Love Ruby the Copycat? Readers share 98 books like Ruby the Copycat...

This feels like a fairy tale, of sorts. A curious feel to it. It is touching and evocative and strange - in that good and compelling way. Larky Mavis is somehow an endearing outcast in her small village. Is she a gypsy, is she homeless? The village sees her as socially unacceptable. Not “normal.” It would be interesting to hear the child reader’s take. I would guess a child would relate to Larky’s guilelessness - her open heart and her trust in others. Larky finds 3 peanuts. She does not eat the third one because she sees a baby inside. Perhaps a metaphor for seeing the potential in life if one’s heart is open enough. She shares her delightful discovery with others from town.

These individuals feel they are more the expert in knowing what is inside this peanut. One declares it a worm, another a mouse, another a deformed… show more.

Leon and his mom are new to town. His dad is in the army. Leon shares his new room with his imaginary friend, Bob. Their friendship is as important as it is real, to Leon. A tender and loving relationship. A boy moves in next door. Read the book to see how sweet this deceivingly simple story is. The words are sparse and well-chosen. The artwork is loose and expressive ink linework. Beautiful watercolor washes. The imaginary friend theme is treated in a fresh way. I am always touched by the portrayal of little boys’ natural sweetness - as they really are when allowed to be. 

The Little Bear series is my all-time favorite of the early reader genre; Minarik’s wisdom about childhood worries and pleasures shines on every page, and Sendak’s rich, delicate drawings gorgeously render an entire world. In this gentle tale of friendship, Little Bear meets a human girl, Emily, who is lost in the woods. He helps her find her family, and soon they are fast friends, playing games, helping Duck baby-sit, and even attending a party at Owl’s house. When Emily’s doll Lucy breaks her arm, only Little Bear knows what to do. But when the summer ends, will Little Bear ever see Emily again?  

This Is David Small’s very first book that he both wrote and illustrated. I came upon this book in my mid-twenties. I have cherished it ever since. Great artwork with a limited palette due to the archaic 4-color printing process used back then. With this book, it works! Beautiful artwork and humorous wording. Mother Lumps and her baby daughter, Eulalia, are frogs. A mother’s favorite thing happens - Mother Lumps encounters another mother claiming her children are perfect and, therefore, she is perfect as a mother. Grrrrr. Walking along, they encounter a doll left behind at a picnic. They think the doll is a real child. Mother Lumps sees her as abandoned and takes her home. It is so adorable how the story unfolds. I tear up every time. A lovely message is conveyed.

David Shannon first wrote and illustrated this book when he was very young. When he rewrote it as an adult, he only added a few words but the results are outrageously funny. My favorite line and illustration, “Come back here, David!” is complete with a naked behind racing down the street. Words and pictures are sure to evoke a riot of giggles.

I love this book because it amply illustrates the ways global geopolitics damage far less powerful countries, such as Eritrea. Wrong shows how stronger countries’ national desires deeply limited the opportunities of those in a small country. The Italians were Eritrea’s first occupiers. They were defeated by the British and the tens of thousands of Ethiopian and Eritrean soldiers who fought alongside them.

The book’s title comes from a legend of an old woman thanking the British for their release from Fascist rule. He told her he “didn’t do it for” her. And indeed, the British did not. After their victory, they stripped and destroyed a great deal of the well-built Italian infrastructure. The Italians were followed by Ethiopia, who claimed historical rights backed by key global players, leading to a long civil war.

Wrong’s tale is a haunting one for many reasons. One is that the wrongdoers seem to… show more.

Folklore and nature conservation is a subjects close to my heart. When I met my husband, an ecologist, many of our first conversations were on the importance of narrative to get people interested in conservation efforts. Folklore is the perfect tool.

This book does that job beautifully. As a piece of narrative nonfiction, it collects fairy tales, personal memoirs, and natural history in a lyrical journey through the forests of England. Maitland centers each chapter on an English woodland and the stories associated with it, be they fairy tales or history. More importantly, she discusses not only how myth shapes culture, but how landscape shapes myth. I reference it time and again not only as an academic, but as an author who creates worlds rich in landscape and folklore.

The Crossing really moved me. It’s an unforgettable story of two young people who suffer extreme trauma and struggle to find their way to a better future. Nat is in England, her mother has died, and in her honour Nat sets herself the task of raising money for refugees by swimming the Channel. Sammy, in Eritrea, has witnessed the political murder of his father and is soon to be drafted into the army, where he knows he will be tortured. I love the way the author weaves their first-person stories together, till we feel the two must meet. Sammy’s desperate journey, with its horrors, hunger, despair, and unimaginable hardship, is particularly graphically told.

I found this story of bravery shocking and frightening, but not without hope.

I absolutely love this book. As a psychotherapist (and author) myself, I felt like the main character's journey mirrored my own. Like Hector, I found myself questioning whether I was truly happy and even whether my patients were happy. This book inspired me to spend a year researching happiness, only to realize that the real key wasn’t happiness—it was meaning.

In fact, this book should be called Hector and the Search for Meaning! It was the catalyst for my own journey to write my book.

Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in… show more.