Here are 61 books that Over a Thousand Hills I Walk With You fans have personally recommended if you like
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My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
Letters from Rifka is immediately appealing because the author tells us that it is based on memories.
I was immediately drawn into the story by the engaging voice of the 12-year-old narrator, who writes her story in letter form. Rifka is a Russian Jew fleeing with her family from persecution in 1919. It is a story of a desperate flight, across Ukraine and into Poland, and from there, hopefully, to America. But, so close to freedom, Rifka is detained in a hospital for contagious diseases on Ellis Island, and may not be allowed to travel on with her family. Rifka’s character is so well drawn, her impish, positive voice so lovable, that MG readers won’t fail to love this book and care deeply about the plight of people who are forced to leave their homes forever.
From Newbery media winner Karen Hesse comes an unforgettable story of an immigrant family's journey to America.
"America," the girl repeated. "What will you do there?" I was silent for a little time. "I will do everything there," I answered.
Rifka knows nothing about America when she flees from Russia with her family in 1919. But she dreams that in the new country she will at last be safe from the Russian soldiers and their harsh treatment of the Jews. Throughout her journey, Rifka carries with her a cherished volume of poetry by Alexander Pushkin. In it, she records her…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
The Crossing really moved me. It’s an unforgettable story of two young people who suffer extreme trauma and struggle to find their way to a better future. Nat is in England, her mother has died, and in her honour Nat sets herself the task of raising money for refugees by swimming the Channel. Sammy, in Eritrea, has witnessed the political murder of his father and is soon to be drafted into the army, where he knows he will be tortured. I love the way the author weaves their first-person stories together, till we feel the two must meet. Sammy’s desperate journey, with its horrors, hunger, despair, and unimaginable hardship, is particularly graphically told.
I found this story of bravery shocking and frightening, but not without hope.
Powerful, compassionate and ultimately hopeful. Observer
WINNER OF THE COSTA CHILDREN'S BOOK AWARD 2021 and the Sunday Times Children's Book of the Week - a trailblazing novel about two teenagers from opposite worlds; The Crossing is a profound story of hope, grief, and the very real tragedies of the refugee crisis.
The sea carries our pain. The stars carry our future.
Natalie's world is falling apart. She's just lost her mum and her brother marches the streets of Dover full of hate and anger. Swimming is her only refuge.
Sammy has fled his home and family in Eritrea for the…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
13 year old Tara is a Kurd living in Iraq. Overnight her world is turned upside down as her people are under bombardment from the government of Saddam Hussein and she has to flee for her life. It is 1970. Tara and her mother and little sister Hero and brother make a difficult, dangerous overnight journey across the mountains into Iran, but even there their lives are in danger. They have no idea what has happened to Tara’s father and brother, or if they will ever see them again.
I knew little about the Kurds until I read this book. Laird’s sympathetic and well-researched novel took me into the heart of these people who have no homeland, this family, and this teenaged war refugee.
Tara is an ordinary teenager. Although her country, Kurdistan, is caught up in a war, the fighting seems far away. It hasn't really touched her. Until now. The secret police are closing in. Tara and her family must flee to the mountains with only the few things they can carry. It is a hard and dangerous journey - but their struggles have only just begun. Will anywhere feel like home again?
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
I really enjoyed this Y/A novel about 15-year-old Miguel and his journey across Mexico. His goal is to reach the border in the north of the country, and from there to cross to a better life, freedom from poverty and hunger, hope. The early scenes as he is preparing to leave his beloved grandmother and his friends behind are poignant and touching. Miguel’s character is extremely well-drawn. His descriptions of his country life and his attitude towards his sister 13-year-old Elena, who longs to go with him, endear the reader to this desperate and courageous boy. Imagine his feelings when he realises that Elena has disguised herself and is following him! The frustrations, dangers, and fears the siblings experience on their journey North make exciting and absorbing reading.
Over a decade since its publication, Ann Jaramillo's heartbreaking middle grade novel La Linea—about crossing the Mexican border into the US—is more timely than ever.
Miguel has dreamed of joining his parents in California since the day they left him behind in Mexico six years, eleven months, and twelve days ago. On the morning of his fifteenth birthday, Miguel's wait is over.
