Here are 100 books that I Didn't Do It for You fans have personally recommended if you like
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By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
All of Kapuscinski’s books are gems. He traveled Africa and other parts of the developing world as a Soviet journalist. The Emperor describes the rule and decline of the Ethiopian Emperor, Haile Selassie. The dry day-to-dry accounts of the emperor’s benign neglect for his people is chilling. Haile Selassie knew to keep those around him happy and not to worry about the people: “A man starved all his life will never rebel…. No one raised his voice or hand there. But just let the subject start to eat his fill and then try to take the bowl away, and immediately he rises in rebellion. The usefulness of hunger is that a hungry man thinks only of bread.”.
A "sensitive, powerful ... history" (The New York Review of Books) of a man living amidst nearly unimaginable pomp and luxury while his people teetered netween hunger and starvation.
Haile Selassie, King of Kings, Elect of God, Lion of Judah, His Most Puissant Majesty and Distinguished Highness the Emperor of Ethiopia, reigned from 1930 until he was overthrown by the army in 1974. While the fighting still raged, Ryszard Kapuscinski, Poland's leading foreign correspondent, traveled to Ethiopia to seek out and interview Selassie's servants and closest associates on how the Emperor had ruled and why he fell. This is Kapuscinski's…
By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
The breadth of Meredith’s book makes it a true masterpiece. He covers the political history of virtually every African state from independence through the end of the century. Each chapter is as compelling as it is brutal.
First published in 2005, The Fate of Africa was hailed by reviewers as "A masterpiece....The nonfiction book of the year" ( The New York Post ) "a magnificent achievement" ( Weekly Standard ) "a joy," ( Wall Street Journal ) and "one of the decade's most important works on Africa" ( Publishers Weekly , starred review). Now Martin Meredith has revised this classic history to incorporate important recent developments, including the Darfur crisis in Sudan, Robert Mugabe's continued destructive rule in Zimbabwe, controversies over Western aid and exploitation of Africa's resources, the growing importance and influence of China, and the…
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
As the author of a book on the Democratic Republic of Congo myself, I should have felt fiercely competitive with Van Reybrouk, a Belgian playwright, poet, and author. In fact, I loved this book. He tells this enormous country’s complex history, from King Leopold’s 19th-century giant land grab through to Patrice Lumumba's premiership, Marechal Mobutu Sese Sekos’ overthrow, Laurent Kabila’s Rwandan-backed takeover and beyond, almost exclusively through the testimony of living Congolese citizens, making it not only extraordinarily fresh, but utterly authentic as a record of the past. It’s a long book – 150 years of history, addressed at a leisurely pace, takes up a lot of paper - but every chapter is a jewel.
'Not only deserves the description "epic", in its true sense, but the term "masterpiece" as well' Independent
This gripping epic tells the story of one of the world's most critical failed nation-states: the Democratic Republic of Congo. Interweaving his own family's history with the voices of a diverse range of individuals - charismatic dictators, feuding warlords, child soldiers, and many in the African diaspora of Europe and China - Van Reybrouck offers a deeply humane approach to political history, focusing squarely on the Congolese perspective and returning a nation's history to its people.
By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
By far the most academic of our recommendations, Throup and Hornsby describe the constraints that having to hold an election imposes on leaders and, most tellingly, how easy leaders find it to flaunt these binds.
This book uses the Kenyan political system to address issues relevant to recent political developments throughout Africa. The authors analyze the construction of the Moi state since 1978. They show the marginalization of Kikuyu interests as the political economy of Kenya has been reconstructed to benefit President Moi's Kalenjin people and their allies. Mounting Kikuyu dissatisfaction led to the growth of demands for multi-party democracy. The book places contemporary Kenyan politics and the 1992 election in their historical context, contrasting the present multi-party era with the previous one during the sixties. The authors question the hopes for a \u201csecond independence\u201d…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.
It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.
FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020
'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah
Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I loved this book because it clearly demonstrates not only how Western Kenyans (in this case, the Luo) think about their economy but also its resilience despite more than 100 years of Western imposition. Shipton shows that Luo acts within relationships and thinks of economics in terms of giving and receiving. Thus, it is better to always be indebted to a number of people (including the dead and land) in the sense that you “owe” them something. This is what Shipton calls entrustment. It is an obligation but also strategic.
Such a way of life creates a more stable and resilient future for small-scale farmers and herders. Rather than seeking a more holistic economy in the West, we need only learn from our global neighbors about their centuries-long systems that have served them well.
This groundbreaking book addresses issues of the keenest interest to anthropologists, specialists on Africa, and those concerned with international aid and development. Drawing on extensive research among the Luo people in western Kenya and abroad over many years, Parker Shipton provides an insightful general ethnography. In particular, he focuses closely on nonmonetary forms of exchange and entrustment, moving beyond anthropology's traditional understanding of gifts, loans, and reciprocity. He proposes a new view of the social and symbolic dimensions of economy over the full life course, including transfers between generations. He shows why the enduring cultural values and aspirations of East…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I loved Rist’s book because it totally changed the way I thought about the idea of development. It made it more complicated and far more sinister than I had been led to believe. His definition alone is provocative: development destroys social and environmental systems. But there is much more here to get one thinking.
