I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
I loved this book because it was the basis of the incredible show, The Wire. Before starting the book, I always wondered if in-depth journalism could be written as a thrilling story, and Mr. Simon's incredible work proved it absolutely can be.
Despite it being over 700 pages, I couldn’t put it down. The reality David Simon showed in every word and every page, in all its flawed and uncomfortable humanity, was nothing short of mesmerizing. The details were so memorable that I felt like I was walking the same streets he described. This book inspired me a great deal.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
I have always been fascinated by the dark side of human nature and the socio-psychological aspects of criminal behavior, especially those of serial killers, and my legal training and experience afforded me apt tools for exploring and writing about true crime. I have been interviewed and appeared on a wide range of podcasts, radio, and TV shows about true crime for nearly a decade.
Written by one of the founding fathers of the FBI’s vaunted Behavioral Sciences Unit, this book covers an amazing array of cases that he worked, including those of Ted Bundy, John Wayne Gacy, Edmund Kemper, Jeffrey Dahmer, and Richard Trenton Chase (and even the lesser-known John Crutchley). Full of great details from the perspective of a veteran serial killer expert, this book belongs on any serious true crime aficionado’s bookshelf.
The author of this book played a major part in the FBI's development of psychological profiles for serial killers, he even invented the term "serial killer". Whilst Thomas Harris made Ressler's work famous in fiction, Ressler did it for real. His work in the Behavioural Science Unit led him to meet some of the most notorious criminals of the 20th century - Ted Bundy, Charles Manson, John Wayne Gacy and many more. In this book, Ressler describes the process of catching these men.
Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.
Real-life P.I. Ethan Brown pulls no punches with this wrenching exposé of deep-South police corruption.
Murder in the Bayou parts the curtain on inescapable connections between eight women killed in a rural Louisiana parish between 2005-2009..
Clocking in at less than 250 pages, this one is thick as swamp fog with the backgrounds and rap sheets of all players, indicted and unindicted. Brown's boots-on-the-ground approach to this story is evident in the interviews he scored with the central characters of this backwoods underworld.
The result is not just a triumph of journalism; it's a triumph of courage. I was inspired by Brown's devotion to the story and, more importantly, to the families and friends of these marginalized women.
An explosive, true-life southern gothic story, Murder in the Bayou chronicles the twists and turns of a high-stakes investigation into the murders of eight women in a troubled Louisiana parish.
Between 2005 and 2009, the bodies of eight women were discovered around the murky canals and crawfish ponds of Jennings, Louisiana, a bayou town of 10,000 in the heart of the Jefferson Davis parish. Local law enforcement officials were quick to pursue a serial killer theory, opening a floodgate of media coverage—from CNN to The New York Times.…
I was homeschooled, and when I was young (back in the last millennium), we didn’t have a TV, so my parents read to us kids hours every day. This really helped pass the time because we lived in the middle of a cornfield, and there was nothing else to do but . . . watch corn grow! Later in my teens, I started writing myself. This has continued until today. Writing is a good way to explore the world of ideas. All of the books on this list have influenced my writing.
I can (and have) read Calvin and Hobbes all day. Perfect on many levels. This is a good book in the series. But they are all good.
The strip is all about exploring with friends. I like how the strip avoids revealing what is real and what is imaginary. The story, art, and dialog work together and show just enough to constantly excite my imagination.
Also, each time a storyline recurs, it always tops the last time it was there. The interaction of the characters is second to none. The art is unexpected in its detail and emotion. Watterson took his work seriously.
Calvin and Hobbes are at it again, and this time, our irrepressible friends are taking a walk on the wild side.
Homicidal Psycho Jungle Cat chronicles another segment of the multifarious adventures of this wild child and his faithful, but skeptical, friend. If the best cartoons compel readers to identify themselves within the funny frames, then all who enjoy Calvin and Hobbes are creative, imaginative, and ... bad, bad, bad!