Or so he thinks. The trip north to the border—la línea—is fraught with dangers. Thieves. Border guards. And a grueling, two-day trek across the desert. It would be hard enough to survive alone. But it's almost impossible with…
As a professional historian of the Middle East, I’ve long recognized WWI as a vital turning point in the region’s history, when the ancient Ottoman Empire fell and the modern states of the Middle East took its place. Based in Oxford, I am particularly aware of this university’s role in shaping so many of those whose book captured the British experience of the Ottoman Front. But there’s also an element of family history behind my fascination, as in following the story of my great-uncle’s death in Gallipoli in 1915, I came to appreciate the magnitude of sacrifice suffered by all sides in the Great War in the Middle East.
John Buchan served in the War Propaganda Bureau during WWI, crafting press releases that sought to preserve public morale against the terrible losses on the Western Front. Already a successful novelist, he created a new character named Richard Hannay who starred in his 1915 adventure thriller The Thirty Nine Steps. Hannay was so popular that Buchan revived him for a 1916 sequel set in the Ottoman Empire that proved an enduring classic: Greenmantle. Through his work in intelligence and propaganda, Buchan was aware of British war planners’ concerns that the Ottoman call for jihad that followed their declaration of war might provoke colonial Muslims to rise against the Entente Powers in India, Egypt, North Africa, and the Caucasus. He captured British fears of an Ottoman-inspired jihad inflaming Indian Muslims with the memorably Orientalist line: “There is a dry wind blowing through the East, and the parched grasses wait the spar.…
With an introduction by Christopher Hitchens. Richard Hannay is tasked to investigate rumours of an uprising in the Muslim world and takes off on a hair-raising journey through German-occupied Europe to meet up with his old friend Sandy Arbuthnot in Constantinople, where they must thwart the Germans' plans to use religion to help them win the war. Set during World War I, Greenmantle is a controversial meditation on the power of political Islam.
I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.
It is one of the most emotionally challenging reads I have ever read. This book is a bone-chilling dissection of how teachers, peasants, and shopkeepers in apparently peaceful farmlands in Southern Rwanda went from sharing harvests and drinking with their neighbors to becoming their pitiless executioners. “Killing was less wearisome than farming,” one of the protagonists remembers during testimonies that I have wrestled with since first encountering them.
The book is the second installment in Hatzfeld’s trilogy on the Rwandan Genocide and relies almost entirely on interviews with the perpetrators in one community. I find it extraordinarily lucid in explaining how grand ideological narratives around identity politics and history interact with petty grievances and the most recognizable of desires to enable mass murder.
Navigate the darkest corridors of humanity with Machete Season–a harrowing saga that dusts off the grim truths of the Rwandan Genocide.
Rewind to April-May 1994, as the Tutsis face the unimaginable horror of annihilation under their fellow Hutu's brutal reign. The author, Jean Hatzfeld, painstakingly pieces together the chilling accounts shared by nine Hutu executioners. Recounted are not just tales of horror, but a frightening display of the dehumanizing banality of evil.
This revelation doubles as a probing exploration of the mechanisms of mass murders and their remorseless orchestrators. Delve into their candid confessions about the dreadful slaughter of approximately…
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
So many books have been written about the 1994 genocide in Rwanda since this came out, but for me it still effortlessly holds its own: clear, accessible, immensely insightful in the way it traces cause and effect. Make sure you buy the second edition, though, as French historian Prunier revised some key views over the years, including his opinion on who brought down the plane in which two African presidents died – the incident that triggered the genocide. The book is the perfect companion piece for Prunier’s follow-up tome, which pans back to examine not just Rwanda but the entire Great Lakes region during the turbulent post-genocide years: “From Genocide to Continental War. The “Congolese” Conflict and the Crisis of Contemporary Africa.”
In the spring of 1994 the tiny African nation of Rwanda exploded onto the international media stage, as internal strife reached genocidal proportions. But the horror that unfolded before our eyes had been building steadily for years before it captured the attention of the world. In The Rwanda Crisis, journalist and Africa scholar Gerard Prunier provides a historical perspective that Western readers need to understand how and why the brutal massacres of 800,000 Rwandese came to pass. Prunier shows how the events in Rwanda were part of a deadly logic, a plan that served central political and economic interests, rather…
I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school. I write of it for my grandfather, who was born of exploitation. I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives. Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing.
