The most recommended books on Eritrea

Rich in interesting and juicy detail, this account of governance in Africa presents a chronicle, rather than an analysis, of what was, and still is, wrong with the continent. Kenyon tells the story of state and power differently, basing it on personalities and circumstances, rather than ages-long continuities. His personalities are the corrupt leaders of seven unhappy countries, who managed to amass enormous power and keep it for decades. With such personalities come passions, greed, and immeasurable cruelty to their compatriots, all presented in intimate detail, as the author saw it all – he was there. But the global context does not go away. None of his “heroes” could have turned into the monsters they became without the interaction with and support, even if indirect, of global actors who needed the resources which their countries possess, natural or human. 

Who hasn’t looked for advice on how to be happy? I found wisdom in this book that, in addition to laughing, it made me reflect.

I realized that happiness is not an objective; it is in us, in the way we feel about ourselves. This book came to my hands when I was lost in life and gave me direction. It made me see that I was like Hector, living in the past, wondering how my life could be if I only had done something different. I learned that first, I needed to see what makes me happy.

While reading it, I took several notes that later helped me to order my own life and see who I was. And now I can share that it worked! This book was a lifesaver for me.

What would happen if a randy teenage boy became Emperor of Rome after winning a pitched battle against a usurper? Would the magisterial traditions and decorum of the office triumph over adolescent hormones or vice versa? Actually, there is no need to speculate about the answer, because it happened in real life and was recorded in several ancient histories that have come down to us. This novel, though billed upon its publication as erotic, is quite closely based on those histories. Clue: the hormonal impulses of teenage boys are quite hard to suppress.

I love this book because it amply illustrates the ways global geopolitics damage far less powerful countries, such as Eritrea. Wrong shows how stronger countries’ national desires deeply limited the opportunities of those in a small country. The Italians were Eritrea’s first occupiers. They were defeated by the British and the tens of thousands of Ethiopian and Eritrean soldiers who fought alongside them.

The book’s title comes from a legend of an old woman thanking the British for their release from Fascist rule. He told her he “didn’t do it for” her. And indeed, the British did not. After their victory, they stripped and destroyed a great deal of the well-built Italian infrastructure. The Italians were followed by Ethiopia, who claimed historical rights backed by key global players, leading to a long civil war.

Wrong’s tale is a haunting one for many reasons. One is that the wrongdoers seem to… show more.

The Crossing really moved me. It’s an unforgettable story of two young people who suffer extreme trauma and struggle to find their way to a better future. Nat is in England, her mother has died, and in her honour Nat sets herself the task of raising money for refugees by swimming the Channel. Sammy, in Eritrea, has witnessed the political murder of his father and is soon to be drafted into the army, where he knows he will be tortured. I love the way the author weaves their first-person stories together, till we feel the two must meet. Sammy’s desperate journey, with its horrors, hunger, despair, and unimaginable hardship, is particularly graphically told.

I found this story of bravery shocking and frightening, but not without hope.

Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in… show more.

Folklore and nature conservation is a subjects close to my heart. When I met my husband, an ecologist, many of our first conversations were on the importance of narrative to get people interested in conservation efforts. Folklore is the perfect tool.

This book does that job beautifully. As a piece of narrative nonfiction, it collects fairy tales, personal memoirs, and natural history in a lyrical journey through the forests of England. Maitland centers each chapter on an English woodland and the stories associated with it, be they fairy tales or history. More importantly, she discusses not only how myth shapes culture, but how landscape shapes myth. I reference it time and again not only as an academic, but as an author who creates worlds rich in landscape and folklore.

A double homicide in Sicily. Innocent, eccentric, small-town characters. The Mafia, the church, and a stifling, frightening nightmare world portrayed with humor, humanity, and a diamond-tipped eye for detail: that’s Leonardo Sciascia’s 1960s detective novel classic, To Each His Own (A ciascuno il suo). The writing is clean, clear, nervy, and seductive—some of the best crime writing, period. It even survives translation. This book is at least as good as The Godfather and better than anything by Andrea Camilleri. As you turn the pages, you’re not only transported to off-the-beaten-track, real-deal Sicily. You feel the grit. You smell it. You enter the heads and hearts of Sicilians. Written over 50 years ago, To Each His Own needs no refreshing. That world never changes.

Ruby is new to school as she enters Miss Hart’s class. Ruby’s desk is right behind Angela’s. Angela seems to be a self-possessed, lovely young girl and, right away, Ruby is quite taken with Angela.  She wants to be her friend. Perhaps Ruby wants to be noticed and equally admired by this potential new friend, and so she imitates Angela in every way. It gets old fast. Miss Hart handles the situation admirably well, with utmost respect and sensitivity. (I wish I had encountered more teachers like that as a kid.)  Rathmann captures kids’ innocent foibles, well. The artwork is adorable and expressive and loose. Great humor. Full of humanity. 

In a world where the number of forcibly displaced people is rising faster and to the highest levels ever, I believe this beautifully written story of fourteen-year-old Alem is incredibly important. Thinking he’s on a short holiday to the UK with his father, Alem, who is an aspiring architect, happily soaks in the sights and sounds, making apt comparisons between London and the urban landscapes and architecture of Ethiopia. However, Alem is about to have his world turned upside down. The next day, his father abandons him in the UK in a desperate attempt to keep him safe from the war between Ethiopia and Eritrea. This means Alem is forced to navigate the asylum process and get used to living in the UK while trying desperately to hang onto the hope that his parents are still alive and that they might one day be reunited as a family.