Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
Out of the Dust was the first verse novel I read. Set during the Dust Bowl of the thirties, I was drawn into the story from the first page. I loved Billy Jo, the main character, and was impressed by Karen Hesse’s ability to capture, in so few words, the dust, desolation, and difficulty of living in Oklahoma at that time.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma.
Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are…
‘…and the comfortable people… felt pity at first, and then distaste, and finally hatred for the migrant people.’
Powerful and epic in its account of hardship and brutality, loneliness, segregation, exploitation and man’s inhumanity to man, The Grapes of Wrath somehow maintains a sense of hope in the determination and perseverance of the Joads and countless others, hungry and desperately poor, in their struggle to build a new life . I’m not sure why it’s only now that I’ve come to read this monumental work but one element that stands out, apart from the power of the prose and Steinbeck’s understanding and deep empathy with his characters, is its stark relevance to the inequality, dispossession, forced displacement and worldwide mass migration of our current times.
'I've done my damndest to rip a reader's nerves to rags, I don't want him satisfied.'
Shocking and controversial when it was first published, The Grapes of Wrath is Steinbeck's Pultizer Prize-winning epic of the Joad family, forced to travel west from Dust Bowl era Oklahoma in search of the promised land of California. Their story is one of false hopes, thwarted desires and powerlessness, yet out of their struggle Steinbeck created a drama that is both intensely human and majestic in its scale and moral vision.
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Babb’s memoir recounts her years as a child of bumbling pioneers on the high plains of Colorado. Her family lived underground in a dugout and eked out existence from the drought-ravaged prairie. The book predates the Dust Bowl, but there are warning signs of what’s to come. Told in a voice of lyric precision with a memorable cast of characters, it’s a compelling story of a singular girlhood that left me marveling at how this family survived.
Sanora Babb experienced pioneer life in a one-room dugout, eye-level with the land that supported, tormented and beguiled her; where her family fought for their lives against drought, crop-failure, starvation, and almost unfathomless loneliness. Learning to read from newspapers that lined the dugout's dirt walls, she grew up to be a journalist, then a writer of unforgettable books about the Great Depression and the Dust Bowl, most notably Whose Names Are Unknown.
The author was seven when her parents began to homestead an isolated 320-acre farm on the western plains. She tells the story through her eyes as a sensitive,…
Many of us were taught as children that life isn’t fair. I never accepted this; shouldn’t we do all we can to make life fair? I grew up to be a lifelong activist and a writer for social justice organizations. As a reader and writer, I love books about women’s lives, especially women who realize that the world around them shapes their own experiences. Sometimes history is happening right here, right now—and you know it. Those transformative moments spark the best stories, illuminating each book I’ve recommended.
I’d always assumed that the Dust Bowl in the 1930s was a natural disaster. Nope. The scouring dust storms that destroyed thousands of lives and millions of farms in five states didn’t have to happen. They were the predictable—and predicted!—result of short-sighted human decisions, such as the government handing tracts of formerly Indian land to white settlers to tear out the nourishing native grasses and plant wheat instead.
The human hand behind extreme weather might seem obvious to us now, but it was eye-opening for me in 2006 when I read this riveting nonfiction drama of families trapped in a living nightmare. I have never forgotten its impact or its lessons.
In a tour de force of historical reportage, Timothy Egan’s National Book Award–winning story rescues an iconic chapter of American history from the shadows.
The dust storms that terrorized the High Plains in the darkest years of the Depression were like nothing ever seen before or since. Following a dozen families and their communities through the rise and fall of the region, Timothy Egan tells of their desperate attempts to carry on through blinding black dust blizzards, crop failure, and the death of loved ones. Brilliantly capturing the terrifying drama of catastrophe, he does equal justice to the human characters…
I’m a writer and history buff who loves to make fiction out of facts. For me, the best stories are imagined out of truths we have all lived, real places that are mapped in our memories, real people whose names conjure events, past times that are prelude to our own. I like to read books built on plots and puzzles, so I write mysteries. I love books about real people, so I write biographical novels bent around the secret selves of people we only thought we knew: Eleanor Roosevelt, Dwight Eisenhower, Laura Ingalls Wilder, Georgia O’Keeffe.
I’m a huge fan of books that are packed with compelling details. In Since Yesterday, Frederick Allen covers everything about the Thirties, from fashion to food to politics, music, and movies—and everything in between. A powerful story, sometimes dark but rich with odd little treasures that will make you smile. I especially like the searchable digital edition. Example quote: “Dance orchestras were blaring ‘The Music Goes ’Round and ’Round.’ Major Bowes was the current radio sensation, so warmly did he inquire into the life histories of the yodelers and jews-harp-players on his Amateur Hour. At the movie houses Fred Astaire and Ginger Rogers were dancing nimbly in ‘Follow the Fleet.’ Seven-year-old Shirley Temple was becoming the rising star of Hollywood.”
A “wonderfully written account of America in the ’30s,” the follow-up to Only Yesterday examines Black Tuesday through the end of the Depression (The New York Times).
Wall Street Journal Bestseller
Opening on September 3, 1929, in the days before the stock market crash, this information-packed volume takes us through one of America’s darkest times all the way to the light at the end of the tunnel.
