I am an international political and critical theorist interested in the way that key events and experiences from the past continue to affect politics in the present. I was born in the US but moved back to Slovenia when I was in high school, before returning to the states to attend Dartmouth College as an undergraduate, and Yale University for my doctoral studies in political science. This international, bi-continental background – as well as my own family’s history of migration following World War II – has fueled my interest in twentieth-century European history, collective memory and European integration.
In addition to being postwar Germany’s most important philosopher, Habermas is also its leading public intellectual. In this volume of his “short political writings” Habermas develops his ideas on a number of concrete issues in the memory politics of postwar Europe that emerged in the early 1990s – including conservative attempts to normalize the Holocaust, the effects of German unification, and the implications of the fall of communism for the EU – in an accessible manner through a series of interviews. This format also allows him to open up the question of the status of public intellectuals and their role in the democratic public sphere, which is the subject of my current book project on Habermas as a public intellectual.
Jurgen Habermas is one of the best-known and most influential philosophers in Europe today. Heir to the Frankfurt school, his reputation rests on more than thirty years of groundbreaking works on society knowledge, history, technology; ethics, and many other subjects. He is also a familiar figure in his native Germany where he has often played a prominent role in public de-bates. In recent years, he has spoken out ever more directly on the extraordinary changes taking place in Germany, Europe, and the world.
This volume of interviews reveals Habermas's passionate engagement with contemporary issues. Wide-ranging and informal, the interviews focus…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
In 2003 I was travelling through Baghdad with US forces to report
on the Iraq war. Suddenly an ear-shattering explosion cracked through our Humvee
and a rush of hot debris swept past my face. The heavily armoured door warped inwards,
and the vehicle lifted off the ground. Soldiers were screaming in terror and
anger, clutching at bloody faces, arms, and legs. We’d been attacked by unknown
members of the Iraqi resistance. The sheer terror of that moment gave me a new
understanding of war – the sight, smells, sounds, and touch of combat – and a
desire to tell the stories of the young soldiers who get caught up in
it.
This is a detailed account of a secret military mission behind enemy lines during the first Gulf War and how a series of minor setbacks can quickly escalate into a full-blown disaster. I first read it years before I'd had any knowledge of a battlefield. I read it again after I'd been caught up in my own terrifying experience of combat and took away a new appreciation of the realities of war – how stress on the battlefield narrows the field of vision to minute details which distort what is really going on. It's a lesson about war, but also about life – even with all the planning and the training, it's almost impossible to control what happens in the heat of battle.
Sergeant Andy McNab recounts the story of the top secret mission that would reveal the secrets of the SAS to the world for the first time.
Their location: Iraq Their mission: to sever a vital enemy underground communication link, to find and destroy mobile Scud launchers Their call sign: Bravo Two Zero
When eight members of the elite SAS regiment embark on a highly covert operation, they are each laden with 15 stones of equipment, needing to tab 20km across the desert to reach their objective. But within days, their location is compromised. They engage in a fierce battle. They…
I’m a nonfiction author whose success owes enormously to fiction. It challenges me to portray real people as vividly as characters in novels, and to use narrative and dialogue to keep readers turning the pages. Reading great novelists has taught me to obsessively seek exactly the right words, to fine-tune the cadence of each sentence, and to heed overall structural rhythm; continually, I return to the fount of fiction for language and inspiration. The astonishing novels I’ve shared here are among the most important books I’ve recently read to help grasp the critical times we’re living in. I’m confident you’ll feel the same.
I’ve just returned from a research trip to Iraq (one of many settings for my next book: stay tuned). I took along two Iraqi novels, The President's Gardens and Daughter of the Tigris (they’re really just one; the first literally ends with the words to be continued) and I was as stirred by reading them as by what I saw there. While we protest Russia’s outrageous rape of Ukraine, we forget the hideous mess that America’s unjustifiable invasion left in Iraq. Even under Saddam Hussein, Iraq was considered the flower of Arab culture, a land overflowing with poetry, music, and art. Today much of it is rubble. Masterfully, Al-Ramli describes the latter with all the breathtaking beauty of the former. This ranks among my most moving reading experiences ever.
One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq.
"A contemporary tragedy of epic proportions. No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting". Hassan Blasim, winner of the Independent Foreign Fiction Prize for The Iraqi Christ.
On the third day of Ramadan, the village wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop.
One of them belonged to one of the most wanted men in Iraq, known to…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I am sure many will remember seeing the news footage on TV showing the little boy standing next to Saddam Hussain during the first Gulf War. He was, of course, not there by choice, as he was actually one of the hostages being held at the time. It was an interesting propaganda exercise, especially as Saddam tried to encourage Stuart to get closer but he was clearly not having it! From a PR perspective, it was unsuccessful and was not accepted as a positive image by those in the West.
This book is written by his mother and describes just how traumatic the experience was for all the family as well as all the other families held hostage at the time. As the final book in my selection, it completes the theme of the futility of war and its impact on the individuals closest to the action.
On 23 August 1990, the world was outraged when five-year-old Stuart Lockwood was used in a publicity stunt by Saddam Hussein. This work is based on his mother's diary of their imprisonment in Baghdad during the Gulf War, and their treatment during Iraq's human shield policy.
Robert Widders is one of the few men who have served in both the British Army, the Royal Navy, and the Royal Air Force. His books on military history have been quoted in the Irish parliament and Senate and were the focus for a BBC documentary episode of Face the Facts.
