The best books about Palestinians

Crump was a Christian theologian (Calvin University) for many years whose passion for justice took him to Israel/Palestine on numerous occasions. He not only studied the issues surrounding this conflict, but he immersed himself, living in a refugee camp during some of Israel’s most severe periods of occupation. But behind America’s support for Israel is often a less-understood set of doctrines called Christian Zionism. This book is the premier explanation of this movement and is essential reading for anyone who wants to understand why the American church sends millions of dollars to Israel every year.

Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. This is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces… show more.

This collection of poetry by a revered Palestinian poet illuminates his people’s emotional and historic connection to the land that is now the state of Israel. His poems, many of which were set to music, are credited with solidifying a Palestinian national consciousness. His family was displaced from their home by the Israeli army; when they returned, they lived as second-class citizens. The work achingly describes an abiding sense of love and loss.

The Arab-Israeli conflict can be bewildering for many Americans to wrap their head around. While there are a number of excellent books on the topic, I find Perceptions of Palestine to be a helpful, engaging diagnosis of the issue from a U.S. diplomatic perspective. Christison, a former CIA officer, provides an exhaustively researched and well-informed answer to the question of why the United States tends to favor Israel over the Palestinians in the realms of public opinion and policymaking. This account is both sensitive to the struggles of the Palestinian people while also recognizing the real-world limitations of American policymakers. No matter one’s position on this issue, Christion’s book provides a welcome analysis of the tensions at play in conflicts over Israel-Palestine.

In novels and non-fiction, Israeli author David Grossman has spent much of his career writing about the failed struggle for peace between Israelis and Palestinians. This series of essays, written over a period of years, chronicles moments of good will and hope on both sides, constantly undermined by sectarian passion and extremist opposition to peace. 

Yoram Peri’s expertise on the historical entanglements of the military and political sectors in Israel is unrivaled.  Based on personal interviews with all major players Peri goes behind the scenes to show the real meaning of the standard Israeli formula that the “Arab problem” should be seen “through the gunsight.” He describes how different generals, even those open to an accommodation with the Palestinians and opposed to settlers, were either stymied or transformed into saboteurs of the Oslo peace process. This pattern he attributes to the hegemonic psychology, standard operating procedures, processes of socialization, and political demands, associated with the way the Israel Defense Forces are organized and integrated into Israeli politics. Particularly vivid is his portrayal of upper-echelon Israeli military frustration at its forced withdrawal from Lebanon and how that resulted in the IDF’s extraordinarily violent and destructive treatment of the Gaza Strip.

The perilous distances traveled in this intense, genre-bending novel are likewise abbreviated – sometimes measured in meters, between Israel and Palestine, but they are as fraught with peril as any thousand-mile survival trek. Based on the author-embellished experiences of two men, one of whom is Israeli, the other Palestinian, who also appear as themselves in factual passages, the book mixes fiction and nonfiction to magnify the drama of traveling back and forth between two adjacent, lethally fractious zones. An unexpected friendship develops between the two men after each loses a daughter to terror violence perpetrated by the other side, which alters their views as they repeatedly crisscross the boundary line.

Despite the book’s comparatively confined settings, the effect is of near-constant, life-changing motion as the two struggle to bridge a seemingly impassible gap in search of the truth. It works. Words of praise like “staggering” and “transformative” barely hint at… show more.

It is based on personal diaries that captures the lives of Palestinians under Israeli occupation in the West Bank with a pinch of humour. It is funny, but deep and the personal narrative takes the reader on a journey from beginning to end. It gave me an insight into how ordinary Palestinians navigate their relationships and family affairs while having to deal with the consequences of military occupation. The book defies the stereotypes and negative representations of Palestinians. They also do love life. 

Through the fantastical, magical reconstructions of the adventures of a supposed Palestinian liberation hero, we get a history of Palestine and the Palestinians from the 1936 Arab revolt to almost today. Khoury, a Lebanese Christian novelist and journalist, has himself been closely involved in this history, as a public commentator and interviewer of figures much like the supposed hero Yunis—who, we will see, may or may not have performed the exploits for which he is renowned. Khoury is a brilliant writer, both as an analyst of complex political relations and as a conveyor of very convincing-sounding dialogue, which is itself enough reason to love and profit from this book. And to learn something from the Palestinian point of view of what is now nearly a century-old conflict.

