46 books like A Long Way Gone

O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.

The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.

This story is set in Việt Nam and paints a clear picture of the people who lived there in the 1930-1980 timeframe of the story. The family faced hardships and tragedies, including being separated for several months when they were forced to flee for their lives. One thing I really appreciated was seeing the impact and impressions of the Việt Nam war on the people of that country. My brother fought over there—he was a Ranger in the Army—during that conflict and came home very different. In fact, he’s estranged himself from the family for the past 30+ years. Reading about the conflict from the other side gives me a clearer idea of what he might have seen or done that he never would tell me about.

Learning the origin story of someone I’ve only “known” as a clever comedian and wry social/political commentator was a compelling lesson in overcoming adversity. Told in a series of vignettes, from birth to adulthood, the author brought me to a time in apartheid, South Africa, when it was illegal for a white to have a sexual or marital relationship with someone of color. 

Trevor Noah’s mother, Patricia Nombuyiselo Noah, did just that. Largely responsible for his upbringing, she protected her son in a hostile racial environment, making sure he had a good education and knew the value of hard work. The dangers she faced in raising a biracial son were visceral to me. As was his love and respect for the woman who sacrificed so much for him. 

Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.

He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.

McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood. 

And the truth he finds in the details, from the brutality of religious authority figures to the abject… show more.

Grossman is a former Army Ranger who digs deep into the psychological impact of taking human life through countless interviews with fellow soldiers of all kinds. Combining these accounts with thorough psychological research, Grossman comments on society's collective aversion to killing while helping us understand its complicated acceptance—and even encouragement—of wartime killing. What was most surprising to me was that historically, only about 4% of soldiers even fire their weapon during war, and how obviously that skews from the “norm” of combat portrayed in popular media. It’s an honest, eye-opening, and important piece of work that should be required reading for every service member, police officer, or anyone tasked with carrying society’s heaviest burden.

Ann Jones’ memoir Kabul in Winter takes the reader inside the lives of Afghan women following the overthrow of the Taliban in the early 2000s. The book includes the necessary tour of Afghanistan’s history taking the reader through major events alongside the more valuable contribution of her time in Kabul. The book’s beauty lies in Jones’ ability to explain the plight of Afghan women in the complex context of entrenched cultural norms and religious beliefs without relying on simplistic Western cliches. We get to understand that there is no easy solution, no quick fix, because the entire society is structured around an uber patriarchy. I loved how her writing didn’t hold back and how her passion shines through along with her anger and despair.

This short book is without doubt the best introduction to African travel (and in my opinion one of the greatest travel books ever written).

Ranging across the whole continent, Kapuscinski’s evocative writing, although not always sticking religiously to factual details, captures the essence—and the magic—of the place like nobody else can. The book, along with his other great works on Africa Another Day of Life and The Emperor, was a major influence on both why I wanted to get to know Africa and how I write about it. 

Ben Rawlence’s City of Thorns makes the list because of his ability to weave a powerful narrative around the day-to-day lives of refugees living in camps. Far too often our knowledge of refugees is limited to numbers—the number of people who die crossing the Mediterranean, the number living in a camp, or the amount of dollars required to ease the suffering. This book is an antidote to the numbers. Rawlence introduces us to the hopes and challenges of nine residents of what was then the world’s largest refugee camp, Dadaab, Kenya. Unfortunately for the nine, Rawlence’s book covers a period when famine and terrorism hit the Horn of Africa adding another dimension to understanding the plight of the most vulnerable caught up in the vagaries of war.

Occupational Hazards provides a glimpse into the challenges of rebuilding countries after war. In mid-2003 Rory Stewart joined the British government effort to rebuild Iraq. His time overlapped with my early days but regrettably, operating in different areas, our paths never crossed. While I was focusing on humanitarian assistance and community development, Rory was navigating the politics of Maysan province. Rory is an accomplished writer who turns the prosaic work of governance, such as ensuring local salaries are paid, into an exciting and insightful narrative of the mechanics of running an occupation. Luckily for the reader, Rory isn’t the desk-bound type and as a result, we are taken to the streets of Amara, the reed houses of the Marsh Arabs, and the delicate negotiations between competing factions who are seemingly always only one step away from civil war.

I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.

Though I’m not sure I succeeded, Breakup is that book.

I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.