66 books like Unfortunately, It Was Paradise

I love a book with its own language and logic where you feel you have been let into a secret world. This book is full of the wonderful and sometimes humorous language that results from the collision of cultures involved in the opium trade, which ties the characters of the book together.

The trade is slowly poisoning India and China, bringing families to ruin while enriching England. I love a book where social commentary arises naturally from the sympathetic portrayal of people in impossible situations and where even a dark situation contains hope and the possibility of love. The Ganges plays a central role in the characters’ lives and in the movement of the story.

This is the opposite of a popular read and not for the faint-hearted. Dufoix has followed, in a detailed way, the labyrinthian uses and meaning of the word diaspora since the third century BCE. Using sources from several languages, this is a major scholarly work, totaling 554 pages. For sheer diligence alone this is an unrivalled sourcebook in diaspora studies. At times, Dufoix’s reasoning is so intricate that it becomes almost Talmudic, but this is part of the charm. We can take pleasure in observing a dedicated researcher undertaking a quest from which he will not be deterred. 

The issue of when one can call a dispersal a ‘diaspora’ has been a long-running debate between those interesting in diasporas. Displaced peoples can return, fragment, or assimilate. What factors are in play that impel any one ethnic group to cohere, link to similar communities aboard and continue to connect, emotionally and in other ways, to their place of origin? This is a tough question to answer and Van Hear has a brave try in answering it. He has undertaken field research in Africa and Sri Lanka and his command of the sources and comparisons is impressive. Of course, there are many refugee flows that post-date this book, but it nonetheless stands as a first crack at addressing the issue of diasporic formation.

Any of the books Salma Hage comes out with are absolutely amazing. She has the perfect approach to bringing authentic Lebanese food to the Western palate. This beautiful and massive cookbook is the encyclopedia of a Middle Eastern kitchen—it’s like my bible.

It’s been a reference for me throughout the years, like a stepping stone into Lebanese cookbooks. It was one of the first I ever picked up—512 pages with 500 recipes!

There is no better place to start learning about Palestine than with the stories of Ghassan Kanafani, a writer and militant activist who was assassinated by Mossad, the Israeli Secret Service, in 1972.

Kanafani combined activism with a powerful ability to recreate the Palestinian experience of displacement and forced migration. In one of his most moving and disturbing stories, Men in the Sun, Kanafani tells of three Palestinian migrant workers who travel from the refugee camps of Iraq to Kuwait in the hopes of finding work.

The story was made into a film called The Dupes by Egyptian director Tawfiq Saleh in 1973.

Raja Shehadeh is the author of many important books on Palestine.

He has a unique ability to interweave the personal into the political in his writing. That talent shines through in this recent book, a memoir about his relationship to his father, an influential attorney and defender of Palestinian rights who was murdered outside his home in Ramallah in 1985. In telling the story of this relationship, which was marked by mutual misunderstanding and unarticulated love, Shehadeh also tells a story about the history of the Palestine people.

He shows how the conflicts and displacements inflicted on Palestinians have torn apart millions of lives and destroyed the human connections that many of us take for granted.

Steven Salaita’s ordeal of being hired and then fired from a tenured position at the University of Illinois in Urbana-Champaign in 2014 was among the first and most consequential instances of the suppression of pro-Palestinian speech in the North American university system.

It marked the beginning of a wave of censorship that persists to this day, in which academics are placed under extreme pressure to avoid saying anything that might challenge the status quo on Israel and Palestine. In this book, Salaita tells the story of how university bureaucrats who succumbed to the demands of Israel advocates and withdrew a job offer that he had already accepted.

While telling of how he was caught in the crossfire of a battle for Palestinian liberation, Salaita offers powerful reflections on the meaning of academic freedom and the role of the university.

Mohammed El-Kurd is arguably the most militant voice in Palestinian literature since Ghassan Kanafani. Born in the East Jerusalem neighborhood of Sheikh Jarrah, even as a young boy, he began speaking out against the settlers who were occupying his home.

Rifqa is his debut poetry collection. Named for his grandmother, the poems in this work combine oral history with powerful political verse. Despite his youth, Kurd speaks as a poet who has already developed a strong literary voice. Having witnessed the brutality of occupation and lived to tell the story.

Since 2021, El-Kurd has been the Palestine correspondent for The Nation, and in this role has brought a Palestinian perspective to the media coverage that tends to silence Palestinian voices.

Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?

The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."

There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp. 

As a journalist I have often reported on the Palestinian refugees in my home country Lebanon. I visited the refugee camps and spoke to its residents, and every time I leave the place with stories of what they have behind when they had to flee the historic land of Palestine in 1948 and later in 1967. The old keys and deeds to their homes that had been passed on from one generation to another, stay witness to their conviction of their right to return. This book is about those people and their narratives. It is about Palestinians’ collective memory of loss, that has been kept alive mostly through the spoken word. This book is a narrative documenting those narratives. It captures the essence of what it means to be Palestinian.