Washington Post national security reporter Ignatius may not know the world of espionage better than anyone, but he writes about it better than anyone. Agents of Innocence is such a realistic and engaging depiction of the life of a CIA case officer that a copy of it is left in the room of each new arrival at Camp Peary, the CIA training facility. It’s about an idealistic young CIA officer posted to Beirut to penetrate the PLO, and, in the process, learns hard lessons, not least of which is that once human lives are at stake, idealism takes a back seat to pragmatism. Ultimately, it is a compelling story with terrific characters, and I would have rooted for them had they been accountants or fishmongers rather than spies

In this groundbreaking book, leading Arab and Jewish intellectuals examine how and why the Holocaust and the Nakba are interlinked without blurring fundamental differences between them. While these two foundational tragedies are often discussed separately and in abstraction from the constitutive historical global contexts of nationalism and colonialism, The Holocaust and the Nakba explores the historical, political, and cultural intersections between them. The majority of the contributors argue that these intersections are embedded in cultural imaginations, colonial and asymmetrical power relations, realities, and structures. Focusing on them paves the way for a new political, historical, and moral grammar that enables a joint Arab-Jewish dwelling and supports historical reconciliation in Israel/Palestine.

This book does not seek to draw a parallel or comparison between the Holocaust and Nakba or to merely inaugurate a “dialogue” between them. Instead, it searches for a new historical and political grammar for relating and narrating their… show more.

Silencing the Sea follows Palestinian poets' debates about their craft as they traverse multiple and competing realities of secularism and religion, expulsion and occupation, art, politics, immortality, death, fame, and obscurity. Khaled Furani eloquently leads his reader along ancient roads and across Israeli military checkpoints to join the poets' worlds and engage with the rhythms of their lifelong journeys in Islamic and Arabic history, language, and verse. This excursion offers newfound understandings of how today's secular age goes far beyond doctrine, to inhabit our very senses, imbuing all that we see, hear, feel, and utter.

Poetry, the traditional repository of Arab history, has become the preeminent medium of Palestinian memory in exile. In probing poets' writings, this work investigates how struggles over poetic form can host larger struggles over authority, knowledge, language, and freedom. It reveals a very intimate and venerated world, entwining art, intellect, and politics, narrating previously untold… show more.

I was blown away by this narrative of the Israeli-Palestinian conflict from the Palestinian perspective. Sari Nusseibeh is the scion of one of the oldest and most distinguished Palestinian families. So important are they that the Nusseibehs hold the keys to the Church of the Holy Sepulcher and are charged with opening the Church each day. Despite the fact that Sari and his family lost so much when Israel declared statehood in 1948, I was moved by the absence of malice in what I found to be a balanced account of “the Nakbah.” After reading the book, I was eager to meet Sari, who was at the time president of Al Quds University. My husband and I did get to spend a day with him on campus, where we learned even more about the Palestinian side of the conflict.

This was one of the first documentary comics that I read and felt like a piece of research. In this fundamental piece of graphic narrative we witness the subjectivity of the author, the experience, and the reflection over it filtered through the script, the incredibly well-drawn panels, and the organization and layout of the pages. Palestine is a piece of art with its own voice highlighting other voices and questioning the role of the comic artist in that regard.

In this startling and deeply researched volume, Benny Morris shows why the war of 1948, including Israeli expulsions of Palestinian Arabs during the fighting, was not itself the cause of the Nakba, the “catastrophe,” that resulted in three-quarters of a million Palestinian stateless Palestinians. The real cause, and that which accounts for much of the Palestinian-Israeli conflict as it exists today, is the decision taken after the war to bar return of the refugees to their homes. Morris shows, year by year, how that decision was brutally and systematically enforced by barriers, reprisal raids, killing zones, and forcible expulsions. No other book comes close to the detail provided here, about the early 1950s campaign against “infiltration” that doomed Palestinian refugees to generations of exile, about the thinking of the Israeli politicians, officials, and officers who designed and implemented this ruthless effort, and about its unanticipated and costly consequences.

As a journalist I have often reported on the Palestinian refugees in my home country Lebanon. I visited the refugee camps and spoke to its residents, and every time I leave the place with stories of what they have behind when they had to flee the historic land of Palestine in 1948 and later in 1967. The old keys and deeds to their homes that had been passed on from one generation to another, stay witness to their conviction of their right to return. This book is about those people and their narratives. It is about Palestinians’ collective memory of loss, that has been kept alive mostly through the spoken word. This book is a narrative documenting those narratives. It captures the essence of what it means to be Palestinian.