I’m a writer and teacher from Ama, Louisiana, who has also been a reader of comic books since I first learned how to read. I spent many years as a columnist, reviewer, and podcaster for a now-defunct comic site, while also working on my own novels, humor columns, and even the occasional stage play. My time these days is split between my day job as a high school English teacher, my dream job writing, and my full-time job of being the father of a five-year-old.
Homicide detective Bryan Clauser is on the verge of a breakdown: as San Francisco is gripped by a series of gruesome murders, his own dreams seem to be mirroring the crimes. As Clauser tries to find the link between his dreams and the deaths, he finds himself caught up in an underground world of horrors that he is uniquely equipped to battle against. Sigler is one of my favorite modern writers, blending science fiction and horror seamlessly. In this novel, he’s given us a story that’s part gore-soaked monster movie and part superhero origin story, with characters that stay with you long after you’ve put the book down.
Scott Sigler reinvented the alien-invasion story in his bestselling novels Infected and Contagious… rebooted the biotech thriller in Ancestor…now, in his most ambitious, sweeping novel to date, he works his magic on the paranormal thriller, taking us inside a terrifying underworld of subterranean predators that only his twisted mind could invent.
Homicide detective Bryan Clauser is losing his mind.
How else to explain the dreams he keeps having—dreams that mirror, with impossible accuracy, the gruesome serial murders taking place all over San Francisco? How else to explain the feelings these dreams provoke in him—not disgust, not horror, but excitement?
I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
I’ve always enjoyed mysteries, especially police procedural stories. Harry Bosch is the kind of detective that you want to root for. During his lengthy career, Bosch followed the motto that ‘everybody counts or nobody counts.’ That approach speaks volumes to me, especially when writing my own stories.
Investigating a cold case homicide requires turning over all the evidence, digging into the interviews, and developing new theories and suspects. This is dramatically different from a ‘fresh’ case, where there can be pressure from multiple directions to find the guilty party and bring them to justice quickly.
I like Connelly’s style and have read every one of his books that I can get my hands on. Bosch ruffles feathers, but gets it done!
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The author told a riveting story I had, surprisingly, never heard before. I have read many other stories by Native writers about how Native people in America have been terribly and dishonestly treated by White people and White culture. I just had not known about this particular story, which is as terrible as any of the others. I have to really credit David Gann for making the Osage characters come alive, and not just as victims, but as wives and husbands and sons and daughters. I write nonfiction myself, and I marveled at his boldness in telling this history with the strategies and insight and boldness of a novelist.
In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover…
My father advised me that to be a good writer, I should first learn a trade and particular subject matter from the inside out. As a working criminal justice practitioner for the last two decades, I’ve been lucky to work with some of the smartest people and best run organizations in the country. I’ve always been a big reader and someone who likes to link the sometimes brutally practical, day-to-day work of running an organization (I lead New York City’s main pretrial services agency) to larger philosophical issues. My life’s goal is to show how big ideas play themselves out in the day-to-day practice of public policy.
I am a huge fan of mystery novels written by Michael Connelly featuring the detective Harry Bosch, so I was delighted to read Jill Leovy’s account of real-life homicide detectives in Los Angeles working under very difficult circumstances to provide a measure of justice to otherwise ignored crime victims and their families.
The book does a wonderful job of documenting the craft of good police work and shows how poorly functioning formal legal systems – a legacy of Jim Crow – negatively impacts Black communities.
As the fictional detective Harry Bosch likes to say, “everyone counts or no one counts.”
Leovy’s book shows what it takes for that vision of everyone counting to become a reality.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE, USA TODAY, AND CHICAGO TRIBUNE • A masterly work of literary journalism about a senseless murder, a relentless detective, and the great plague of homicide in America
NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • The Boston Globe • The Economist • The Globe and Mail • BookPage • Kirkus Reviews
My picks reflect my passion for the cozy mystery genre (which I write myself!) One of the reasons I love cozy mysteries is that justice always prevails. There is no violence, bad language, or sex on the page. The murders take place in a small town or community where everyone is known to everyone else. If you like Murder She Wrote and Midsomer Murders, you’ll enjoy this genre.
I love the adventures of bookbinder Brooklyn Wainwright. There are 15 books in the series and each one features a well-known book as a backdrop that is integral to the plot. The plots are clever with a lot of laugh-out-loud moments. Most of all I enjoy the interaction of the characters – Brooklyn was brought up in a commune and was named after the bridge beneath which she was conceived … which says it all really!
Book expert Brooklyn Wainwright discovers that murder is always a bestseller in the first novel in the New York Times bestselling Bibliophile Mystery series.
