Here are 100 books that The Crossing fans have personally recommended if you like
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My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
Letters from Rifka is immediately appealing because the author tells us that it is based on memories.
I was immediately drawn into the story by the engaging voice of the 12-year-old narrator, who writes her story in letter form. Rifka is a Russian Jew fleeing with her family from persecution in 1919. It is a story of a desperate flight, across Ukraine and into Poland, and from there, hopefully, to America. But, so close to freedom, Rifka is detained in a hospital for contagious diseases on Ellis Island, and may not be allowed to travel on with her family. Rifka’s character is so well drawn, her impish, positive voice so lovable, that MG readers won’t fail to love this book and care deeply about the plight of people who are forced to leave their homes forever.
From Newbery media winner Karen Hesse comes an unforgettable story of an immigrant family's journey to America.
"America," the girl repeated. "What will you do there?" I was silent for a little time. "I will do everything there," I answered.
Rifka knows nothing about America when she flees from Russia with her family in 1919. But she dreams that in the new country she will at last be safe from the Russian soldiers and their harsh treatment of the Jews. Throughout her journey, Rifka carries with her a cherished volume of poetry by Alexander Pushkin. In it, she records her…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
This is a beautifully written account of how 8-year-old Jeanne d'Arc Umubyeyi (Dédé) escaped the 1994 massacre of the Tutsi ethnic group at the hands of the Huti tribe. Jeanne was the only member of her family to survive. The horror of what she went through is vividly recounted in Jeanne’s words and those of her adoptive mother Hanna Jansen, who adopted her and brought her to Germany.
It is a very powerful, true, story. I had heard of the Rwandan massacre, but knew little about it till I read this novel.
I love the book and have re-read it several times. Young adults will identify strongly with both Jeanne and Hanna.
Before that fateful April day, Jeanne lived the life of a typical Rwandan girl. She bickered with her little sister, went to school, teased her brother. Then, in one horrifying night, everything changed. Political troubles unleashed a torrent of violence upon the Tutsi ethnic group. Jeanne's family, all Tutsis, fled their home and tried desperately to reach safety.
They did not succeed. As the only survivor of her family's massacre, Jeanne witnessed unspeakable acts. This haunting story was told to Jeanne's adoptive mother, and here she makes unforgettably real the events of the 1994 Rwandan genocide.
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
13 year old Tara is a Kurd living in Iraq. Overnight her world is turned upside down as her people are under bombardment from the government of Saddam Hussein and she has to flee for her life. It is 1970. Tara and her mother and little sister Hero and brother make a difficult, dangerous overnight journey across the mountains into Iran, but even there their lives are in danger. They have no idea what has happened to Tara’s father and brother, or if they will ever see them again.
I knew little about the Kurds until I read this book. Laird’s sympathetic and well-researched novel took me into the heart of these people who have no homeland, this family, and this teenaged war refugee.
Tara is an ordinary teenager. Although her country, Kurdistan, is caught up in a war, the fighting seems far away. It hasn't really touched her. Until now. The secret police are closing in. Tara and her family must flee to the mountains with only the few things they can carry. It is a hard and dangerous journey - but their struggles have only just begun. Will anywhere feel like home again?
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
I really enjoyed this Y/A novel about 15-year-old Miguel and his journey across Mexico. His goal is to reach the border in the north of the country, and from there to cross to a better life, freedom from poverty and hunger, hope. The early scenes as he is preparing to leave his beloved grandmother and his friends behind are poignant and touching. Miguel’s character is extremely well-drawn. His descriptions of his country life and his attitude towards his sister 13-year-old Elena, who longs to go with him, endear the reader to this desperate and courageous boy. Imagine his feelings when he realises that Elena has disguised herself and is following him! The frustrations, dangers, and fears the siblings experience on their journey North make exciting and absorbing reading.
Over a decade since its publication, Ann Jaramillo's heartbreaking middle grade novel La Linea—about crossing the Mexican border into the US—is more timely than ever.
Miguel has dreamed of joining his parents in California since the day they left him behind in Mexico six years, eleven months, and twelve days ago. On the morning of his fifteenth birthday, Miguel's wait is over.
Or so he thinks. The trip north to the border—la línea—is fraught with dangers. Thieves. Border guards. And a grueling, two-day trek across the desert. It would be hard enough to survive alone. But it's almost impossible with…
I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in…
Often called the 'Jungle', the refugee camp near Calais in Northern France epitomises for many the suffering, uncertainty and violence which characterises the situation of refugees in Europe today. But the media soundbites we hear ignore the voices of the people who lived there - people who have travelled to Europe from conflict-torn countries such as Syria, Sudan, Afghanistan and Eritrea: people with astounding stories, who are looking for peace and a better future.
Voices from the 'Jungle' is a collection of these stories. Through its pages, the refugees speak to us in powerful, vivid language. They reveal their childhood…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There has been a revival of the study of the Russian experience in World War I over the last twenty-five years. Much of this can be explained by the opening of archives after 1991 and by the centennial of the war in 2014-2018. But the publication of this book was also enormously important. It recast the impact of the war by focusing on the experience of regular individuals rather than Petrograd elites and labor leaders. It also highlighted the massive scale of social dislocation – more than six million uprooted Russian subjects in all.
