My early memories of San Francisco in the late 1970s are anything but glamorous. We lived in a crummy apartment down the street from the People’s Temple, and my preschool, in the always gray Sunset, served carob, not chocolate. Despite decamping for the greener pastures and white sands of Carmel-By-The-Sea, I was forever hooked by the gritty magic of San Francisco. I eventually returned to the city’s foggy Richmond District, where now I ruminate on past adventures, plot new ones, and write about the place I love. I'm the author of Moon Napa Sonoma, Moon California, and Moon Northern California, and my work has appeared in 7x7, the San Francisco Chronicle, and Alaska Magazine.
Rebecca Solnit’s San Francisco is an onion; not one to be peeled back, but one whose paper skins remain overlapping in layered complexity. Reflecting the city’s élan, this odd-sized book is a beautiful compendium of exquisitely illustrated maps, each unique in style and in juxtaposing themes. You’ll open it to find one plotting Bay Area culinary establishments against its Super Fund sites; then flip to a quixotic mapping of murders and Monterey Cypress; then to another revealing the lost world of South of Market or the Third Street corridor from 4000 B.C.E. to 2001. Each map has a corresponding essay, many written by writers other than Solnit, adding to the vibrancy of voices in this masterwork of a diverse and complex place.
What makes a place? "Infinite City", Rebecca Solnit's brilliant reinvention of the traditional atlas, searches out the answer by examining the many layers of meaning in one place, the San Francisco Bay Area. Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically - connecting, for example, Eadweard Muybridge's foundation of motion-picture technology with Alfred Hitchcock's filming of "Vertigo". Across an urban grid of just…
The ocean has always been a sacred place to me, full of wondrous adventures and knowledge. I grew up in the Hawaiian islands with many hours frolicking in the waves, and swinging from the vines of nearshore banyan trees. One of my favorite books as a child was Treasure Island, anchored by the quest for Flint’s treasure map. Ironically, the details of that map are never revealed in the book. But I grew up to become a mapper of the ocean, making with my colleagues at Esri, a host of digital maps that reveal treasures of scientific insight. May the books on my list become treasures for you, too.
I could totally see myself and my science in this book. It was so much fun to read about so many people that I have been to sea and worked with in other ways but to hear about this amazing work and why it is so important in a fresh new way. As a result, I didn’t want to say goodbye to this book, especially because so many of us are still out there adding more chapters to this continuing story!
The dramatic and action-packed story of the last mysterious place on earth-the world's seafloor-and the deep-sea divers, ocean mappers, marine biologists, entrepreneurs, and adventurers involved in the historic push to chart it, as well as the opportunities, challenges, and perils this exploration holds now and for the future.
Five oceans-the Atlantic, the Pacific, the Indian, the Arctic, and the Southern-cover approximately 70 percent of the earth. Yet we know little about what lies beneath them. By the early 2020s, less than twenty-five percent of the ocean's floor has been charted, most close to shorelines, and over three quarters of the…
I have liked maps since childhood and remember them prompting all sorts of questions, like why was that city, mountain, or border there instead of someplace else, or I would imagine what it would be like to visit those places. I don’t feel like I can truly understand or make sense of a place until I can see it from above, so I spend too much time on Google Earth. I have especially valued how maps or other cartographic representations can help illuminate the connections and interdependencies between peoples and places, between society and nature, and ultimately help us understand our place in the world.
After flipping through a few pages, I was immediately engrossed by this book’s exquisite and thought-provoking illustrations. Mason and Miller showcase many cartographic techniques beyond what we commonly consider a map, ranging in scale from the globe to mountain ranges and river basins to cities and neighborhoods to factory floors.
I was struck by the blend of creativity and artistry that went into creating these maps and how well this book showcased the wide range of possibilities for representing almost anything visually and cartographically. Including approximately 300 illustrations, the book has the feel of a coffee-table book and can be easily broken down and read in short chunks, although I found it hard to put down.
Created for map lovers by map lovers, this book explores the intriguing stories behind maps across history and illuminates how the ancient art of cartography still thrives today.
