I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
Chomumbhar, a small republic on the Indian Ocean, was unknown to the rest of the world until President John F. Kennedy and First Lady Jacqueline Kennedy arrived on a state visit in 1962.
Chomumbhar's colonial past, its autocratic government, and its ensuing alliance with America mark the lives of its citizens: Muni, a young untouchable housemaid who awaits the state visit; Li Li Loong, a seamstress who makes a dress that changes her life; Prime Minister Ferdinand D'Souza, the island's visionary leader, blinded by ambition and dreams for his country; Father Daniel Sullivan, an American Jesuit following in St. Francis Xavier's footsteps; Mariel Vega, a Eurasian prostitute at the US military base; and Alden Pyle, a CIA operative charged with seeding democracy in Vietnam and Chomumbhar.
This is a harrowing account of the genocide in Rwanda told by one of its survivors, Imaculee llibagiza, after Hutu soldiers murdered her father, mother, and two brothers during a killing spree that took the lives of a million Rwandans.
In a fight for survival, Imaculee and seven other women took refuge in a 3’ by 3’ bathroom hidden behind a wardrobe in a pastor’s home. As the machete-wielding gunmen continued hunting for more victims, Imaculee and the women remained in their cloister in silence. Her 91 days in hiding is a testimony of endurance and resilience in the face of unrestrained evil.
When everyone you love is dead, and everything you love is lost, how do you go on? Imaculee found the answer in faith, love, forgiveness, and optimism. It is a haunting story of an ordinary woman and earthly mortal forced into an enlightening spiritual experience with the divine in order to save her own life and those of her companions.
Immaculee Ilibagiza grew up in a country she loved, surrounded by a family she cherished. But in 1994 her idyllic world was ripped apart as Rwanda descended into a bloody genocide. Immaculee's family was brutally murdered during a killing spree that lasted three months and claimed the lives of nearly a million Rwandans.
Incredibly, Immaculee survived the slaughter. For 91 days, she and seven other women huddled silently together in the cramped bathroom of a local pastor while hundreds of machete-wielding killers hunted for them. It was during those endless hours of unspeakable terror that Immaculee discovered the power of…
As most Western media, from CNN on down, parroted the Bush administration’s talking points on the Iraq War, intellectually curious Americans turned to blogs written by Iraqis who gave first-person accounts of the war. I was riveted by the blogs of a 24-year-old Iraqi woman, an engineer, who posted under the pseudonym Riverbend, “I’m female, Iraqi, and 24. That’s all you need to know. It’s all that matters these days anyway,” she wrote in her first post on Aug. 17, 2003.
From 2003 to 2004, Riverbend wrote prolifically about life under American Occupation. The blogs were compiled into this book in 2005. Riverbend cataloged and chronicled life in wartime—a litany of rations of food, water, gas, and electricity; bombings, raids, and kidnappings; and the emotional and financial toll on her family as their ordinary middle-class lives were destroyed by the war.
Intelligent and opinionated, Riverbend gave a comprehensive testimony on a daily basis, when internet service allowed, of life under occupation. I worried about Riverbend when days went by, and she didn’t post a blog and I was always relieved when she would post an update weeks later.
Her last post in the book, dated October 22, 2007, narrates her and her family’s arrival in Syria as refugees. Riverbend went silent after that post and book entry and was feared to have died. I was happy to learn that she was alive in 2013, ten years after America’s manufactured “War on Terror” and “Operation Iraqi Freedom” that killed more than 200,000 Iraqis. Riverbend had lived as a refugee, first in Syria and later in another Arab country.
The book is a searing account of the war from the Iraqi perspective. Women’s voices are rarely heard in war narratives, which made Riverbend’s witness accounts profound and compelling. This is an important book—the most insightful testimony about the impact of the Iraq War on civilians by a citizen of Iraq.
As the Israel-Hamas conflict rages in 2024, Palestinian writers shed light on the trauma and violence of dispossession and colonization in this anthology translated from Arabic to English.
Through the controlled, curated form of poetry, eminent authors Mahmoud Darwish, Ghassan Kanafani, and Fadwa Tuqan join emerging writers, several of them women, in narrating the Palestinian experience from 1948, the beginning of the Nakba (Arabic for “catastrophe”) to today.
This book is about geography and identity, the ground beneath one’s feet and belonging, origins and history, displacement, and diaspora. There is longing everywhere in the book for what was lost—home, family, tribe, community, and culture. There is also the plight of powerlessness, occupation, and enslavement. The words that express the loss and mourning of the Palestinian people are haunting and memorable, perhaps because they are translated from Arabic, a flowery and lyrical language.
When we hear about 33,000 dead Palestinian civilians, cognitive dissonance prevents us from seeing them as distinct and individual humans who insist on autonomy and freedom as we do. These poets allow us into their arteries, veins, and capillaries to see and hear the beating hearts of a colonized, occupied, and enslaved people.