This is a book about Lieutenant Colonel Philip Toosey, the man who commanded the POWs who built the "bridge over the River Kwai". Many people, possibly most, know about this bridge from the film, The Bridge on the River Kwai, starring Alec Guinness. I recall discussing the film with a friend – a man who helped build the real bridge – and to quote him referring to the film, ‘British officers just didn’t behave like that’.
Years later, whilst traveling and writing, I sat through the night, on a rickety wooden verandah, a few hundred yards from the Kwai bridge reading a copy of The Colonel of Tamarkan, drinking Chang beer, being bitten by mosquitoes, and thinking about my friend and his pals, the ones buried in the cemetery a mile or so away. That’s where this book has meaning to me…
Written by Toosey's granddaughter, this remarkable portrait of a forgotten British hero and leader is essential reading for anyone interested in the Second World War.
'Truly uplifting ... It makes you proud to be British.' The Guardian
Alec Guinness won a Best Actor Oscar for his portrayal of the dogmatic but brittle commanding officer in David Lean's film The Bridge on the River Kwai. While a brilliant performance, it owed more to fiction than fact, as the man who actually commanded the POWs ordered to build the infamous bridges -- there were in fact two: one wooden, one concrete --…
I recently retired as a military and naval history professor at the University of Memphis, where I continue to teach strategy for the US Naval War College. I am the author of seven books and many articles on maritime and military history and the histories of technology and sexuality.
An influential political scientist and military analyst, Luttwak provides an insightful overview of military strategy. He provides clear explanations of important theorists and concepts but, most importantly, emphasizes the paradoxical nature of strategic planning in discussions that resemble the duel of wits in the book and movie The Princess Bride (1973 and 1987).
How does one outthink and outwit an enemy while avoiding falling into the traps an enemy has laid for you? How does one avoid executing obvious and easy strategies while still playing to one’s strengths and avoiding needless complexity? How does one encourage an enemy to make mistakes and lure them into traps?
"If you want peace, prepare for war." "A buildup of offensive weapons can be purely defensive." "The worst road may be the best route to battle." Strategy is made of such seemingly self-contradictory propositions, Edward Luttwak shows-they exemplify the paradoxical logic that pervades the entire realm of conflict.
In this widely acclaimed work, now revised and expanded, Luttwak unveils the peculiar logic of strategy level by level, from grand strategy down to combat tactics. Having participated in its planning, Luttwak examines the role of air power in the 1991 Gulf War, then detects the emergence of "post-heroic" war in Kosovo…
I am well qualified to speak of the Vietnam aviation experience because these things happened during my formative years as a pilot, and I was on the “front lines” of seeing and experiencing much of it. In addition, I keep up-to-date with it via reunions and reading stories told by other pilots, and I have met Kenny Fields, George Marrett, and Leo Thorsness.
Dan McKinnon was a navy helicopter pilot who was airborne near an aircraft carrier during flight operations so pilots who had mishaps could be quickly and safely recovered. This is a story about an unusual type of flying, one that provides another layer of safety for naval operations at sea.
'Dan McKinnon, extraordinary helicopter pilot, brings alive the excitement and occasional terror of rescue at sea. An exciting hair raising and reverting tale of the largely untold story of helicopter resuces at sea' - Neil Armstrong, Astronaut. 'Just Great. It's going to be of tremendous interest to all naval helicopter pilots present and future and to the people who want to know more about this aspect of military flight. Boy, you've unleashed a flood of memories' - Bill Stuyvesant, legendary navy helo pilot. A daring Cold-War warrior recounts the thrills of high-sea helicopter rescue missions. Within the pages of "Rescue…
After more than 30 years in daily journalism in Minnesota, I moved to a trout stream near Durango, Colo., to stage a second act. Editors at the Minneapolis Star Tribune, where I worked for 26 years, gave me a freelance contract to write a Minnesota History column every Sunday. It’s morphed into a popular crowd-sourcing of history with readers feeding me delicious family stories. I’m the lucky one who gets to weave these stories—enriching my knowledge of what being Minnesotans is all about.
A master of nonfiction crime writing, William Swanson uses his W.A. Winter pen name for fictional works, including this 2022 book that clung to my thoughts weeks after the last page. Based loosely on a Minnesota crime spree in the 1950s, Winter takes readers into the mind of Joe Lavoie—the wheelchair-bound lone survivor of three brothers who engaged in a shootout with police in 1953. Set in 1991, 38 years after the crippling police gunshot, the taut writing takes you into Joe’s mind and explores his dysfunctional family on what turns out to be his last stand.
Minneapolis, 1953—A wild crime spree stuns the Upper Midwest, leaving a trail of blood and betrayal that terrifies a region and shatters the family at its core.
Thirty-eight years later, the tattered remnants of the notorious LaVoie crime family—sisters, brothers, and children too young to remember or understand—gather for an edgy reunion in a Minneapolis suburb. Among the guests is Joe LaVoie, sole survivor of the fraternal gang behind the ’50s bloodshed, a convicted cop-killer crippled by a police bullet during the final shootout. Now, an old man facing his own death, Joe is both desperate and terrified to learn…
This is a book that I will re-read throughout the rest of my life because it affected me deeply. The story was completely out of own experience but is written in such a detailed and visceral way that I was transported to rural Iceland.
It blends realism with mysticism and magic in a wonderful way – It is an epic tale that evokes the Icelandic sagas of old. I devoured it! I couldn’t put it down, and I felt bereft when I finished it. I ache to know what happened next.