He starts by saying that development is a plastic word with so many different meanings that it can apply to almost anything. He traces its use in the West and then its application as a universal ideal through foreign policy and international institutions (like the United Nations and World Bank). The result is global disparity. Development somewhere requires poverty (or less development) elsewhere on a finite planet.
In this landmark text, Gilbert Rist provides a comprehensive and compelling overview of what the idea of development has meant throughout history. He traces it from its origins in the Western view of history, through the early stages of the world system, the rise of US hegemony, and the supposed triumph of third-worldism, through to new concerns about the environment and globalization.
Assessing possible postdevelopment models and considering the ecological dimensions of development, Rist contemplates the ways forward. Throughout, he argues persuasively that development has been no more than a collective delusion, which in reality has resulted only in widening…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love Ferguson’s book because it seeks to be useful rather than academic. He uses the category of “Africa” to understand large-scale dynamics that have perpetually underestimated or misunderstood the agency of Africans.
For example, globalization is not passing over Africa; it is deeply implicated there but in isolated ways that perpetuate inequalities rather than erase them, as globalization proponents promote. Or that global capital can thrive in a failed state without peace, property law, or many other attributes of the modern state.
Again, like in all my book picks, Ferguson is eager to show how Africa’s role in global society is not in the shadows but in full sun, illuminating aspects of our world order that many would rather not look at straight on.
Both on the continent and off, "Africa" is spoken of in terms of crisis: as a place of failure and seemingly insurmountable problems, as a moral challenge to the international community. What, though, is really at stake in discussions about Africa, its problems, and its place in the world? And what should be the response of those scholars who have sought to understand not the "Africa" portrayed in broad strokes in journalistic accounts and policy papers but rather specific places and social realities within Africa?
In Global Shadows the renowned anthropologist James Ferguson moves beyond the traditional anthropological focus on…
Born the same year as Winona Ryder, Tupac Shakur, and Elon Musk, I’m a Toronto-based writer of novels, short fiction, graphic stories, nonfiction, and scripts for film and television. My YA books include the graphic novella The Lion of Africa, the supernatural, climate change-fuelled Daughters of Lighttrilogy, and the hard-hitting Since You’ve Been Gone. My writing gives voice to strong, diverse protagonists in urban settings who are dealing with seemingly insurmountable challenges. I’ve been a special education teacher for more than 20 years and my characters are often inspired by the amazing young people I’ve worked with. The cities in my work are living, breathing entities that shape the plot and the protagonist’s character.
In a world where the number of forcibly displaced people is rising faster and to the highest levels ever, I believe this beautifully written story of fourteen-year-old Alem is incredibly important. Thinking he’s on a short holiday to the UK with his father, Alem, who is an aspiring architect, happily soaks in the sights and sounds, making apt comparisons between London and the urban landscapes and architecture of Ethiopia. However, Alem is about to have his world turned upside down. The next day, his father abandons him in the UK in a desperate attempt to keep him safe from the war between Ethiopia and Eritrea. This means Alem is forced to navigate the asylum process and get used to living in the UK while trying desperately to hang onto the hope that his parents are still alive and that they might one day be reunited as a family.
'Playful, obstinate and courageously humorous ... hilarious and later heartbreaking' Guardian
'Sweet, funny, highly inventive' Yorkshire Post
The personal, funny and poignant tale of a young refugee, from acclaimed storyteller Benjamin Zephaniah
Acclaimed performance poet and novelist Benjamin Zephaniah's honest, wry and poignant story of a young refugee left in London is of even more power and pertinence today than when it was first published.
Life is not safe for Alem. His father is Ethopian, his mother Eritrean. Their countries are at war, and Alem is welcome in neither place.
So Alem is excited to spend a holiday in London…
I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found.
Ruby is new to school as she enters Miss Hart’s class. Ruby’s desk is right behind Angela’s. Angela seems to be a self-possessed, lovely young girl and, right away, Ruby is quite taken with Angela. She wants to be her friend. Perhaps Ruby wants to be noticed and equally admired by this potential new friend, and so she imitates Angela in every way. It gets old fast. Miss Hart handles the situation admirably well, with utmost respect and sensitivity. (I wish I had encountered more teachers like that as a kid.) Rathmann captures kids’ innocent foibles, well. The artwork is adorable and expressive and loose. Great humor. Full of humanity.
Let the Scholastic Bookshelf be your guide through the whole range of your child's experiences--laugh with them, learn with them, read with them!
It's the first day of school, and Ruby is new. When her classmate Angela wears a red bow in her hair, Ruby comes back from lunch wearing a red bow, too. When Angela wears a flowered dress, suddenly Ruby's wearing one, too. Fortunately, Ruby's teacher knows a better way to help Ruby fit in--by showing how much fun it is to be herself!