In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps--some never before published. This diverse compendium includes ancient maps of dragon-filled seas, elaborate…
My journey into astronomy began with a small and rickety telescope purchased at a local pharmacy. I found it fascinating to observe the Moon and Saturn with their rings using such meager equipment. I decided to share these views with others by writing my first book, 50 Things to See with a Small Telescope, an easy-to-understand beginner’s guide which I self-published and sold through Amazon starting in 2013. I have since published a number of other books on space for children. Besides writing, I work as the telescope operator at Burke-Gaffney Observatory. In 2020 I was awarded the Simon Newcomb Award for excellence in science communication.
Stargazers find out pretty quickly that the Moon can be a nuisance. After first quarter, the Moon illuminates the entire sky, and washing out all but the brightest stars and deep-sky objects like galaxies and nebulae. Seasoned astronomers soon learn that if the Moon is up, it’s what you should be observing! The challenge is to appreciate what you’re seeing.
When I was doing research for my book, 50 things to see on the Moon, I observed the Moon every chance I got, making notes about what I saw. But early on, I had no idea what I was looking at! This lunar atlas helped me appreciate the Moon’s topography, geography, geology, and so much more.
On most nights and days, the Moon is visible somewhere in the sky. For many, simply noticing it is a pleasure, yet it is also a fascinating world of craters, mountains, and volcanoes worthy of a closer look. The 21st Century Atlas of the Moon is uniquely designed for the backyard, amateur astronomer. As an indispensable guide to telescopic moon observation, it can be used at the telescope or as a desk reference. It is both accessible to the novice and valuable to the expert. With over two hundred Lunar Reconnaissance Orbiter images, the highest quality images of the moon…
I've been blessed in my career, beginning as a 16-year-old, being an assistant manager at 17, a general manager at 20, and the face of the franchise at the age of 30 for over 16 years. This has led to me learning how to get people more motivated to perform their work than they ever thought possible when they accepted the position. I spent over 30 years literally “growing up” with this company and in this business, having been exposed to some of the best companies within their respective industries, learning how they source, on-board, train, and retain their team members, as well as some of the most influential motivational speakers throughout the world.
This book was one of a few “game changers” in my career. In fact, we used this book to “gung ho!” our entire company of managers/leaders.
The premise of the book is how to create worthwhile work through the balance of cash and congratulations. It is a heartwarming and compelling story about a new manager of a factory that had poor results throughout except for one department that always met/exceeded their goals.
The new manager is taught by the department head the reasons why this department had so much success through 3 concepts: 1. The spirit of the squirrel 2. The way of the beaver 3. The gift of the goose.
An invaluable new strategy for creating enthusiastic employees, from the author of the bestselling The One Minute Manager.
Every day thousands of uninspired employees trudge to work - often dooming their companies to failure with their lack of enthusiasm.
Drawing on over 20 years' experience of working with hundreds of corporations across the US - including America Online, Eastman Kodak, General Motors, Hershey Chocolate and Microsoft - Blanchard reveals a sure-fire strategy for boosting employee enthusiasm, productivity and performance.
Gung Ho! presents a simple system for inspiring employees. Based on three core ideas:…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is a brilliant, wide-ranging, deeply-sourced study of the dynamics that underpinned and justified early modern colonization of the Americas. Mandeville’sBook of Marvels and Travels is the prehistory of the horrors of colonization; the sources at the heart of Davies’s study are colonization’s architecture: maps, book illustrations, freestanding prints, published texts, letters, journals, and on. With nuance and care, Davies rewrites the intellectual history of this period, confronting the dehumanizing, demonizing, monsterizing visual and textual rhetoric of colonial enterprises (which directly contributed to large-scale violence), but also looking carefully at nuances, differences, and shifts in this rhetoric over the course of the Renaissance.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could - or should - be converted or enslaved, maps…
I have obsessed with maps my whole life, but I guess the main drive for studying them is my enjoyment of outdoor spaces, as a hiker, a mountaineer, and as a sailor: always with a paper map at hand. If you use GPS (a wonderful innovation) you will not only lose some of your precious orientation abilities but above all you will look less at the environment around you. I feel that paper maps do a great favor to my brain and to my enjoyment of places. The books below are a great tribute to maps; they helped me understand them better, and this affected the way I use them.
