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The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
Mahmoud Darwish is without a doubt the national Palestinian poet, who expresses the experience of millions of Palestinians across generations.
Whether he is writing about exile, love, or death, his poetic voice reverberates simultaneously in the soul, the intellect, and the body. Darwish speaks with the intimacy of someone who is not afraid to be vulnerable and the authority of a poet who believes that poetry can change the world.
This collection gathers together the best translations of his poems by American poet Carolyn Forché working in collaboration with Munir Akash, and includes commentary by the important Arabic writers Sinan Antoon, Fady Joudah, and Amira El-Zein.
Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah's…
The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
There is no better place to start learning about Palestine than with the stories of Ghassan Kanafani, a writer and militant activist who was assassinated by Mossad, the Israeli Secret Service, in 1972.
Kanafani combined activism with a powerful ability to recreate the Palestinian experience of displacement and forced migration. In one of his most moving and disturbing stories, Men in the Sun, Kanafani tells of three Palestinian migrant workers who travel from the refugee camps of Iraq to Kuwait in the hopes of finding work.
The story was made into a film called The Dupes by Egyptian director Tawfiq Saleh in 1973.
This collection of important stories by novelist, journalist, teacher, and Palestinian activist Ghassan Kanafani includes the stunning novella Men in the Sun (1962), the basis of the film The Deceived. Also in the volume are "The Land of Sad Oranges" (1958), "If You Were a Horse . . ." (1961), "A Hand in the Grave" (1962), "The Falcon" (1961), "Letter from Gaza" (1956), and an extract from Umm Saad (1969). In the unsparing clarity of his writing, Kanafani offers the reader a gritty look at the agonized world of Palestine and the adjoining Middle East.
The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
Raja Shehadeh is the author of many important books on Palestine.
He has a unique ability to interweave the personal into the political in his writing. That talent shines through in this recent book, a memoir about his relationship to his father, an influential attorney and defender of Palestinian rights who was murdered outside his home in Ramallah in 1985. In telling the story of this relationship, which was marked by mutual misunderstanding and unarticulated love, Shehadeh also tells a story about the history of the Palestine people.
He shows how the conflicts and displacements inflicted on Palestinians have torn apart millions of lives and destroyed the human connections that many of us take for granted.
A subtle psychological portrait of the author’s relationship with his father during the twentieth-century battle for Palestinian human rights.
Aziz Shehadeh was many things: lawyer, activist, and political detainee, he was also the father of bestselling author and activist Raja. In this new and searingly personal memoir, Raja Shehadeh unpicks the snags and complexities of their relationship.
A vocal and fearless opponent, Aziz resists under the British mandatory period, then under Jordan, and, finally, under Israel. As a young man, Raja fails to recognize his father’s courage and, in turn, his father does not appreciate Raja’s own efforts in campaigning…
The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
Mohammed El-Kurd is arguably the most militant voice in Palestinian literature since Ghassan Kanafani. Born in the East Jerusalem neighborhood of Sheikh Jarrah, even as a young boy, he began speaking out against the settlers who were occupying his home.
Rifqa is his debut poetry collection. Named for his grandmother, the poems in this work combine oral history with powerful political verse. Despite his youth, Kurd speaks as a poet who has already developed a strong literary voice. Having witnessed the brutality of occupation and lived to tell the story.
Since 2021, El-Kurd has been the Palestine correspondent for The Nation, and in this role has brought a Palestinian perspective to the media coverage that tends to silence Palestinian voices.
Already in my teens, I became aware of the need for LGBTQ+ rights. I read whatever I could find on the topic, and when I wrote my first book it was titled Sexual Orientation: A Human Right. However, I noticed that many fellow activists advocated bans on speech hostile to LGBTQ+ people. I became skeptical about governments punishing individuals who express evil ideas. Still, I hope you will benefit from my list of books that take various sides in free speech debates and focus not only on LGBTQ+ people. After all, what’s the point of free speech if not to hear about a problem from diverse viewpoints?
I found this book to be one of the best introductions to the endless dilemmas surrounding free speech. In the first half of the twentieth century, anxieties about free speech in the United States were triggered mostly on the left, with government attempts to stifle socialists and communists culminating in Senator Joseph McCarthy’s witch hunts, damaging and even destroying thousands of lives and careers.
Philippa Strum shows how, after the 1950s, this completely changed. The government’s increasing focus on far-right speech became an issue of burning importance when residents of a small Illinois town, home to Holocaust survivors, tried to block a Nazi march–and the courts said “No” in the name of free speech.
In the Chicago suburb of Skokie, one out of every six Jewish citizens in the late 1970s was a survivor--or was directly related to a survivor--of the Holocaust. These victims of terror had resettled in America expecting to lead peaceful lives free from persecution. But their safe haven was shattered when a neo-Nazi group announced its intention to parade there in 1977. Philippa Strum's dramatic retelling of the events in Skokie (and in the courts) shows why the case ignited such enormous controversy and challenged our understanding of and commitment to First Amendment values.
I am a teacher, a college professor, and a lifetime reader. I came from a small town, went to college to study writing, ended up getting graduate degrees in theatre, became a theatre director, and then went back to my first love, writing. Throughout my childhood, I bonded with my siblings, and we often feared our mother, who was a fascinating creature but often rough on us. She expected perfection and wasn’t in tune with her childhood. So even then, stories of children in danger—abandoned or scolded or shamed—have resonated with me.