Following Black Tuesday, America plunged into the Great Depression. Panic and fear gripped the nation. Banks were closing everywhere. In some cities, 84 percent of the population was unemployed and starving. When Franklin…
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Henderson was a homesteader and teacher in the Oklahoma panhandle and this collection of her writing creates a compelling first-hand portrait of the Dust Bowl. Impeccably detailed about rural farm life, from the days of prosperity to the bare-bones existence necessitated by hardship, Henderson is a thoughtful, ponderous guide. “Out here we thought the depths of the depression had been fathomed some time ago when the sheriff subtracted from the very personal possessions of one our neighbors a set of false teeth that he had been unable to pay for.”
In May 1936 Secretary of Agriculture Henry A. Wallace wrote to Caroline Henderson to praise her contributions to American ""understanding of some of our farm problems."" His comments reflected the national attention aroused by Henderson's articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson's articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains.
Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma's panhandle to homestead and teach in 1907. This collection of Henderson's letters and articles published from 1908 to1966 presents an intimate portrait of a woman's…
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Laura Ingalls Wilder maintains an avid fanbase in spite of reappraisals of her racial attitudes; and re-encountering her as an adult can be an exciting, disappointing, jarring, but fascinating experience. Caroline Fraser sorts through the semi-autobiographical sources, not least of which are their fictional writings, of Wilder and her collaborator daughter, Rose Wilder Lane, all of which they infused with their own nostalgia and libertarianism. The tortured landscape becomes almost another living figure, as well, since natural disasters set the scene for the novels and their writing. The books’ creation, their influences, and, in turn, their influence in the mythmaking of the American West, contemporary racism, and man-made climate change included, make Wilder more than just a little girl growing up in little houses. Readers might also find themselves wishing to revisit other figures from their youth.
'Just as gripping as the original novels . . . As pacy and vivid as one of Wilder's own narratives' Sunday Times
Millions of readers of Little House on the Prairie believe they know Laura Ingalls - the pioneer girl who survived blizzards and near-starvation on the Great Plains where 'as far as a man could go to the north in a day, or a week, or a whole month, there was nothing but woods. There were no houses'. Her books are beloved around the world.
But the true story of her life has never been fully told. The Little…
I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.
I love well written historical fiction set in many different time periods. Death of a Rainmaker is a historical mystery set in 1930s Oklahoma during the height of the Dust Bowl days.
It includes fascinating information about rainmaking scams, the Civilian Conservation Corps, severe climate changes, Depression politics, Government programs to aid citizens, and rural life during the 1930s. The main character is a small-town sheriff trying to do the right thing with limited resources. Supporting characters are diverse and well developed.
The mystery unfolds with delicious precision. Death of a Rainmaker meets my criteria for a great read.
Finalist for the 2019 Oklahoma Book Awards, Fiction
"The murder investigation allows Loewenstein to probe into the lives of proud people who would never expose their troubles to strangers. People like John Hodge, the town's most respected lawyer, who knocks his wife around, and kindhearted Etha Jennings, who surreptitiously delivers home-cooked meals to the hobo camp outside town because one of the young Civilian Conservation Corps workers reminds her of her dead son. Loewenstein's sensitive treatment of these dark days in the Dust Bowl era offers little humor but a whole lot of compassion." --New York Times Book Review
I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used children’s books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction children’s books to love non-fiction history.
This nonfiction book is not only dear to my heart, I can also honestly say it changed my life.
It’s about the only Federal Emergency School ever created. Built for the children of farm workers displaced by the Dust Bowl in 1940, it tells of School Superintendent Leo B. Hart’s ingenuity and steadfast devotion to children who faced seemingly insurmountable hardships and discrimination as occupants of the migrant camp outside Bakersfield, California that inspired John Steinbeck’s The Grapes of Wrath.
I taught at this school, now known as Sunset, for many years, and I kept a note in my lesson planner that read What would Leo B. Hart do?
Illus. with photographs from the Dust Bowl era. This true story took place at the emergency farm-labor camp immortalized in Steinbeck's The Grapes of Wrath. Ostracized as "dumb Okies," the children of Dust Bowl migrant laborers went without school--until Superintendent Leo Hart and 50 Okie kids built their own school in a nearby field.
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Dorothea Lange was employed by the Farm Securities Administration to photograph the conditions of the Depression, including the Dust Bowl and its migrants. She was an art photographer with a social justice streak whose detailed captions recorded details of the lives of her subjects. Spirn chronicles how Lange made her narrative case through her photographic choices and documentation. The book also presents a marvelous collection of lesser-known Lange photographs.
"Daring to Look" presents never-before-published photos and captions from Dorothea Lange's fieldwork in California, the Pacific Northwest, and North Carolina during 1939. Lange's images of squatter camps, benighted farmers, and stark landscapes are stunning, and her captions - which range from simple explanations of settings to historical notes and biographical sketches - add unexpected depth, bringing her subjects and their struggles unforgettably to life, often in their own words. When Lange was dismissed from the Farm Security Administration at the end of 1939, these photos and field notes were consigned to archives, where they languished, rarely seen. With "Daring to…