Brooklyn Wainwright is a skilled surgeon. Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer.
On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
A double homicide in Sicily. Innocent, eccentric, small-town characters. The Mafia, the church, and a stifling, frightening nightmare world portrayed with humor, humanity, and a diamond-tipped eye for detail: that’s Leonardo Sciascia’s 1960s detective novel classic, To Each His Own (A ciascuno il suo). The writing is clean, clear, nervy, and seductive—some of the best crime writing, period. It even survives translation. This book is at least as good as The Godfather and better than anything by Andrea Camilleri. As you turn the pages, you’re not only transported to off-the-beaten-track, real-deal Sicily. You feel the grit. You smell it. You enter the heads and hearts of Sicilians. Written over 50 years ago, To Each His Own needs no refreshing. That world never changes.
This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks…
I retired from the Metropolitan Police Department in Washington, DC, as a detective assigned to the Major Crimes Unit, but I’ve always been a writer at heart and an avid reader. I graduated from California State University in Long Beach, CA, with a major in Film. I am the author of six crime fiction books, three of which involve retired detective turned PI Frank Marr. This trilogy was critically acclaimed.
I’ve always been a big fan of police procedurals and courtroom drama books, and I am even bigger a fan of books with great characterizations. This book has all that.
Lissa Marie Redmond is a former cold case homicide detective for the Buffalo Police Department. Her protagonist, Lauren Riley, is also a retired cold case homicide detective, and this book is the first in a series with her. I loved this book because it has a lot of memorable courtroom scenes with nice dialogue, and I was surprised by the ending, which is not easy to do.
Lauren's job as a cold case homicide detective is her life. And life just got complicated.
Lauren Riley is an accomplished detective who has always been on the opposite side of the courtroom from slick defense attorney Frank Violanti. Now he's begging to hire her as a private investigator to help clear his client of a brutal murder. At first Lauren refuses, wanting nothing to do with the media circus surrounding the case―until she meets the eighteen-year-old suspect.
To keep an innocent teen from life in prison, Lauren must unravel the conflicting evidence and changing stories to get at the…
I have loved mysteries and crime thrillers since I worked at the legendary R.J. Julia Booksellers in high school. A lifelong love of books and movies led me to pursue a career in screenwriting and later in indie publishing. My most popular books, including Seattle On Ice, Chokecherry Canyon, and The Grimwood Trilogy all mix fast-paced action with film references and plenty of humor.
Ace Atkins is a master of the crime genre. It’s no wonder Robert B. Parker’s estate tapped him to carry on the Spenser series. He’s great at capturing places and the internal monologues of weary men. He’s also able to tell stories just seedy enough to keep readers curious, without making them cringe. The first book in Atkins’ Quinn Colson series is on par with Elmore Leonard’s Raylan Givens books. Quinn seems entirely real, the small town he returns to after a years-long absence feels lived in and believable. And the pacing is masterful. Whereas Perry drags readers along for the action, Atkins makes you feel as though you’re sitting in the backseat, riding down the winding roads of Tibbehah County in northeast Mississippi as Quinn uneasily approaches another backcountry crime scene.
Northeast Mississippi is hill country, rugged and notorious for outlaws since the Civil War, where killings are as commonplace as they were in the Old West. To Quinn Colson, just back from a tour of Afghanistan, it's home. But home has changed.
Quinn returns to a place overrun by corruption. His uncle, the county sheriff, is dead - officially it was suicide, but others whisper murder. In the days that follow, it will be up to Colson, now an Army Ranger, to discover the truth - not only about his uncle, but also about his family, friends, hometown and himself.…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
As a writer of Victorian mysteries, I love books that depict how the role of police evolved from peacekeepers to investigators. The case, the Radcliff Highway Murders of 1811, was a catalyst for that change. Truthfully, I often shouted at this book and turned the air into a dark ultramarine cloud around me. But then, I love a book that rouses my emotions.
I love PD James’s mystery novels, and although this is nonfiction, it boasts her analytic style and her skill in crafting an atmosphere. Did she and Mr Critchley identify the real killer? We’ll never know, but I will be wondering for many years to come.
In 1811 John Williams was buried with a stake in his heart. Was he the notorious East End killer or his eighth victim in the bizarre and shocking Ratcliffe Highway Murders? In this vivid and gripping reconstruction P. D. James and police historian T. A. Critchley draw on forensics, public records, newspaper clippings and hitherto unpublished sources, expertly sifting the evidence to shed new light on this infamous Wapping mystery.
This true crime novel begins amid the horror of a dark, wintry London in the year 1811. Using elegant historical detection P.D. James and police historian T.A. Critchley piece together…
