earliest Roman historian of whom complete works survive, a senator of the Roman Republic and younger contemporary of Cicero, Pompey and Julius Caesar. His Catiline's War tells of the conspiracy in 63 bc led by L. Sergius Catilina, who plotted to assassinate numerous senators and take control of the government, but was thwarted by Cicero. Sallust's vivid account of Roman public life shows a Republic in decline, prey to moral corruption and internal strife. In The Jugurthine War he describes Rome's fight in Africa against the king of the Numidians from 111 to 105…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
With this one I'm not going to recommend an edition, because while Martial is witty, bitingly sarcastic and a keen commentator on his society he can also be breathtakingly obscene. Imagine teenage scrawls on toilet walls - if those scrawls were written by Shakespeare - and you'll be close enough. So pick your edition with care – however broad you imagine your mind to be, an unexpurgated Martial will stretch it a bit more and have you chuckling and nodding the rest of the time.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
The fact that this trilogy was turned into a stage show is a measure of
its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.
Apparently, he spent several years immersing himself in contemporary
literature before putting pen to paper, and it really shows. I admired
how his research paints vivid background colour without ever stepping
upon the toes of the brilliantly drawn characters. I loved his Cicero
(and Caesar and Pompey and Antony) and, despite some tough competition,
cannot think of any historical figures so authentically portrayed in any
other Roman historical fiction.
And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke…
When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history.
The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.
This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us…
Ever since I spent a day wandering the Roman forum, imagining Caesar’s funeral at the site of his pyre, standing on the Palatine imagining living in palatial Palatine splendor, and looking down on Senators, plebeians, public baths, the Colisseum, temples, statues, basilicae, patricians, slaves, street vendors, centurions, courtesans, ladies, gladiators, urchins, schoolboys, pickpockets, and priests, I knew I wanted to write about it. I have done intensive research, with skills honed earning a Ph.D. in English from Lehigh University (specialty: literary-historical). I seek out literary historical novels, novels with distinctive style, artful plotting, engaging characterization, and historical fidelity.
In an ancient Roman Britain garrison town, Roman army physician, Ruso, and his native wife, Tilla, investigate a series of murders. Worse, Emperor Hadrian is coming. Ratcheting tension. The central issue in Semper Fidelis is the rivalry between Roman legionaries and Briton conscripts. The crime is solved, but the story doesn’t end. Briton conscripts riot, and, Hadrian absent, his empress, Sabina, must intercede.
The empress Vibia Sabina (posthumously deified), is my favorite character. Neglected, bored, sarcastic, calculating, duplicitous, funny, she is the perfect spoiled patrician matron. What I like best is how everybody lies to everybody in Semper Fidelis, a tour-de-force of mendacity. An interesting, different, more-than-just-murder-mystery historical novel.
When Ruso rejoins his unit in the remote outpost of the Roman Empire known as Britannia, he finds that all is not well with the Twentieth Legion. As they keep a suspicious eye on the barbarians to the north, the legionaries appear to have found trouble even closer to home-among the native recruits to Britannia's imperial army.
A young soldier has jumped off a roof, killing himself. Why? Mysterious injuries, and even deaths, begin to pile up in Ruso's medical ledgers, and it soon becomes clear that this suicide is not an isolated incident. Can the men really be under…
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
I picked up this book years ago at my local library by chance, if you believe in chance—which I do not. At that time, I had no idea the narrative of a historical romance could stretch back to Iron Age times, or that I could lose myself in the characters who populated the legends I love. For years, I’d been listening to Celtic music. In Patricia Finney’s wonderful story, I heard that music in the everyday world she created. I discovered how it feels to drive a chariot. Quite possibly, I revisited a past life. I will be forever grateful this book came into my hand.
I am an Emeritus Professor of Archaeology at Cardiff University. I have been writing books on later prehistoric and Romano-British and Roman provincial cults and customs since the 1980s, and my fascination with this subject remains undimmed. I have travelled all over the world as a visiting lecturer and in 2015 my book Bog Bodies Uncovered won two US Books of the Year awards. I have always been of the view that research is pointless unless it is shared and easily communicated, and so I try to avoid academic jargon and to present my publications both as accessible to general readers and as relevant to people at the cutting edge of their own research.
This well-illustrated and highly readable book (available in hardback and paperback) is a comprehensive discussion of archaeological evidence for sacred buildings in late Iron Age and Roman Britain: ranging from grand Classical public sanctuaries, such as the temple of Claudius at Colchester, to rural, more intimate shrines, such as the temple dedicated to Apollo Cunomaglus at Nettleton in Wiltshire. Many sanctuaries, particularly in south-west England, seem purposefully to have been built within a day’s walk of each other and (sometimes, perhaps) within sight of one another, and it is tempting to see these ‘chains of sanctity’ as pilgrim routes, akin to the Camino trails of southern France and northern Spain. Reconstruction drawings in this book cause the ruins of Roman Britain’s shrines to spring into life, and make it easy to imagine what it must have been like to visit and worship at these holy places. The finds, also, tell…
Based on new findings over the last 40 years, this book explores the ritualistic and cultic practices in Britain during the transitional period between paganism and early Christianity. A major theme running through the book is the continuity, or otherwise, between the cult sites, symbolism and rituals of the different periods: Iron Age, Roman and post-Roman. In the last 40 years, shrines at Lydney, South Cadbury, Uley, Bath and Maiden Castle and the great Roman cemeteries outside Winchester and Dorchester, have been excavated, together with a great number of other religious sites dating from the Iron Age, Roman and post-Roman…
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
Mentions of the historical Arthur—a war duke, not a king—date him to the late 5th and early 6th centuries. Merlin’s dates are fuzzier. Whyte sets this tale of Merlin’s origins in Roman Britain, consistent with the historical Arthur, as the withdrawal of Rome’s legions leaves the colony subject to invasion and insurrection. Young Publius, nicknamed Merlin, is a soldier and a blacksmith. He and his cousin Uther battle to keep Britannia from crumbling around them as Roman society is beset by external marauders and internal strife. Through it all, Merlin is intrigued by stories of a stone that fell from the sky—an iron-rich meteorite that has rendered steel, and which Merlin can forge into an incredible sword. In this richly developed story, Merlin is not a druid or a sorcerer, but a smith.
In a time preceding King Arthur and Camelot, two Roman men, Publius Varrus and Caius Britannicus, Arthur's great-grandfathers, try to preserve the best of Roman life and build a new culture out of the wreckage of the old and, in doing so, create a legend, in a new edition of the first volume in the
