I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.
I love well written historical fiction set in many different time periods. Death of a Rainmaker is a historical mystery set in 1930s Oklahoma during the height of the Dust Bowl days.
It includes fascinating information about rainmaking scams, the Civilian Conservation Corps, severe climate changes, Depression politics, Government programs to aid citizens, and rural life during the 1930s. The main character is a small-town sheriff trying to do the right thing with limited resources. Supporting characters are diverse and well developed.
The mystery unfolds with delicious precision. Death of a Rainmaker meets my criteria for a great read.
Finalist for the 2019 Oklahoma Book Awards, Fiction
"The murder investigation allows Loewenstein to probe into the lives of proud people who would never expose their troubles to strangers. People like John Hodge, the town's most respected lawyer, who knocks his wife around, and kindhearted Etha Jennings, who surreptitiously delivers home-cooked meals to the hobo camp outside town because one of the young Civilian Conservation Corps workers reminds her of her dead son. Loewenstein's sensitive treatment of these dark days in the Dust Bowl era offers little humor but a whole lot of compassion." --New York Times Book Review
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Laura Ingalls Wilder maintains an avid fanbase in spite of reappraisals of her racial attitudes; and re-encountering her as an adult can be an exciting, disappointing, jarring, but fascinating experience. Caroline Fraser sorts through the semi-autobiographical sources, not least of which are their fictional writings, of Wilder and her collaborator daughter, Rose Wilder Lane, all of which they infused with their own nostalgia and libertarianism. The tortured landscape becomes almost another living figure, as well, since natural disasters set the scene for the novels and their writing. The books’ creation, their influences, and, in turn, their influence in the mythmaking of the American West, contemporary racism, and man-made climate change included, make Wilder more than just a little girl growing up in little houses. Readers might also find themselves wishing to revisit other figures from their youth.
'Just as gripping as the original novels . . . As pacy and vivid as one of Wilder's own narratives' Sunday Times
Millions of readers of Little House on the Prairie believe they know Laura Ingalls - the pioneer girl who survived blizzards and near-starvation on the Great Plains where 'as far as a man could go to the north in a day, or a week, or a whole month, there was nothing but woods. There were no houses'. Her books are beloved around the world.
But the true story of her life has never been fully told. The Little…
I’m a writer and history buff who loves to make fiction out of facts. For me, the best stories are imagined out of truths we have all lived, real places that are mapped in our memories, real people whose names conjure events, past times that are prelude to our own. I like to read books built on plots and puzzles, so I write mysteries. I love books about real people, so I write biographical novels bent around the secret selves of people we only thought we knew: Eleanor Roosevelt, Dwight Eisenhower, Laura Ingalls Wilder, Georgia O’Keeffe.
I’m a huge fan of books that are packed with compelling details. In Since Yesterday, Frederick Allen covers everything about the Thirties, from fashion to food to politics, music, and movies—and everything in between. A powerful story, sometimes dark but rich with odd little treasures that will make you smile. I especially like the searchable digital edition. Example quote: “Dance orchestras were blaring ‘The Music Goes ’Round and ’Round.’ Major Bowes was the current radio sensation, so warmly did he inquire into the life histories of the yodelers and jews-harp-players on his Amateur Hour. At the movie houses Fred Astaire and Ginger Rogers were dancing nimbly in ‘Follow the Fleet.’ Seven-year-old Shirley Temple was becoming the rising star of Hollywood.”
A “wonderfully written account of America in the ’30s,” the follow-up to Only Yesterday examines Black Tuesday through the end of the Depression (The New York Times).
Wall Street Journal Bestseller
Opening on September 3, 1929, in the days before the stock market crash, this information-packed volume takes us through one of America’s darkest times all the way to the light at the end of the tunnel.
Following Black Tuesday, America plunged into the Great Depression. Panic and fear gripped the nation. Banks were closing everywhere. In some cities, 84 percent of the population was unemployed and starving. When Franklin…
I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used children’s books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction children’s books to love non-fiction history.
This nonfiction book is not only dear to my heart, I can also honestly say it changed my life.
It’s about the only Federal Emergency School ever created. Built for the children of farm workers displaced by the Dust Bowl in 1940, it tells of School Superintendent Leo B. Hart’s ingenuity and steadfast devotion to children who faced seemingly insurmountable hardships and discrimination as occupants of the migrant camp outside Bakersfield, California that inspired John Steinbeck’s The Grapes of Wrath.
I taught at this school, now known as Sunset, for many years, and I kept a note in my lesson planner that read What would Leo B. Hart do?
Illus. with photographs from the Dust Bowl era. This true story took place at the emergency farm-labor camp immortalized in Steinbeck's The Grapes of Wrath. Ostracized as "dumb Okies," the children of Dust Bowl migrant laborers went without school--until Superintendent Leo Hart and 50 Okie kids built their own school in a nearby field.
I’ve written or edited thousands of science and engineering proposals, blog posts, and reports, and in the past decade, disaster resilience has become a major subject of these documents. I’ve come to realize that while it’s possible to be ready for disasters, few people truly are. In the books I’m recommending, something vital to life has been stolen and the disasters are so overpowering that mere survival is a nearly impossible goal. This forces the characters into unusual and heroic action. Their choices are sometimes surprising and always compelling, and I loved sharing their journeys.
This nonfiction book is jam-packed with astonishing facts and captivating personalities from the time of the Dust Bowl.
The disasters were many and varied during the 1930s on America’s Great Plains. “The weather might display seven different moods in a year, and six of them were life-threatening. Droughts, blizzards, grass fires, hailstorms, flash floods, and tornadoes…”
Not to mention the dust storms: “thick like coarse animal hair…with an edge like steel wool.” At least two monster “black dusters” traveled 2,000 miles (3,220 kilometers), taking topsoil from the midwest all the way to Washington DC.
