Teresa Fava Thomas, Ph.D. is a professor of history at Fitchburg State University and author of American Arabists in theCold War Middle East, 1946-75: From Orientalism to Professionalismfor Anthem Press. I became interested in people who became area experts for the US State Department and how their study of hard languages like Arabic shaped their interactions with people in the region.
Ann Kerr and her husband Malcolm spent years in academic and diplomatic work across the region and especially in Cairo, Egypt and Beirut, Lebanon in critical times. Civil war and international conflict are described from the human perspective. The Kerr family dealt with great danger to help keep the American University of Beirut open amidst war; but paid a terrible price for their commitment to academic freedom.
Ann Kerr's is a personal account of an American family during the most tumultuous years of Beirut's political strife. It begins with the tragic assassination of her husband Malcolm Kerr, one of the most respected scholars of Middle East studies, in 1984, seventeen months after he became president of the American University of Beirut. She retraces in detail the events that brought them to the Middle East, and reaches back into her childhood to describe a lifelong affinity for Lebanon. For a young American woman caring for a family in Lebanon and Egypt, life was like nothing she had ever…
Teresa Fava Thomas, Ph.D. is a professor of history at Fitchburg State University and author of American Arabists in theCold War Middle East, 1946-75: From Orientalism to Professionalismfor Anthem Press. I became interested in people who became area experts for the US State Department and how their study of hard languages like Arabic shaped their interactions with people in the region.
Journalist Terry Anderson was working for the Associated Press, as part of a small contingent of American and British reporters living and working during the war in Lebanon. Taken hostage in 1985 and held for seven years Anderson describes how he coped with long years of punishment, extremes of loneliness, and isolation, then ultimately reached freedom.
On March 16, 1985, Associated Press's Chief Middle East Correspondent, Terry Anderson, was kidnapped on the streets of Beirut. 2454 days - nearly seven years - later, he emerged into the light. "Den of Lions" is his memoir of that harrowing time; months of solitary confinement, beatings and daily humiliation. It is a story of personal courage, of brave and unflinching support for his fellow prisoners, but it is above all a love story - Madeleine Bassil, his fiancee, contributes her own chapters to their story, bringing up their child, Sulome, who never saw her father until she was six…
I grew up on the Northern Plains, visiting Indian Reservations where my mother was a social worker. The poverty, hopelessness, and general lack of medical care and schooling made a profound impact on me. It led me to Graduate School and the study of American Indians. Of my twelve books, two have been finalists for the Pulitzer Prize, and several others have won minor prizes. As a historian, I realize that we can turn things around. We can strive to better understand the past, and prepare our children and grandchildren for the future. But this will never happen by banning books. We must face the brave, new world that is upon us.
Morrison, the winner of two Bancroft Prizes and Two Pulitzer Prizes (likely the most by anyone in history) was a close friend of Franklin Delano Roosevelt.
He was given the rank of Admiral, in the Reserves and went to the Pacific, where he had full access to all naval reports and correspondence. Morrison’s 15 volumes are extremely well written and unsurpassed for their accuracy in describing the incredible struggle that began on December 7, 1941 and finally ended in August in Tokyo Bay.
Morrison is particularly interested in the naval battles, and no one could tell them better than Morrison. He is particularly good at the incredible orders that Admiral Halsey gave to Admirals Scott and Callaghan, full well knowing that they were going to their deaths; with light cruisers and destroyers, they pitched into a battle with a far superior Japanese naval force, losing most of their…
Diab examines the social repercussions of Beirut's role as a financial, trade, and banking center in the Middle East during Lebanon's post-independence years (1943-1975). He investigates the development of Beirut and its early financial involvement in the region, particularly through the introduction of the cash crop, silk, to Mount Lebanon. He examines the impact of such involvement on steering the Lebanese social structure and economy to meet the needs of capitalist expansion into the Middle East. As capitalist interests sought to transform Beirut into the Switzerland of the Middle East, social and regional disparities increased. Professor Diab presents statistics and…
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
At a time of death and destruction in Gaza, this book is one of the only volumes that brings to the English language reader some of the voices from inside a small strip of land that has been under siege by land, sea, and air for sixteen years.
Although the quality of the writing is variable, I found that the rawness of the collection made the writers seem more intimate. With some gutsy writing by women and tender pieces by men, the anthology subverts assumptions and provides a wide heterogeneity of voices to the fore.
