Love Whoever Fights Monsters? Readers share 49 books like Whoever Fights Monsters...

It is a book that deep dives into a historical event, in this case, the 1893 World Columbian Exposition. Check. It is a nonfiction book that reads like a gripping thriller, in this case, the serial killer H.H. Holmes, who built a three-story building featuring secret rooms, torture chambers, and a crematorium. Check. Chicago leaps off the page. By the end of the book, I was able to envision the massive exposition, its hundreds of temporary buildings, all white colored, interlaced with ponds and canals.

Much like that exposition helped raise Chicago up from its Great Fire, so I could see a Chicago of the past, in a glorious triumph of industry and innovation. Oh, and yeah, a serial killer constructing a horrific murder building.

In the true crime-writing biz, access to key sources is everything. Capote and his assistant, the writer Harper Lee, enjoyed nearly unfettered contact with Richard Hickock and Perry Smith, the two sad sack ex-cons who committed the infamous murders of the Clutter family in 1959 in a Kansas whistle-stop town—and swung from a rope for it.

Capote made the most of the secrets he learned from Hickock and Smith, painting a psychological portrait of the pair that stands even today as a model of reporting (even if he did bend a few facts). Capote’s descriptive genius left me feeling as if I were standing beside him on the vast Kansas prairie, pencil and notebook in hand.

Michelle McNamara waded into a new area of criminal investigation—hive investigation.

McNamara, a crime writer, got crime buffs together online, each using specific talents to search for the burglar-kidnapper-murderer who terrorized Californians for 12 years. With their help and DNA from an ancestry website, police were able to arrest ex-cop Joseph DeAngelo.

He pled guilty to 13 counts of murder and kidnapping in exchange for taking the death penalty off the table. Prosecutors called DeAngelo a poster boy for the death penalty.

Mc Namara's dogged detective work helped nab him and she is credited with the appellation Golden State Killer.

This book explores the relationship between writer and subject and provides a lesson on the lengths one should go in exercising one’s craft. An ironic twist comes in the form of Finkel himself being a victim of a crime, which gives rise to the thrust of this story. As a fan of memoirs and true crime, this book kept my interest all of the way through.

I recommend this book because it is a page-turner from the very beginning with a sick plot thanks to the warped mind of its featured killer. With no time to lose, veteran homicide detectives Sam Kovack and Nikki Liska aided by the FBI race to stop a serial killer who is brutalizing women. I love the strong relationships between partners, Kovack and Liska but also the level of tension between Kate Conlan and FBI Profiler, John Quinn. The characters are well-written and come to life before your eyes. I am personally drawn to the strength of the female crime fighters in this book. The gruesome crimes are thankfully overshadowed by the developed and relatable characters. 

As a writer of Victorian mysteries, I love books that depict how the role of police evolved from peacekeepers to investigators. The case, the Radcliff Highway Murders of 1811, was a catalyst for that change. Truthfully, I often shouted at this book and turned the air into a dark ultramarine cloud around me. But then, I love a book that rouses my emotions.

I love PD James’s mystery novels, and although this is nonfiction, it boasts her analytic style and her skill in crafting an atmosphere. Did she and Mr Critchley identify the real killer? We’ll never know, but I will be wondering for many years to come. 

Real-life P.I. Ethan Brown pulls no punches with this wrenching exposé of deep-South police corruption.

Murder in the Bayou parts the curtain on inescapable connections between eight women killed in a rural Louisiana parish between 2005-2009..

Clocking in at less than 250 pages, this one is thick as swamp fog with the backgrounds and rap sheets of all players, indicted and unindicted. Brown's boots-on-the-ground approach to this story is evident in the interviews he scored with the central characters of this backwoods underworld.

The result is not just a triumph of journalism; it's a triumph of courage. I was inspired by Brown's devotion to the story and, more importantly, to the families and friends of these marginalized women.

My great-grandfather came to Oklahoma during the Run of 1893, the fourth of the five land runs that officially opened the state to white settlement. As a kid, I was spoon-fed, uplifting stories about the state’s founding while being kept in the dark about its bleaker episodes.

One of them was the theft by white men in the 1920s of oil rights owned by the Osage people of northern Oklahoma. A story of murder, theft, and betrayal, Grann’s book made me angry about the lies I was told as a child, not to mention the injustice still shownto  Oklahoma’s indigenous population. 

I learned so much from reading this book by the bureau's pioneering profiler.

Books by profilers and local police who solve major murders often focus on the author's career. No one cares. Douglas's books focus on the crimes and the perpetrators.

He has interviewed Ted Bundy, David Berkowitz, Lynette Fromme, John Wayne Gacy, Edmund Kemper, Sirhan Sirhan, Richard Speck, Sara Jane Moore, and Charles Manson. He explains what makes them tick.

In this comprehensive study of homicide in America, Randolph Roth charts changes in the character and incidence of homicide in the U.S. from colonial times to the present. The book is particularly strong in addressing the South’s penchant for violence. In readable fashion, Roth argues that the United States, especially the South, is distinctive in its level of violence among unrelated adults―friends, acquaintances, and strangers.  Roth notes that the homicide rate rose substantially among unrelated adults in the slave South after the American Revolution; and it skyrocketed across the United States from the late 1840s through the mid-1870s, while rates in most other Western nations held steady or fell. That surge―and all subsequent increases in the homicide rate―correlated closely with four distinct phenomena: political instability; a loss of government legitimacy; a loss of fellow-feeling among members of society caused by racial, religious, or political antagonism; and a loss of faith… show more.