100 books like Left to Tell

Alice K. Boatwright has lived in the US, England, France, and India – and her career as a writer about public health, education, and the arts has taken her around the world. She began writing short stories when she was young and holds an MFA in Writing Fiction from Columbia University. Her award-winning book about the Vietnam War era, Collateral Damage, was inspired by her own experiences during the war years in the US and the time she spent working on a project in Vietnam in 1993 and 1997. She is also the author of a short story chapbook, Sea, Sky, Islands; numerous stories published in journals, such as Calyx, Mississippi Review Online, America West, Penumbra, Stone Canoe, and Amarillo Bay; and the popular Ellie Kent mysteries, based on her experiences as an ex-pat living in an English village.

I am at heart a storyteller, with a special interest in archiving and weaving the tales of my people to give you insight into a culture that is quite different from yours. Like an archaeologist digging a forgotten world, I want to bring these stories to life in the form of words. After a long day of animal herding and chores, my family and I would sit by the fire in a vast, open desert covered in blackness, and share century-old stories. My big ears consumed these stories like a thirsty desert after a long drought, so I could one day share this library of wisdom with others.

I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others. 

For most of my life I have been fascinated by Africa, but I could never figure out a good reason to go there. Then one day in 2010 while delivering a book talk in North Carolina, a gentleman approached me afterward saying that he’d read a brief item in a missionary newsletter that morning and he thought it might make “a good story” for me. Six months later, I was on a flight to Uganda and that “good story” was born as a magazine piece before evolving into a book and finally in 2016 into a Disney movie. I have since traveled to Africa many times and it is a magical place, my home away from home.  

I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.  

My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.

As a professional historian of the Middle East, I’ve long recognized WWI as a vital turning point in the region’s history, when the ancient Ottoman Empire fell and the modern states of the Middle East took its place. Based in Oxford, I am particularly aware of this university’s role in shaping so many of those whose book captured the British experience of the Ottoman Front. But there’s also an element of family history behind my fascination, as in following the story of my great-uncle’s death in Gallipoli in 1915, I came to appreciate the magnitude of sacrifice suffered by all sides in the Great War in the Middle East.

After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.

I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school.  I write of it for my grandfather, who was born of exploitation.  I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives.  Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing. 

After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.