This is a super-authoritative book on the historical evolution of map-making by a renowned scholar of classics. It shows a surprising variety of maps from Antiquity to the present. Yet in this variety, Jacob is able to find important commonalities that help us understand what makes a map a map.
The take-home message for me has been that maps are engines of thought. By making a territory visible, they unleash a trove of otherwise unthinkable thoughts about it.
A novel work in the history of cartography, "The Sovereign Map" argues that maps are as much about thinking as seeing, as much about the art of persuasion as the science of geography. As a classicist, Christian Jacob brings a fresh eye to his subject - which includes maps from Greek Antiquity to the twentieth century - and provides a theoretical approach to investigating the power of maps to inform, persuade, and inspire the imagination. Beginning with a historical overview of maps and their creation - from those traced in the dirt by primitive hands to the monumental Dutch atlases…
I’m half-Filipino and half-Spanish. Growing up in the Philippines, I had to deal with many of the same emotions that the characters on this list go through. My identity made sense to me, but I found that I often had to explain it to other people, and I also found that outside my own house, people made their own opinions about whether I was more Filipino, more Spanish, or something else entirely. I’ve always been fascinated by how characters in fiction deal with this struggle, and I’ve always related more to characters who feel out of place.
This book tells the story of four siblings, all of whom have a complicated relationship with their nation Ashoka and each other. Though they’re estranged from each other, the siblings must set aside their differences and work together to follow a series of clues leading them to the Ivory Key, a fabled source of infinite magic. I loved this book’s mix of adventure and puzzle-solving, and would recommend it to anyone no matter what, but this book also has a POV character stuck between two worlds. Kaleb, one of the four siblings, is half-Ashokan and half-Lyrian, the country at war with Ashoka, and he struggles to reconcile his identity with his loyalty to his family and nation. I highly recommend picking up this debut!
Four siblings. A country in ruin. One quest to save them all.
Vira is desperate to get out of her mother's shadow and establish her legacy as a revered queen of Ashoka. But with the country's only quarry running out of magic - a precious resource that has kept Ashoka safe from conflict - she can barely protect her citizens from the looming threat of war. And if her enemies discover this, they'll stop at nothing to seize the last of the magic.
Vira's only hope is to find a mysterious object of legend: the Ivory Key, rumoured to unlock…
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
Not a book as such, but these maps tell the social historian a great deal about London in the late-1800s. They were compiled by Charles Booth, a wealthy philanthropist, who wanted to highlight the areas of London in the greatest need of help. In order to achieve this, he despatched a team of researchers to every street in London (except the City,) to assess their character. The results were entered onto a colour-coded map – yellow streets were the most affluent; black were the resorts of “vicious semi-criminals”.
A splendid - and necessary - publication...a great resource Iain Sinclair
Charles Booth's landmark survey of life in late-19th-century London, published for the first time in one volume.
In the late nineteenth century, Charles Booth's landmark social and economic survey found that 35 percent of Londoners were living in abject poverty. Booth's team of social investigators interviewed Londoners from all walks of life, recording their comments, together with their own unrestrained remarks and statistical information, in 450 notebooks. Their findings formed the basis of Booth's colour-coded social mapping (from vicious and semi-criminal to wealthy) and his seventeen-volume survey Inquiry into…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
It's hard to believe that Kiran Millwood Hargrave’sThe Girl of Ink and Starsonly came out in 2016.
The book has become a modern classic, combining beautifully poetic writing with the compelling first-person voice of Isabella, the mapmaker’s daughter. When Isabella ventures into the mysterious interior of the island of Joya Governor, to search for her friend, the Governor’s daughter, she must navigate a mysterious labyrinth, supernatural demon dogs, and a volcano-dwelling deity.
The magic elements here are inspired by the indigenous culture of the Canary Isles.