Under the Israeli occupation of the '70s and '80s, writers in Gaza had to go to considerable lengths to ever have a chance of seeing their work in print. Manuscripts were written out longhand, invariably under pseudonyms, and smuggled out of the Strip to Jerusalem, Cairo or Beirut, where they then had to be typed up. Consequently, fiction grew shorter, novels became novellas, and short stories flourished as the city's form of choice. Indeed, to Palestinians elsewhere, Gaza became known as 'the exporter of oranges and short stories'. This anthology brings together some of the pioneers of the Gazan short…
I am a thriller writer who was born and grew up in Kuwait during a period when the country was threatened with invasion by Iraq. My father was the Preventative Health Officer for the Kuwait Oil Company. At the end of 1960 Ian Fleming visited the country and they became close friends. At the time Britain depended on inside information to prepare for military Operation Vantage. The experiences I had of that time and of that relationship, even as a child, were crying out to be written about. Despite the Middle East being a hotspot for espionage during that period of the Cold War, there’s been relatively little written about it.
This book is the inside story of the gossip which came out of the St. George Hotel, a famous Beirut meeting place during the 1950s for journalists and travelers and a regular hot spot for spies. It reads like a Bond thriller and no doubt Ian Fleming downed several of his pink gins there before he travelled on to Kuwait. Many Western plots took shape in its bar, including the plan to restore the monarchy in Baghdad, an attempt to overthrow King Hussein, and the assassination of a Syrian president. The value to me of this book is its historical relevance. Destroyed in the civil war that raged through Lebanon, this account of the famous bar somehow defies the bombs and keeps it alive.
An insider's account of true espionage, intrigue and conspiracy in the post-war Middle East, which reads like a Bond-esque thriller. Spies, journalists, politicians, tycoons, would-be assassins and oil sheiks mingle in the luxurious St George Hotel bar, the cosmopolitan centre of Beirut. From the 1950's through to its destruction in 1975 due to civil war, the plots, deals, and stories that came out of this famous hotel and its beachside bar make fascinating reading, featuring famous names as Kim Philby, Miles Copeland, Wilbur Crane and James Russell Barracks. Many incidents which went on to shape Middle Eastern history are related…
This book has all my favourite things: beautiful writing, fascinating characters, an exotic setting, and a page-turning plot. It’s also full of music since both main characters are musicians.
The dual storyline is masterfully designed, and I love the way the parallel stories eventually intersect. The parts set in Beirut in the 1940s and Syria in 2014 are exceptionally riveting for me. This is a novel for novelists.
Two refugees find that their lives are inextricably linked—over time and distance—by the perils of history and a single haunting piece of music.
Born in Beirut in 1922, Marguerite Toutoungi lives a life of loss and sacrifice. She dreams of traveling to Europe and studying music at the Conservatoire de Paris but her family—and her society—hold her back. When she meets the son of a Cuban tobacco farmer at a formal dance, love transforms her life. Together with him, she flees across the Pacific Ocean. She’s hoping for a new beginning. Instead, she finds revolution and chaos.
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
What I love in Hiller’s writing is the no-glory honesty of growing up in settings of omniscient violence where the last wish of the protagonists is to be heroic. They are vulnerable young men trying to get by, to do the right thing, to find calm.
This book and its sister book, Shake Off, are some of the finest works of fiction set during political conflict and war that I have read. Hiller’s gracious enough as to refrain from indulging in the gratuitous or the showy, but these are finely crafted thrillers. They are both equally gripping, taking the reader through worlds rarely seen by English language readers.
It is the summer of 1982 and Beirut is under siege. Eighteen-year-old Ivan's parents have just been evacuated from the city with other members of the Palestine Liberation Organisation. Ivan stays on, interpreting for international medical volunteers in Sabra refugee camp by day, getting stoned with them by night, and working undercover for the PLO. Hoping to get closer to Eli, a Norwegian physiotherapist, he helps her treat Youssef, a camp orphan disabled by a cluster bomb. An unexpected friendship develops between the three and things begin to look up - But events take a nasty turn when the president-elect…
In the 1950s, my mother and father left the red dirt of Oklahoma for the forests of Idaho to escape their families’ poverty. Instead of sharecropping, my father became a logger, but my aunt and her husband, a drilling rig roughneck, moved to the deserts of Saudi Arabia to work for Aramco and live in the American compound of Abqaiq. I remember the gifts they brought me: camel hide purses, Aladdin slippers. The Saudis, too, were experiencing rapid modernization and expanding wealth. I became fascinated by the conflict inherent in the sudden enmeshing of cultures and meteoric shift in power and privilege.