The impact on society was terrible, but brought about great change in the country’s approach to conservation. This book is excellent for writers. Having read it helped me write more truthfully (I hope) about disasters in my fiction.
In a tour de force of historical reportage, Timothy Egan’s National Book Award–winning story rescues an iconic chapter of American history from the shadows.
The dust storms that terrorized the High Plains in the darkest years of the Depression were like nothing ever seen before or since. Following a dozen families and their communities through the rise and fall of the region, Timothy Egan tells of their desperate attempts to carry on through blinding black dust blizzards, crop failure, and the death of loved ones. Brilliantly capturing the terrifying drama of catastrophe, he does equal justice to the human characters…
I’ve always loved suspenseful books, and I enjoy creating my own characters and helping them strengthen their faith as they triumph in difficult circumstances. I want to encourage other Christians with my writing, and introduce others to Christ who may be searching to see how God can change their lives. I also want to provide readers with a fun getaway of excitement, suspense, and thrills. I am an attorney and see many cases that don’t conclude with a happy ending, however, God can take what men meant for evil, and turn it into good, and there is a positive and encouraging ending waiting in each of my books.
As the parent and sister of a person with disabilities, I look for authors who can handle this topic in a sensitive and loving way.
Ms. Brown does an amazing job as she weaves suspense into this depression era story. I fell in love with the characters, and this book encouraged me to keep looking for ways to include these special people into my own stories.
A romantic historical novel from the #1 New York Times bestselling author of Seeing Red about an independent woman who runs a boarding house in Dust Bowl Texas.
Ella Baron runs her Texas boarding house with the efficiency of a ship’s captain and the grace of a gentlewoman. She cooks, cleans, launders, and cares for her ten-year-old son, Solly, a sweet but challenging child whose busy behavior and failure to speak elicits undesired advice from others in town. Ella’s plate is full from sunup to sundown. When a room in her boarding house opens up, the respected town doctor brings…
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Henderson was a homesteader and teacher in the Oklahoma panhandle and this collection of her writing creates a compelling first-hand portrait of the Dust Bowl. Impeccably detailed about rural farm life, from the days of prosperity to the bare-bones existence necessitated by hardship, Henderson is a thoughtful, ponderous guide. “Out here we thought the depths of the depression had been fathomed some time ago when the sheriff subtracted from the very personal possessions of one our neighbors a set of false teeth that he had been unable to pay for.”
In May 1936 Secretary of Agriculture Henry A. Wallace wrote to Caroline Henderson to praise her contributions to American ""understanding of some of our farm problems."" His comments reflected the national attention aroused by Henderson's articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson's articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains.
Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma's panhandle to homestead and teach in 1907. This collection of Henderson's letters and articles published from 1908 to1966 presents an intimate portrait of a woman's…
Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
Out of the Dust was the first verse novel I read. Set during the Dust Bowl of the thirties, I was drawn into the story from the first page. I loved Billy Jo, the main character, and was impressed by Karen Hesse’s ability to capture, in so few words, the dust, desolation, and difficulty of living in Oklahoma at that time.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma.
Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
I was utterly awed by Kase Johnstun’s boundless love for the characters in this novel, which I learned later was informed by memories of and letters by his grandparents.
It overflows with some of my favorite things about the literature that most often resonates with me: When an author of great skill can mine memory and history, spend time with it, apply the transformative agent of imagination, and emerge into the world with work laden with genuineness.
I find Johnstun’s work to be imbued with love, which he marries to considerable storytelling chops. He’s a writer more people should know about, so it’s become a bit of a mission of mine to shout his name.
"Beautiful and expansive…in Johnstun's Let the Wild Grasses Grow, Colorado has a successor to Kent Haruf." —SEAN PRENTISS, author of Finding Abbey
Let the Wild Grasses Grow chronicles the lives of Della Chavez and John Cordova, childhood friends separated by a tragic accident, who find each other again during World War II after leading separate lives of struggle through the Great Depression, the Dust Bowl, and, for John, abuse at the hands of his grandfather. This sweeping American love story celebrates the power of home landscapes, family heritage, and first love.
I’m a writer and history buff who loves to make fiction out of facts. For me, the best stories are imagined out of truths we have all lived, real places that are mapped in our memories, real people whose names conjure events, past times that are prelude to our own. I like to read books built on plots and puzzles, so I write mysteries. I love books about real people, so I write biographical novels bent around the secret selves of people we only thought we knew: Eleanor Roosevelt, Dwight Eisenhower, Laura Ingalls Wilder, Georgia O’Keeffe.
Food history—why and how and what we eat—is one of my favorite topics. The first edition of Irma Rambauer’s The Joy of Cooking inspired 1930s American cooks to make an eight layer cake, a celery aspic, a chicken bisque, cinnamon toast, shrimp wiggle, and green peppers filled with macaroni. Recently widowed, Rombauer self-published the book to support her family—and thereby became a heroine for 1930s homemakers. Her Cheese Custard Pie, so far as I know, is the first recipe for quiche in an American cookbook. It is introduced with these memorable words: “In Switzerland we had a vile tempered cook named Marguerite” whose quiche varied with “her moods and her supply of cheese.” (I love recipes that tell us something about the cook.)
In 1931, Irma Rombauer announced that she intended to turn her personal collection of recipes and cooking techniques into a cookbook. Cooking could no longer remain a private passion for Irma. She had recently been widowed and needed to find a way to support her family. Irma was a celebrated St. Louis hostess who sensed that she was not alone in her need for a no-nonsense, practical resource in the kitchen. So, mustering what assets she had, she self-published The Joy of Cooking: A Compilation of Reliable Recipes with a Casual Culinary Chat. Out of these unlikely circumstances was born…