Calvin, the irascible little boy with the stuffed tiger who comes to life are a pair bound for trouble. Boring school lessons become occasions for death-defying alien air battles, speeding…
At heart, I just love a juicy story. For about three years of my life, I read nothing but non-fiction and textbooks on psychology, psychotherapy, and analyses of the human condition—everything from case studies to scientific papers. Cross that with an NYPD detective for a husband, and my obsession with the criminal mind, the detective mind, and everything in between was born. I am especially drawn to stories that show how working with the underbelly of society affects a police officer’s psyche. Nobody is unscathed. It is this vision of humanity on the razor’s edge between law and crime that I find most compelling to write and read.
Being a New Yorker, I’m a sucker for any true New York books, and this one is as authentic as they come. I also really appreciated how believable Chiara Corelli is. She has all the right mix of ethical and tough, but she is also a fully realized person with both external and internal goals and needs. Really good police procedural with a healthy dose of humanity.
Just back from her second tour in Afghanistan, NYPD Detective Chiara Corelli goes undercover to expose a ring of dirty cops. But when she’s ordered to kill to prove her loyalty, she aborts the operation without having identified the leaders. Now, Corelli is the one exposed. With her brothers and sisters in blue ostracizing her, can she trust Detective P.J. Parker to watch her back?
Parker is the daughter of a vehement critic of the NYPD. But that doesn’t stop her from wanting to work in the homicide division. And wanting to learn from the best. Unfortunately, Chiara Corelli is…
As an equipment operator for the Army Corps of Engineers, I didn’t serve in a “combat” role, per se, but the engineers go wherever the military needs things built, so we were often repairing IED damage, hauling supplies outside the wire, or fortifying bases so the infantry, cavalry, etc. could do their job effectively. Coming home, I owe a lot of my successful reintegration to my writing and the many people who encouraged me to share it with the world. Now with my Master of Arts in English, I’ve taught college courses on military culture, and I present for veteran art groups, writing workshops, and high schools and colleges around the country.
Grossman is a former Army Ranger who digs deep into the psychological impact of taking human life through countless interviews with fellow soldiers of all kinds. Combining these accounts with thorough psychological research, Grossman comments on society's collective aversion to killing while helping us understand its complicated acceptance—and even encouragement—of wartime killing. What was most surprising to me was that historically, only about 4% of soldiers even fire their weapon during war, and how obviously that skews from the “norm” of combat portrayed in popular media. It’s an honest, eye-opening, and important piece of work that should be required reading for every service member, police officer, or anyone tasked with carrying society’s heaviest burden.
The good news is that the vast majority of soldiers are loath to kill in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning have developed sophisticated ways of overcoming this instinctive aversion. The psychological cost for soldiers, as witnessed by the increase in post-traumatic stress, is devastating. The psychological cost for the rest of us is even more so: contemporary civilian society, particularly the media, replicates the army's conditioning techniques and, according to Lt. Col. Dave Grossman's thesis, is responsible for our rising rate of murder among the young. Upon its first publication, ON KILLING was hailed as a…
For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.
I really enjoyed the entire 87th Precinct series, wherein Ed McBain creates the American police procedural genre.
Cop Hater, the first in the series, is hard-hitting, fast-paced, filled with complex characters, and captures the essence of a cop’s soul while giving the reader a wonderful glimpse into the world of criminal investigations.
The murder of three detectives in quick succession in the 87th Precinct leads Detective Steve Carella on a search through the city's underside and ultimately into the murderer's sights
I retired from the Metropolitan Police Department in Washington, DC, as a detective assigned to the Major Crimes Unit, but I’ve always been a writer at heart and an avid reader. I graduated from California State University in Long Beach, CA, with a major in Film. I am the author of six crime fiction books, three of which involve retired detective turned PI Frank Marr. This trilogy was critically acclaimed.
I’ve always been a big fan of police procedurals and courtroom drama books, and I am even bigger a fan of books with great characterizations. This book has all that.