This book is on most serious writers’ shelves. It’s gorgeous. I loved being in the mind of a child over a century ago, dealing with the Spanish Flu (never believing we would face something as bad as Covid). Here was a lovely mother, all one could wish a mother to be and a child so in love with her that he can hardly comprehend her vulnerability.
Love and loss are beautifully rendered. Yes, it’s sad, but I was so involved that I pulled for the father to heal from his grief and make way for his son to heal as well. Maxwell didn’t need a villain. The flu was the villain.
Discover William Maxwell's classic, heart-breaking portrait of an ordinary American family struck by the 1918 Spanish Flu pandemic
'A story of such engaging warmth that it would thaw the heart of any critic... Will melt many a reader to tears' TIME
Elizabeth Morison is an ordinary woman.
Yet, to eight-year-old Bunny, his mother is the centre of his universe. To Robert, her elder son, she is someone he must protect against the dangers of the outside world. And to her husband, James, she is the foundation on which his family rests and life without her is unimaginable.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
LaPier and Beck’s book is the perfect backstory to Van Alst’s.
Chicago, built on the lands of the Three Fires Council, has a long history as an Indigenous metropolis, from activism around the famous 1893 World’s Fair to the building of urban Indian organizations. The authors show how Indigenous people are everywhere in the archives.
Robert G. Athearn Award from the Western History Association
In City Indian Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indians who migrated to Chicago from across America to work and emerged as activists. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the city's…
I started to garden seriously when we had three young kids and little income. We had limited space and had to be ingenious about how and what we grew. A flock of chickens soon joined the effort, adding fresh eggs, compost-fueling manure, and plenty of entertainment. As we moved, we always had a garden, adding structures like sheds, trellises, tomato cages, fencing, and chicken coops. My work writing books and articles about backyard homesteading gave me the chance to meet resourceful people with expertise miles beyond my own. I always came away from those encounters loaded with new ideas to incorporate into next year’s garden.
One November evening in 1831, Rebecca and John Burlend, three children in tow, stepped off a riverboat. Emigrants from England, they had reached Phillip’s Ferry, Illinois, the end of a dangerous journey. But instead of the village they expected, they found only forest. They burst into tears.
The couple eventually buys land and clears it by “girdling”—stripping bark so trees die and drop their leaves, letting in enough sun for growing crops. Those include “Indian” corn whose stalks support beans. Indoors, a rag strip in a dish of lard burns with enough light to sew by. But farm life is perilous: While harvesting, a pregnant Rebecca rests by a sheaf, from which a startled rattlesnake crawls out. She kills it with her rake.
I’ve read this book several times. It’s a saga worth relishing.
On a frosty day in November 1831, Rebecca Burlend and her husband, John, and their five children debarked at New Orleans after a long voyage from England. They took a steamboat up the Mississippi to St. Louis and from there went to the wilds of western Illinois. It was a whole new world for a family that had never been more than fifty miles from home in rural Yorkshire.
Rebecca's narrative, written with the help of her son, was first published in 1848 as a pamphlet for people of her own class in England who might be considering migration to…
I’m a longtime food writer, magazine editor, cookbook author, and certified chef (through Kendall College, also in Chicago of course!). I was born in Chicago, raised in the Northern suburbs, and came back right after graduating from the University of Michigan in the early 2000s. For two decades, I lived in various parts of the city and wrote about the food scene for local and national outlets. The first edition of The Chicago Chef’s Table came out in 2012. Even though I moved to the suburbs a few years ago with my growing family, we still get down to the city often to enjoy the hottest new spots. My love for Chicago will never subside!
Carol Haddix served as the former editor of the Chicago Tribune’s food section and is a personal friend and colleague of mine; we are both part of Les Dames d’Escoffier Chicago, an international society for women in food service with chapters around the world. This literal tome is a homage to all things Chicago and food. It’s a bookshelf must-have if you live in the area, have lived here or want to live here!
The Chicago Food Encyclopedia is a far-ranging portrait of an American culinary paradise. Hundreds of entries deliver all of the visionary restauranteurs, Michelin superstars, beloved haunts, and food companies of today and yesterday. More than 100 sumptuous images include thirty full-color photographs that transport readers to dining rooms and food stands across the city. Throughout, a roster of writers, scholars, and industry experts pays tribute to an expansive--and still expanding--food history that not only helped build Chicago but fed a growing nation. Pizza. Alinea. Wrigley Spearmint. Soul food. Rick Bayless. Hot Dogs. Koreatown. Everest. All served up A-Z, and all…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Vera Abramowitz, ‘Dollface,’ was a flapper who got caught up with the mob.
Her two mobster lovers cause her life to take a downward spiral. Read how she puts the broken pieces of her life back together. Realistic and gritty, we see the flip side of the frivolous life of flappers seen in the movies.
America in the 1920s was a country alive with the wild fun of jazz, speakeasies, and a new kind of woman—the flapper.
Vera Abramowitz is determined to leave her gritty childhood behind and live a more exciting life, one that her mother never dreamed of. Bobbing her hair and showing her knees, the lipsticked beauty dazzles, doing the Charleston in nightclubs and earning the nickname “Dollface.”
As the ultimate flapper, Vera captures the attention of two high rollers, a handsome nightclub owner and a sexy gambler. On their arms, she gains entrée into a world filled with bootleg bourbon, wailing…
