Teaching middle school made me painfully aware of the disparity in our students’ lives. Some kids have every advantage, while others struggle to survive without enough food, clean water, or a safe, dry place to sleep for the night. All these kids, with their diverse backgrounds, sit side-by-side in class and are expected to perform at the same academic and social levels. In my novels, I feature ordinary teens that are strong, smart, and resilient, like so many of the students who taught me as much as I taught them.
Can’t Get There from Hereis another stark look at the realities of kids living on the street. Strasser quickly drew me into the life of Maybe and her tribe of friends Maggot, 2Moro, Rainbow, and Tears. Their day-to-day existence is one of scrounging for food, looking for a safe place to sleep for the night, and avoiding those who would harm them. Adults have hurt these kids so many times and in so many ways that their reluctance to trust the police for help is totally understandable.
She lives with a tribe of homeless teens -- runaways and throwaways, kids who have no place to go other than the cold city streets, and no family except for one another. Abused, abandoned, and forgotten, they struggle against the cold, hunger, and constant danger.
With the frigid winds of January comes a new girl: Tears, a twelve-year-old whose mother doesn't believe her stepfather abuses her. As the other kids start to disappear -- victims of violence, addiction, and exposure -- Maybe tries to help Tears get off the streets...if it's not already too late.…
This is a book like no other! With its first sentences, it gripped me, and I couldn't put it down till the very end. The same happened to everybody I recommended it to.
Formally, it is part of a trilogy, and I loved to read all three of them. Its style is dry and almost merely reporting, and yet it is emotionally involved in a powerful way.
Is what we are told meant to be real? Or is it only the product of a traumatized mind trying to cope with war, poverty, pain, abuse, and the endless yearning for what is lost? Are the twins, the protagonists of this trilogy, really two separate fictional characters or rather one with a dissociated mind? A thrilling question till the end.
Twin brothers, left with their evil grandmother at a time when war has blurred all distinctions between good and evil, learn to steal and kill in the name of survival and create their own loveless morality
I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school. I write of it for my grandfather, who was born of exploitation. I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives. Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing.
While Farmer is a physician and anthropologist rather than a historian and these collected essays are not historical in a strict sense, Farmer's account of structural violence is clear, readable, and evocative. An understanding of structural violence is a prerequisite for understanding the phenomenon of violence in any context, present or past.
For nearly thirty years, anthropologist and physician Paul Farmer has traveled to some of the most impoverished places on earth to bring comfort and the best possible medical care to the poorest of the poor. Driven by his stated intent to 'make human rights substantial', Farmer has treated patients - and worked to address the root causes of their disease - in Haiti, Boston, Peru, Rwanda, and elsewhere in the developing world. In 1987, with several colleagues, he founded Partners In Health to provide a preferential option for the poor in health care. Throughout his career, Farmer has written eloquently…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
SUN DON'T SHINE is addictingly wonderful in the most heartbreaking and poignant way. I devoured this book in one sitting, unable to tear myself away. Reece's tale, though fictional, serves as a reflection of the harsh realities many face in America. She emerges as a resilient heroine, navigating through a landscape of profound sorrow with an unwavering spirit of hope. Despite the darkness surrounding her, her resilience shines through, guiding the reader through to the end.
Sixteen-year-old Reece is an expert at keeping secrets. She has to be, since her father abducted her ten years ago. For as long as she can remember, she's been on the run, sneaking food out of the dumpster and sleeping in the woods. Every time she moves, the same rules apply-cut your hair, change your name, and, above all, don't let anybody get too close. Reece has no choice except to obey Dad's orders. When Reece meets her first real friend, a boy named Shawn, she begins to realize that everyone else has secrets too. And the deadliest secret of…
Ever since I first visited a prison during college and was shocked by its horrific conditions, I’ve been fascinated with America’s punitiveness—our tolerance for harsh, dehumanizing punishments. I pursued a Ph.D. in criminology in order to better understand the politics of crime and justice. I am constantly searching for “political space” within which to pursue meaningful criminal justice reform without provoking a punitive backlash. I was previously an associate professor of sociology at the University of Massachusetts Boston, and I am now a lecturer in criminology at the National University of Ireland Maynooth.
The Color of Welfare is a classic text on the history of American social policy.
The American welfare state was created by President Franklin D. Roosevelt’s New Deal in the wake of the Great Depression. Quadagno explains how Roosevelt compromised with conservative southern members of Congress in order to enact the New Deal into law. These consequences shaped early anti-poverty policies in ways that disproportionately excluded African Americans by design.
Quadagno then traces how this legacy of racially discriminatory social policymaking continued through President Johnson’s War on Poverty in the 1960s. The Color of Welfare taught me why the American welfare state is so underdeveloped compared to the nations of Western Europe and why it is characterized by so many racial disparities.
From Reconstruction to Lyndon Johnson and beyond, Jill Quadagno reveals how American social policy has continuously foundered on issues of race. She draws on extensive primary research to show how social programmes became entwined with the civil rights movement and subsequently suffered by association at the hands of a white backlash.