Because 20th Century Aramco was a closed company inside a closed culture inside a closed country, and because the laws of Shariaand strict corporate guidelines silenced the stories of women, I found it frustrating if not impossible to uncover narratives written by female Arab authors. Then I discovered Basrawi’s fascinating memoir about growing up in Dhahran. It provided riveting insight into the life of a teenage girl whose father was one of the first Saudi Muslim employees allowed to live inside the gated community. Basrawi vividly details coming of age in the middle of a white community and her eventual move to Beirut, where she endures the strife of the country’s civil war. Her account is rare, invaluable, and poignantly told—a reminder that it is literature that offers the greatest understanding of the immediate and lasting effects of colonial imperialism.
Fadia, a Saudi Arab, grew up in the strictly circumscribed and tailor-made 'desert Disneyland' of Aramco (the Arabian American Oil Company). This slice of modern, suburban, middle America was located in Dhahran, Aramco's administrative headquarters in Saudi Arabia, a theocratic Muslim kingdom run according to strict Wahabbi Shari'a law. Eventually, after only brief holidays abroad visiting relatives in colourful Arab cities like Medina, Damascus and Alexandria, Fadia moved to Beirut, the glitzy 'Paris of the Middle East', to attend high school. In Beirut she fell in love with a passionate and idealistic Lebanese journalist with whom she eloped against her…
I’ve always been a hopeless romantic. And a chronic glass-half-fullindividual. While working as a journalist in South Africa, I managed to stay away from sensitive subjects and gravitated toward films, restaurants, and travel. I also wrote interviews with people. Which led me to write an illustrated poetry book – mostly through observing people and imagining what makes them tick. My novel, Whisper of the Lotus, was based in Cambodia where I lived for four years and fell in love with the culture.I also wrote two children’s books (Ogden The Fish Who Couldn’t Swim Straight and Martha the Blue Sheep). Yes, they all had messages. Mostly about hope.
Sometimes when I’m feeling down, I want to read about people who have had things really bad so it makes me feel better about my own circumstances. And it doesn’t get much worse than Brian Keenan’s story. Abducted in 1985 by fundamentalist Shi’ite militiamen and imprisoned for four and a half years, Keenan describes in excruciating detail what he endured. It’s an incredible testament to the human spirit and how one can survive such suffering. It captivated me from page one as I held my breath, marvelled at this man’s fortitude, and wondered how on earth he managed to get through it all. While it’s a gruelling read, it’s also an amazing story of strength, friendship, and the ability to keep going.
Brian Keenan's release from captivity was the first ray of hope for those hostages held in the Middle East. He describes the plight of his fellow hostages with first-hand knowledge. The language he uses reflects his past efforts as a poet in describing the pain and claustrophobia of imprisonment.
In 2003 I was travelling through Baghdad with US forces to report
on the Iraq war. Suddenly an ear-shattering explosion cracked through our Humvee
and a rush of hot debris swept past my face. The heavily armoured door warped inwards,
and the vehicle lifted off the ground. Soldiers were screaming in terror and
anger, clutching at bloody faces, arms, and legs. We’d been attacked by unknown
members of the Iraqi resistance. The sheer terror of that moment gave me a new
understanding of war – the sight, smells, sounds, and touch of combat – and a
desire to tell the stories of the young soldiers who get caught up in
it.
This is a devastating account of over thirty years of highly dysfunctional battles between war-mongering countries and groups that instead of healing divisions continue to tear Lebanon's different communities apart. What makes it so powerful is that it exposes the lie that wars are unleashed by complex grand forces at work. Fisk's book shows how ruthless individuals consciously start wars by inventing grievances and fomenting unrest, destroying a stunningly beautiful country, and brutalising its population.
Pity the Nation ranks among the classic accounts of war in our time, both as historical document and as an eyewitness testament to human savagery. Written by one of Britain's foremost journalists, this remarkable book combines political analysis and war reporting in an unprecedented way: it is an epic account of the Lebanon conflict by an author who has personally witnessed the carnage of Beirut for over a decade. Fisk's book recounts the details of a terrible war but it also tells a story of betrayal and illusion, of Western blindness that had led inevitably to political and military catastrophe.…