Lissa Marie Redmond is a former cold case homicide detective for the Buffalo Police Department. Her protagonist, Lauren Riley, is also a retired cold case homicide detective, and this book is the first in a series with her. I loved this book because it has a lot of memorable courtroom scenes with nice dialogue, and I was surprised by the ending, which is not easy to do.
Lauren's job as a cold case homicide detective is her life. And life just got complicated.
Lauren Riley is an accomplished detective who has always been on the opposite side of the courtroom from slick defense attorney Frank Violanti. Now he's begging to hire her as a private investigator to help clear his client of a brutal murder. At first Lauren refuses, wanting nothing to do with the media circus surrounding the case―until she meets the eighteen-year-old suspect.
To keep an innocent teen from life in prison, Lauren must unravel the conflicting evidence and changing stories to get at the…
My illiterate grandparents taught me to love learning. A librarian who shared books and food with a ragged, hungry kid cemented my love of books. My fifth-grade teacher in a ghetto school took unpaid time to encourage my writing. My mother taught me to never give up my dreams. Dogs taught me the meaning of unconditional affection and loyalty. And nowadays, when I lose faith in myself, it is my wife’s love and belief in me that keeps me going. Love, in its many forms, has shaped my life.
I liked the protagonist, Kate Delafield, immediately for her straightforward manner. Within very few pages, Katherine painted a picture of the neighborhood and the bar where a murder occurred in its back parking lot, yet she never caused the story to drag. Katherine pulled me in with her succinct description of the murder scene. It was as if I stood beside Kate Delafield.
As the detectives entered the bar, I felt lesbian history reverberating down through the years. As a lesbian, I identified with Kate Delafield and with the milieu within which she had to live and do her job as a police detective. I also understood the hostility of the bar patrons—all lesbians—toward the police. Without preaching, Katherine described the larger conflict inherent in the situation.
This book was so well-written that I “felt” the emotions of the characters; the sadness that a young life had been destroyed way…
Dory Quillin, nineteen-years old, her white-blonde hair ruffled by the gentle breezes of a June evening, lies dead in the parking lot of a lesbian bar. Her bewildered silver-blue eyes stare beseechingly into the mind and soul of the woman who kneels beside her: LAPD homicide detective Kate Delafield.
The investigation is far from a simple matter. Kate uncovers shocking facts about the brief life of the murdered young lesbian. She finds her road to the killer obstructed by Dory’s uncooperative, judgmental parents, the waning interest of her own partner, and most frustrating of all, the open hostility of women…
I’m a writer and teacher from Ama, Louisiana, who has also been a reader of comic books since I first learned how to read. I spent many years as a columnist, reviewer, and podcaster for a now-defunct comic site, while also working on my own novels, humor columns, and even the occasional stage play. My time these days is split between my day job as a high school English teacher, my dream job writing, and my full-time job of being the father of a five-year-old.
Homicide detective Bryan Clauser is on the verge of a breakdown: as San Francisco is gripped by a series of gruesome murders, his own dreams seem to be mirroring the crimes. As Clauser tries to find the link between his dreams and the deaths, he finds himself caught up in an underground world of horrors that he is uniquely equipped to battle against. Sigler is one of my favorite modern writers, blending science fiction and horror seamlessly. In this novel, he’s given us a story that’s part gore-soaked monster movie and part superhero origin story, with characters that stay with you long after you’ve put the book down.
Scott Sigler reinvented the alien-invasion story in his bestselling novels Infected and Contagious… rebooted the biotech thriller in Ancestor…now, in his most ambitious, sweeping novel to date, he works his magic on the paranormal thriller, taking us inside a terrifying underworld of subterranean predators that only his twisted mind could invent.
Homicide detective Bryan Clauser is losing his mind.
How else to explain the dreams he keeps having—dreams that mirror, with impossible accuracy, the gruesome serial murders taking place all over San Francisco? How else to explain the feelings these dreams provoke in him—not disgust, not horror, but excitement?