I grew up on a farm on the Canadian prairies where my only entertainment was books. This was before TV and the internet. Reading about girls who overcame obstacles such as being orphaned, dealing with homelessness or a disability, helped me realize that girls can overcome anything with the right attitude and by being brave. These attitudes of fearlessness, positive thinking, and resourcefulness shaped my life and helped me realize many of my dreams, including being a published author. Books with strong female characters help girls realize their own dreams.
Abby, like most high school girls, wants to be liked, have friends, go to dances, and dress in the latest fashions. The only difference between her and everyone else is she and her family are homeless and living in her mom's van, and Abby doesn't want anyone to know. Tension builds as the weather gets colder in Minnesota and Abby fears being found out. The author touches on many current issues through a delightful cast of characters, showing just how resourceful teenagers can be and how difficult situations can make you stronger.
2020 Quick Pick for Reluctant Young Adult Readers—YALSA/ALA
“An empathetic tale that treats homelessness with respect and makes it visible.”—Kirkus Reviews
Seventeen-year-old Abby Lunde and her family are living on the streets. They had a normal life back in Omaha but, thanks to her mother's awful mistake, they had to leave behind what little they had for a new start in Rochester. Abby tries to be an average teenager—fitting in at school, dreaming of a boyfriend, college and a career in music. But Minnesota winters are unforgiving, and so are many teenagers.
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight.
After ten-year-old Hastin's family borrows money to pay for his sister's hospital bill, he leaves his village in northern India to take a job as an elephant keeper and work off the debt. He thinks it will be an adventure, but he isn't prepared for the cruel circus owner. The crowds that come to the circus see a lively animal who plays soccer and balances on milk bottles, but Hastin sees Nandita, a sweet elephant and his best friend, who is chained when she's not performing and hurt with a hook until she learns tricks perfectly. Hastin protects Nandita as…
I moved to New York City in 1984 as homelessness, and the AIDS epidemic were crises all too visible to this newcomer. To my good fortune, my post-doctoral training included some of the earliest experts on mental illness and homelessness. This work became a career goal that has sustained me through almost 40 years of research using qualitative (in-depth) methods. Obtaining federal funding to support this work and mentoring many graduate students were extra benefits that I cherished. Along the way, I wrote a textbook on qualitative methods (now in its 3rd edition), co-authored a book about Housing First, and traveled to Delhi, India to study their ‘pavement dwellers’.
This book is admittedly old (published in 2003), but I find myself returning to it time and again as an important touchstone to understanding the origins and consequences of homelessness in America. Hopper is an anthropologist and activist, one of the first to study the ‘new’ epidemic of homelessness that appeared in the 1980s in cities like New York.
Hopper’s book traces the historical roots and consequences of the epidemic and is prescient in foretelling points of contention, such as the African-American racism underlying housing precarity. Far from the stilted reporting style of academic reporting, this book reads like a conversation and an invitation to learn more.
"It must be some kind of experiment or something, to see how long people can live without food, without shelter, without security."-homeless woman, Grand Central Station, winter
"Homelessness is a routine fact of life on the margins. Materially, it emerges out of a tangled but unmysterious mix of factors: scarce housing, poorly planned and badly implemented policies of relocation and support, dismal prospects of work, exhausted or alienated kin.... Any outreach worker could tell you that list would be incomplete without one more: how misery can come to prefer its own company."-from the book
I simply love this collection of
stories, and I return to it often, including this year. Lesley Bannatyne writes
about ordinary things—families reuniting, people forgiving themselves, people
finding the person in the world who makes their heart go “ping,” and many other
forms of grace.
Bannatyne is a genius with short story craft. For that
reason, I’ve probably taught more stories from this collection than stories by
any other writer! We emerge as readers feeling that everybody—EVERYBODY!—is
living such a delicate, precarious life with the potential for beauty and
kindness.
Unaccustomed to Grace is a collection of short stories where the unlikely outcome for irresponsible acts and unfortunate events result in redemption. Bannatyne's mastery of the written word informs these stories of common conflict with a brilliantine magic rarely found in contemporary literature. From the unlikely romance between a zoo employee and a spiritualist/activist to the redemption of a grandmother's long-rehearsed vengeance, these heart-warming stories are the contemporary fables we need in these stressful days.
This young adult book grabs the reader from the first page.
Inna Lin is a girl living in a small village in the Philippines with her very big family. They are very impoverished and the struggle for them to put food on the table is palpable, but their joy and caring for each other is significant.
When Inna receives a special bracelet on her 12th birthday everything changes for her.
She discovers she has some new powers and uses them to help her family thrive, unfortunately this attracts unwanted attention and Inna finds herself in trouble.
The characters in this book are well-written and feel very real. The plot moves at an excellent pace, especially for the target age. This book made me cry.
Inna Lim’s twelfth birthday brings a big surprise: a mysterious bracelet that unveils an extraordinary power to see the unseen.Suddenly, she has a chance to lift her family out of poverty. However, she becomes ensnared by a sinister couple and their devious son. Her family's safety and her own liberty hang in the balance.But Inna isn’t alone. She discovers deeper aspects of her powers that help her connect with animals, who become her allies. Guided by a spectral figure from her dreams and aided by her newfound friends, Inna navigates a perilous high-stakes journey that tests her courage.“Hidden Eyes of…