". . . a signal contribution to a growing literature on a phenomenon that has become tragically pervasive in the 20th century. . . . This highly original account combines exemplary empirical research with the judicious application of diverse methods to explore the far-reaching ramifications of 'a whole empire walking.'" -Vucinich Prize citation
"An important contribution not only to modern Russian history but also to an ongoing repositioning of Russia in broader European and world historical processes. . . . elegantly written . . . highly innovative." -Europe-Asia Studies
Drawing on previously unused archival material in Russia, Latvia, and Armenia…
Emrah Sahin is a specialist in the history of religious interactions and international operations in Islam and Muslim-Christian relations. He received a Ph.D. from McGill University, a Social Science and Humanities Research Award from Canada, the Sabancı International Research Award from Turkey, and the Teacher of the Year Award from the University of Florida. He is currently with the University of Florida as a board member in Global Islamic Studies, an affiliate in History, a lecturer in European Studies, a college-wide advisor, and the coordinator of the federal Global Officer program.
Connecting nation, migration, and narration, Stacy’s debut is a corrective to what we know about Arabs in the Americas at a time when their homeland transitioned from the Ottoman regime to the European mandate. It strikes with global strokes and fine details whether it is about women at a Brooklyn factory, a French consulate spy chasing an anti-German diplomat-turned-traitor, or some mysteriously disappearing witnesses on sight.
Since 2011 over 5.6 million Syrians have fled to Turkey, Lebanon, Jordan, and beyond, and another 6.6 million are internally displaced. The contemporary flight of Syrian refugees comes one century after the region's formative experience with massive upheaval, displacement, and geopolitical intervention: the First World War.
In this book, Stacy Fahrenthold examines the politics of Syrian and Lebanese migration around the period of the First World War. Some half million Arab migrants, nearly all still subjects of the Ottoman Empire, lived in a diaspora concentrated in Brazil, Argentina, and the United States. They faced new demands for their political loyalty…
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
Although this picture book is a bit dark and bleak for very young readers, Stepping Stones is a uniquely beautiful depiction of the refugee’s journey. The illustrations were inspired by the stone artwork of Syrian artist Nizar Ali Badr. Stones, like trees, appear to have an ancient power to tell difficult stories like no other. I love that this book focuses not only on the hardships and horrors, but also on the beauties and rituals of the life and culture left behind. So many children will have known only conflict in their short lives, and it is important that they – and the rest of us, too – learn that there was so much more, before. The story is poetically told in both English and Arabic.
Rama and her family, are forced to flee their once-peaceful village to escape the ravages of the civil war raging ever closer to their home
With only what they can carry on their backs, Rama and her mother, father, grandfather and brother, Sami, set out to walk to freedom in Europe. This unique picture book was inspired by the stone artwork of Syrian artist Nizar Ali Badr, discovered by chance by Canadian children’s writer Margriet Ruurs. The author was immediately impressed by the strong narrative quality of Mr. Badr’s work, and, using many of Mr. Badr’s already-created pieces, she set…
I’m interested in the lives and experiences of refugees and the policies and processes that support, protect, and obstruct them. I’m also interested in cities–how and why they attract people, the dangers and prospects they offer, and the unique way in which humanitarianism happens (or doesn’t happen) there. I’m an interdisciplinary academic who has spent years researching these issues and more.
A rich historical account of the experiences of Afghans living in urban Pakistan from the 1970s to the post-2001 ‘War on Terror’ period, this book provides a fascinating discussion of urban informality, what it means to belong, the role of citizenship, and the engagement and absence of the state in cities.
The book utilises ethnographic observations and interviews but also valuable archival data–raising important considerations of who gets remembered, as well as underscoring that urban refugees are not a new phenomenon.
My biggest aim as a writer is for my reader to feel something. It could be on a page where they are fighting back the tears or at the end of a chapter where they are gasping at an unexpected plot twist. I think we can sometimes forget how powerful children’s books can be – yes, they can make you cry, laugh, gasp and feel scared! Here are some of my favorites that will make you have all the feelings.
Nine-year-old Ahmet, a Syrian refugee, has arrived in Mrs. Khan’s classroom after fleeing the horrors of war. One of the things that is so striking about this book is how the children in the story have far more understanding than most adults. It is both funny and heartfelt and is a masterclass in teaching empathy – for the young and the old.
WINNER OF THE BLUE PETER BOOK AWARD 2019 WINNER OF THE WATERSTONES CHILDREN'S BOOK PRIZE 2019 SHORTLISTED FOR THE JHALAK PRIZE 2019
Told with heart and humour, The Boy at the Back of the Class is a child's perspective on the refugee crisis, highlighting the importance of friendship and kindness in a world that doesn't always make sense.
There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it.
He's nine years old (just like me), but he's very strange. He…
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