California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.
I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.
The Time It Never Rained tells the grim battle between ranchers and drought in 1950s western Texas.
I grew up on a small Minnesota farm and remember my father’s struggle to keep the farm going, but at least he never faced a seven-year drought. A stubborn rancher who reminded me of my father, refuses to give in or ask for help.
I especially liked the secondary story of illegal immigrants, attitudes of ranchers toward the Feds tasked with arresting and deporting them, and the government programs that backfired in the end. It’s an excellent read that left me thankful for every drop of rain and blade of green grass. Its lessons of racism and kindness are pertinent to today’s world.
In the 1950s, West Texas suffered the longest drought in the memory of most men then living. By that time, Charlie Flagg, the central character of this novel, was one of a dying breed of men who wrested their living from the harsh land of West Texas. The struggle made them fiercely independent, a trait personified in Charlie’s persistence throughout the seven dry years, his refusal to accept defeat, his opposition to federal aid programs and their inevitable bureaucratic regulations, his determination to stay on the land he loves and respects even as he suffers with that land. Charlie is…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I read this novel in university in a course taught brilliantly by the scholar WH New. It was the first time I understood the complexity of layers in great literature. Ostensibly about a businessman who buys a farm, it encompasses race relations, power in all its guises, sexuality, relationships to nature, and how character influences personal destiny. Written with outrage and compassion.
I kept The Conservationist in mind when I wrote my own book as an example of what a novel could be, but more than that, it taught me how to think about the world in a new way.
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm.
I’m a Canadian writer living in southern British Columbia. When I was young, most people thought I was too small and frail to do awesome things. It wasn’t until I got older that I began to understand that my love for wild places and adventures was at the heart of who I was, and I began to see that I was much stronger than I thought. These days, I hike, climb, kayak, cross-country ski, and snowshoe – anything that gets me outside in nature. And I've done some awesome things out there! I want to change the way people see nature, not as something to be conquered, but to be treated with affection and respect.
This is one of the scarier disaster novels I’ve read, targeted at young adults rather than middle-grade readers.
People die in frighteningly believable ways in this story about a severe water shortage in California. I live in a semi-arid region that has been experiencing more frequent droughts in the last few years, so this novel’s premise felt plausible: the taps are literally turned off.
As well, the various characters’ reactions to the crisis reflected people I know, from preppers to climate changer deniers to those who dig deep and find kindness no matter how bad things get.
2
authors picked
Dry
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why you should read it.
This book is for kids age
12,
13,
14, and
15.
What is this book about?
“The authors do not hold back.” —Booklist (starred review) “The palpable desperation that pervades the plot…feels true, giving it a chilling air of inevitability.” —Publishers Weekly (starred review) “The Shustermans challenge readers.” —School Library Journal (starred review) “No one does doom like Neal Shusterman.” —Kirkus Reviews (starred review)
When the California drought escalates to catastrophic proportions, one teen is forced to make life and death decisions for her family in this harrowing story of survival from New York Times bestselling author Neal Shusterman and Jarrod Shusterman.
The drought—or the Tap-Out, as everyone calls it—has been going on for a while…
Haunting and beautifully written first novel by the award-winning author of Battleborn, set among a cult of survivors in a dystopian American desert
'A Mad Max world painted with a finer brush' Elle
'An unforgettable journey into a hauntingly imagined near-future' Ruth Ozeki
'Set in a drought-ravaged Southern California trolled by scavengers, Gold Fame Citrus burns with a dizzying, scorching genius' Vanity Fair
Desert sands have laid waste to the south-west of America. Las Vegas is buried. California - and anyone still there - is stranded. Any way out is severely restricted. But Luz and Ray are not leaving. They…
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Henderson was a homesteader and teacher in the Oklahoma panhandle and this collection of her writing creates a compelling first-hand portrait of the Dust Bowl. Impeccably detailed about rural farm life, from the days of prosperity to the bare-bones existence necessitated by hardship, Henderson is a thoughtful, ponderous guide. “Out here we thought the depths of the depression had been fathomed some time ago when the sheriff subtracted from the very personal possessions of one our neighbors a set of false teeth that he had been unable to pay for.”
In May 1936 Secretary of Agriculture Henry A. Wallace wrote to Caroline Henderson to praise her contributions to American ""understanding of some of our farm problems."" His comments reflected the national attention aroused by Henderson's articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson's articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains.
Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma's panhandle to homestead and teach in 1907. This collection of Henderson's letters and articles published from 1908 to1966 presents an intimate portrait of a woman's…
I know from my own experience how much kids need books that deal honestly with hard things and point to hope. When I was in fifth grade, a friend was killed by a car while walking to school. I had moved to town not long before; this boy was the first friend I’d made, and suddenly, he was gone. Soon after, I found a novel called Bridge to Terabithia, the story of a fifth-grader, Jess, who loses a friend in an accident. It made me cry, but it was healing: I felt less alone and found strength in watching Jess find his way forward despite his grief.
