My favorite books by Arabic writers on the displacement and destruction brought on by colonization & the discovery of oil

Translated into English by Peter Theroux, this gorgeously written and emotionally stunning novel is told from the perspective of the Bedouin inhabitants during a time when Americans were arriving by the shipload to develop the oilfields they had discovered. The story is both epic and intimate (and, at points, wittily ironic) and opened my eyes to the vast destruction not only of the land and its people but the very core of their culture. Banned in several Middle Eastern countries, including Saudi Arabia, this is the first volume of a trilogy (and I recommend them all). 

Of all the histories, journals, diaries, novels, and memoirs I read while doing research for ITKOM, Ahmed Abodehman’s slim book has lodged itself deepest in my heart. Sometimes referred to as a memoir and at other times as an autobiographical novel, The Belt is less about the changes brought on by the petroleum industry in particular than it is about the dislocation brought on by modernization (much of it driven by the quest for control of the vast oil reserves). The story begins with a tribal elder “examining young Ahmed's knife to determine the boy's masculinity.” With the coming of a government school to the village, such ancient tribal customs are challenged by more urban ideologies and orthodox Islam as the speaker struggles to retain the tribal songs he carries inside himself “like an inexhaustive fire.” With a poet’s sense of image and language, Ahmed Abodehman weaves a gorgeous coming-of-age tale of a boy shaped by the rupture between the old world and the new.

A simple yet elegantly written memoir about growing up in mid-century as a Palestinian Arab Bedouin. Diqs’ focus is not on politics but on family, tribe, and tradition as he details his boyhood and his people’s dislocation and transition from nomads tending their sheep to an agrarian, village-based culture. Diqs’ written memories provided me with a profound and intimate awareness of the details of Bedouin life before the partitioning of Palestine and the petroleum industry’s impact on the Middle East.

I planned to read this book for research but ended up so immersed in the story that I kept forgetting to take notes. The narrative, a “clever inversion of Conrad’s Heart of Darkness,” follows the travels and travails of a young protagonist tangled in the contradictions of his African childhood, his formal education in England, and his return home with what he sees as the boon of modern thought. Part mystery, part romance, part history, part monomyth, part psychological thriller, the novel is set in an “unsettled and violent no-man’s-land between…tradition and innovation, holiness and defilement...” This book fascinated and haunted me even as it informed me about the complexities, dichotomies, and dissonance of colonization. Shot through with “allusions to Arabic and European fiction, Islamic history, Shakespeare, Freud, and classical Arabic poetry,” Salih’s novel should first be read for what it is: a brilliant work of art.

Because 20th Century Aramco was a closed company inside a closed culture inside a closed country, and because the laws of Sharia and strict corporate guidelines silenced the stories of women, I found it frustrating if not impossible to uncover narratives written by female Arab authors. Then I discovered Basrawi’s fascinating memoir about growing up in Dhahran. It provided riveting insight into the life of a teenage girl whose father was one of the first Saudi Muslim employees allowed to live inside the gated community. Basrawi vividly details coming of age in the middle of a white community and her eventual move to Beirut, where she endures the strife of the country’s civil war. Her account is rare, invaluable, and poignantly told—a reminder that it is literature that offers the greatest understanding of the immediate and lasting effects of colonial imperialism.