A Map of Absence presents the finest poetry and prose by Palestinian writers over the last seventy years. Featuring writers in the diaspora and those living under occupation, these striking entries pay testament to one of the most pivotal events in modern history - the 1948 Nakba. This unique, landmark anthology includes translated excerpts of works by major authors such as Mahmoud Darwish, Ghassan Kanafani and Fadwa Tuqan alongside those of emerging writers, published here in English for the first time. Depicting the varied aspects of Palestinian life both before and after 1948, their writings highlight the ongoing resonances of…
Long before Russia’s invasion of Ukraine in 2022, Russia and pro-Russian forces tried to reclaim Ukraine through armed conflict after it declared independence in 1991. More than 500,000 people died in consecutive wars from 2014, among them Volodymyr Pavliv, a soldier in the Ukrainian Armed Forces who died of shrapnel wounds in 2017. His sister, Olesya Khromeychuk, a historian, scholar, and director of the Ukrainian Institute of London, narrates her brother’s death in this meditation on grief and war.
As a memoirist, she reveals the nuances of her brother, at once patriotic, brave, complicated, and difficult. Her reflections on his splintered life add color and humanity to a flawed yet loved brother. Her portrayal of her own and her family’s grief is tender and wrenching. However, given her unique stature as a Ukrainian historian, this most personal book about the human cost of war also serves as a study of the Ukrainian people, their homeland, and their stubborn refusal to surrender to Russia.
In a larger sense, the book is about patriotism, united resistance to authoritarianism, and the psyche of an iconoclastic people invested in democratic principles and values. Olesya Khromeychuk’s elegy to her brother is an unflinching look at her irredeemable loss and the insanity of war.
WITH A FOREWORD BY PHILIPPE SANDS AND AN INTRODUCTION BY ANDREY KURKOV
'If you read only one book about the war, this is the one to read.' -Henry Marsh, author of Do No Harm
'Unforgettable. An immediate history of a cruel war and a personal chronicle of unbearable loss' -Simon Sebag-Montefiore, author of The World
Killed by shrapnel as he served in the Ukrainian Armed Forces, Olesya Khromeychuk's brother Volodymyr died on the frontline in eastern Ukraine. As Khromeychuk tries to come to terms with losing her brother, she also tries to process the Russian invasion of Ukraine: as a…
Le Li Hayslip’s wrenching memoir traces the arc of the Vietnam War as she experienced it, first as a 12-year-old, then through her teens and twenties, and finally as an American returning to her homeland.
Her tranquil childhood in a rural village explodes into smithereens with the arrival of American troops, followed by warring between the trifecta of government, Viet Cong, and the US military. This being war, children and civilians were viewed as battleground assets and recruited as spies, agitators, and saboteurs.
Le Li was one of the recruits and suffered every imaginable horror of war except death. Her resilience as a child, teenager, and woman as she endured the seemingly unendurable and unspeakable is a testament to faith and hope in humanity. Le Li Hayslip’s body was a container and reliquary for the atrocities of the Vietnam War. That she outlived her sorrow and suffering is nothing short of miraculous.
“One of the most important books of Vietnamese American and Vietnam War literature...Moving, powerful.” —Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer
In these pages, Le Ly Hayslip—just twelve years old when U.S. helicopters landed in her tiny village of Ky La—shows us the Vietnam War as she lived it. Initially pressed into service by the Vietcong, Le Ly was captured and imprisoned by government forces. She found sanctuary at last with an American contractor and ultimately fled to the United States. Almost twenty years after her escape, Le Ly found herself inexorably drawn back to the devastated country…
What happens when a novelist with a “razor-sharp wit” (Newsday), a “singular sensibility” (Huff Post), and a lifetime of fear about getting sick finds a lump where no lump should be? Months of medical mishaps, coded language, and Doctors who don't get it.
With wisdom, self-effacing wit, and the story-telling artistry of an acclaimed novelist, Elizabeth Benedict recollects her cancer diagnosis after discovering multiplying lumps in her armpit. In compact, explosive chapters, interspersed with moments of self-mocking levity, she chronicles her illness from muddled diagnosis to “natural remedies,” to debilitating treatments, as she gathers sustenance from family, an assortment of urbane friends, and a fearless “cancer guru.”
Rewriting Illness is suffused with suspense, secrets, and the unexpected solace of silence.
By turns somber and funny but above all provocative, Elizabeth Benedict's Rewriting Illness: A View of My Own is a most unconventional memoir. With wisdom, self-effacing wit, and the story-telling skills of a seasoned novelist, she brings to life her cancer diagnosis and committed hypochondria. As she discovers multiplying lumps in her armpit, she describes her initial terror, interspersed with moments of self-mocking levity as she indulges in "natural remedies," among them chanting Tibetan mantras, drinking shots of wheat grass, and finding medicinal properties in chocolate babka. She tracks the progression of her illness from muddled diagnosis to debilitating treatment…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
Rwanda,
refugees,
and
insurgency.