This book is about something as disruptive to a child’s world as can be–a parent’s debilitating mental illness–and Baldwin handles it realistically and sensitively.
Twelve-year-old Della is terrified and heartbroken by her mother’s struggles with schizophrenia, and I know as a writer that Baldwin faced a huge challenge in telling this story: finding where the hope lies when, ultimately, there’s no cure for the mom.
The answer lies in acceptance and community, and Baldwin handles this in a way that feels wise, real, and satisfying to me. This book is also close to my heart because it is set in a part of the world I know and love, rural eastern North Carolina, and Baldwin describes it so beautifully.
Fans of The Thing About Jellyfish and A Snicker of Magic will be swept away by Cindy Baldwin's debut middle grade about a girl coming to terms with her mother's mental illness. An Oregon Spirit Award Honor book.
When twelve-year-old Della Kelly finds her mother furiously digging black seeds from a watermelon in the middle of the night and talking to people who aren't there, Della worries that it's happening again-that the sickness that put her mama in the hospital four years ago is back. That her mama is going to be hospitalized for months like she was last time.…
I write children’s books, both fiction and non-fiction, including One Duck Stuck, Big Momma Makes the World, Rattletrap Car, Plant a Pocket of Prairie, and, in collaboration with Jacqueline Briggs Martin and Liza Ketchum, Begin With A Bee, a picture book about the federally endangered rusty-patched bumblebee. Recently I have been putting my garden to bed for the winter, pulling tomato vines, harvesting beans that have dried on the vine, cutting herbs, and planting cloves of garlic to grow into heads in next year’s garden. In a couple of months snow will bury the garden beds, and the only gardens will be in the pages of books. Here are five of the children’s books that I love about growing things.
First published in French and illustrated with wonderfully vivid art, this is a story of a farmer who works hard mowing, raking, digging, watering in his fields. He rejoices when things begin to grow, but a drought threatens all his hard work. The farmer is not alone, though, in his efforts, and the art shows the farm animals helping, followed by rain falling and bringing his fields to colorful and joyful abundance. Hard work matters, and so do friends.
A farmer's hard work is rewarded in this eco-friendly and elegantly illustrated picture book.
A New York Times/New York Public Library Best Illustrated Book of the Year!
In the town, everyone is sleeping. But not Paul.
Paul mows. Paul rakes. Paul sows. Paul draws water. And soon Paul has beautiful plants and flowers growing all around him. But one day, the water dries up. The sun beats down. Paul despairs. But thanks to his animal friends, and a bit of rain, help is on the way . . .
Filled with vivid illustrations of Paul's hard work, the brilliant blooms…
Recently, a series of unfortunate events created the perfect storm of unexpected expenses, and the debt that resulted has me vacillating between the wet wool of depression and ice-cold shrieks of panic. I try to be open about my money woes, and when I told a loved one about my predicament, she suggested that I read this book.
This gorgeous Pulitzer Prize-winning novel is a beautiful, poetic, and brutal story about a family during the Depression and how they lost almost everything over the course of a year as the great drought ravages their crops, hearts, and minds.
This lean feast of a book made me feel less alone in my financial fear and in the sense that capitalism is fighting dirty and has me down for the count.
Brilliant, evocative, poetic, savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that is turned into dirt-poor farmers by the Depression and the great drought of the thirties.
Like Ethan Frome, the relatively brief, intense story evokes the torment possible among people isolated and driven by strong feelings of love and hate that, unexpressed, lead inevitably to doom. Reviewers in the thirties praised the novel, calling its prose "profoundly moving music," expressing incredulity "that this mature style and this mature point of view are those of a young women in her twenties," comparing the book to…
I have always been interested in the environment, ever since I studied Human Ecology under Professor Roger Revelle at Harvard. Several summer jobs in the Arctic with the Geological Survey of Canada gave me an early appreciation of what climate change meant for the polar region, and a more recent visit to Greenland brought the environmental devastation there more into focus. Also, having escaped from Communist Hungary in 1956, I have keenly followed Russia and its superpower ambitions, so it was natural for me to combine these two areas of interest into an environmental thriller. I am now writing a sequel, Arctic Inferno.
This underrated novel is interesting because it extrapolates the story of climate change to a new level, where mankind believes it has developed a technological solution to the problem, but the question becomes how real a solution is this? It brings into focus whether the technical solutions our scientists may come up with to control the weather and reverse climate change, will indeed work or not. Petra Sands joins Climate Change, Incorporated, a multinational that has developed a device to regulate the climate that it positions between the sun and the earth. Initially, everything goes according to plan with this technological solution to the evils of climate change, but then things start to unravel…
When Petra Sands takes a job with Climate Change, Incorporated, she assumes it will be low stress, low responsibility - just what she wants after being let go from a stressful job. After all, how hard can it be to give weather reports when the weather has already been planned? Soon she will find herself having the most responsibility of anyone in modern society - if it lasts. As the multi-national company releases a device between the earth and sun to regulate climate, all seems to be running perfectly: global temperatures cool, tornados and hurricanes are un-wound before they can…