This influential book on the Rwandan genocide presents a nuanced analysis of how extreme violence can arise in postcolonial contexts. Through this and other writings, Mamdani has made important contributions to the study of violence, imperialism, and postcolonialism.
An incisive look at the causes and consequences of the Rwandan genocide
"When we captured Kigali, we thought we would face criminals in the state; instead, we faced a criminal population." So a political commissar in the Rwanda Patriotic Front reflected after the 1994 massacre of as many as one million Tutsis in Rwanda. Underlying his statement was the realization that, though ordered by a minority of state functionaries, the slaughter was performed by hundreds of thousands of ordinary citizens, including judges, doctors, priests, and friends. Rejecting easy explanations of the Rwandan genocide as a mysterious evil force that was…
Despite ongoing debates on the crisis of global governance and the doubts about the relevance of international institutions, the United Nations (UN) remains the central forum for global debates and a key implementer of international programs, such as peacekeeping. Coming from Ukraine, my interest in peacekeeping started with researching Ukraine’s peacekeeping contributions and evolved to include international organizations, international security, and international inequalities. I’m now a Senior Lecturer in International Politics at the City St George’s, University of London. My book (below) is the winner of the 2024 Chadwick Alger Best Book Award by the International Studies Association.
The UN’s failure to prevent or stop the 1994 genocide in Rwanda is one of the darkest episodes in the organization’s history. Salton locates some of the responsibility for this failure in the inter-departmental rivalries within the UN Secretariat, in particular, between the Department of Peacekeeping Operations and the Department of Political Affairs.
Based on the memoirs of Marrack Goulding, a Briton who served as the first head of the Department of Peacekeeping Operations when it was created in 1992, the book sheds light on member states’ interference in the UN’s work. It also explores tensions between UN headquarters in New York and the leadership of the UN peacekeeping operation in Rwanda, as well as between the diplomatic and military leadership in the operation itself. Imprecise responsibilities, unclear lines of command, competing priorities, and personal jealousies contributed to the 1994 tragedy.
Dangerous Diplomacy reassesses the role of the UN Secretariat during the Rwandan genocide. With the help of new sources, including the personal diaries and private papers of the late Sir Marrack Goulding--an Under-Secretary-General from 1988 to 1997 and the second highest-ranking UN official during the genocide--the book situates the Rwanda operation within the context of bureaucratic and power-political friction existing at UN Headquarters in the early 1990s. The book shows how this confrontation led to a lack of coordination between key UN departments on issues as diverse as reconnaissance, intelligence, and crisis management. Yet Dangerous Diplomacy goes beyond these institutional…
I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
This is a harrowing account of the genocide in Rwanda told by one of its survivors, Imaculee llibagiza, after Hutu soldiers murdered her father, mother, and two brothers during a killing spree that took the lives of a million Rwandans.
In a fight for survival, Imaculee and seven other women took refuge in a 3’ by 3’ bathroom hidden behind a wardrobe in a pastor’s home. As the machete-wielding gunmen continued hunting for more victims, Imaculee and the women remained in their cloister in silence. Her 91 days in hiding is a testimony of endurance and resilience in the face of unrestrained evil.
When everyone you love is dead, and everything you love is lost, how do you go on? Imaculee found the answer in faith, love, forgiveness, and optimism. It is a haunting story of an ordinary woman and earthly mortal forced into an enlightening spiritual experience with the…
Immaculee Ilibagiza grew up in a country she loved, surrounded by a family she cherished. But in 1994 her idyllic world was ripped apart as Rwanda descended into a bloody genocide. Immaculee's family was brutally murdered during a killing spree that lasted three months and claimed the lives of nearly a million Rwandans.
Incredibly, Immaculee survived the slaughter. For 91 days, she and seven other women huddled silently together in the cramped bathroom of a local pastor while hundreds of machete-wielding killers hunted for them. It was during those endless hours of unspeakable terror that Immaculee discovered the power of…
