Here are 100 books that Sharon and My Mother-in-Law fans have personally recommended if you like
Sharon and My Mother-in-Law.
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I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Reading Edward Said’s book as an undergraduate expanded my intellectual horizons and made me want to be a historian. Said showed that empire not only included the events—war, exploitation, extraction—that happened “out there” but also shaped metropolitan ways of knowing about and relating to areas of the world under colonial domination.
Said shows us that the power to know about a place and its people and to shape how that place and its people are known was central to the consolidation of imperial rule in the nineteenth century and its continuance in the twentieth.
More than that, however, Said showed the fundamental continuity between forms of knowledge in the past and structures of imperial power in the present. Imperialism is an unfinished history.
The seminal work that has redefined our understanding of colonialism and empire, with a preface by the author
'Stimulating, elegant and pugnacious' Observer 'Magisterial' Terry Eagleton
In this highly-acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering orientalism as a powerful European ideological creation - a way for writers, philosophers and colonial administrators to deal with the 'otherness' of eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West's romantic and exotic picture of…
Arriving in the UK to pursue my PhD after a career in Journalism in my native country Lebanon, a few days before September 11, 2001, set me on a journey to put right the way my region and its people are represented in British and international media. The Middle East, the Arab region, Islam, and Muslims became the focal point of coverage for many years that followed. Most of that coverage had been tainted with negative stereotypes that do not speak true to who we are and what we stand for. Achieving fair representation and portrayal of ethnic and religious minorities have become one of my life passions.
The late Fred Halliday addressed in his book the most circulated myths of the Middle East and its people. It is an easy read and it sets straight many of the daily myths that we have picked up from western popular culture (mainly Hollywood) and Anglo-American media representation including news on the culture and religion of the people of the Middle East.
Much ink has been spilled in recent years about the Middle East. At the same time, no other region has been as misunderstood, nor framed in so many cliches and mistakenly held beliefs. In this much-needed and enlightening book, Fred Halliday debunks one hundred of the most commonly misconstrued 'facts' concerning the Middle East - in the political, cultural, social, and historical spheres. In a straightforward and simple way that illuminates the issues without compromising their underlying complexities he gets to the core of each matter. The Israel-Palestine crisis, the Iran-Iraq war, the U.S.-led Gulf invasions, the Afghan-Soviet conflict, and…
Arriving in the UK to pursue my PhD after a career in Journalism in my native country Lebanon, a few days before September 11, 2001, set me on a journey to put right the way my region and its people are represented in British and international media. The Middle East, the Arab region, Islam, and Muslims became the focal point of coverage for many years that followed. Most of that coverage had been tainted with negative stereotypes that do not speak true to who we are and what we stand for. Achieving fair representation and portrayal of ethnic and religious minorities have become one of my life passions.
As a journalist I have often reported on the Palestinian refugees in my home country Lebanon. I visited the refugee camps and spoke to its residents, and every time I leave the place with stories of what they have behind when they had to flee the historic land of Palestine in 1948 and later in 1967. The old keys and deeds to their homes that had been passed on from one generation to another, stay witness to their conviction of their right to return. This book is about those people and their narratives. It is about Palestinians’ collective memory of loss, that has been kept alive mostly through the spoken word. This book is a narrative documenting those narratives. It captures the essence of what it means to be Palestinian.
"What It Means to be Palestinian" is a narrative of narratives, a collection of personal stories, remembered feelings and reconstructed experiences by different Palestinians whose lives were changed and shaped by history. Their stories are told chronologically through particular phases of the Palestinian national struggle, providing a composite autobiography of Palestine as a landscape and as a people. The book begins with the 1936 revolt against British rule in Palestine and ends in 1993, with the Oslo peace agreement that changed the nature and form of the national struggle. It is based on in-depth interviews and conversations with Palestinians, male…
Arriving in the UK to pursue my PhD after a career in Journalism in my native country Lebanon, a few days before September 11, 2001, set me on a journey to put right the way my region and its people are represented in British and international media. The Middle East, the Arab region, Islam, and Muslims became the focal point of coverage for many years that followed. Most of that coverage had been tainted with negative stereotypes that do not speak true to who we are and what we stand for. Achieving fair representation and portrayal of ethnic and religious minorities have become one of my life passions.
I have read this book years ago and till today I am still able to remember encounters Bowen had experienced and dealt with as a journalist and had cleverly brought it to life for his readers. He is one of those Middle East correspondents who got to study and know the region closely, not from afar, and hence reported on it accurately and with much-appreciated humanity. It is all reflected in his book. From Baghdad to South Lebanon, Bowen’s storytelling tells future journalists a story of conviction in seeking and standing up for the truth no matter the pressures journalists may face to act differently.
Having joined the BBC as a trainee in 1984, Jeremy Bowen first became a foreign correspondent four years later. He had witnessed violence already, both at home and abroad, but it wasn't until he covered his first war -- in El Salvador -- that he felt he had arrived. Armed with the fearlessness of youth he lived for the job, was in love with it, aware of the dangers but assuming the bullets and bombs were meant for others. In 2000, however, after eleven years in some of the world's most dangerous places, the bullets came too close for comfort,…
The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
Raja Shehadeh is the author of many important books on Palestine.
He has a unique ability to interweave the personal into the political in his writing. That talent shines through in this recent book, a memoir about his relationship to his father, an influential attorney and defender of Palestinian rights who was murdered outside his home in Ramallah in 1985. In telling the story of this relationship, which was marked by mutual misunderstanding and unarticulated love, Shehadeh also tells a story about the history of the Palestine people.
He shows how the conflicts and displacements inflicted on Palestinians have torn apart millions of lives and destroyed the human connections that many of us take for granted.
A subtle psychological portrait of the author’s relationship with his father during the twentieth-century battle for Palestinian human rights.
Aziz Shehadeh was many things: lawyer, activist, and political detainee, he was also the father of bestselling author and activist Raja. In this new and searingly personal memoir, Raja Shehadeh unpicks the snags and complexities of their relationship.
A vocal and fearless opponent, Aziz resists under the British mandatory period, then under Jordan, and, finally, under Israel. As a young man, Raja fails to recognize his father’s courage and, in turn, his father does not appreciate Raja’s own efforts in campaigning…
I must be something of a specialist on the impact of conventional and guerrilla warfare on the civilian population. Truth is, leaving school, I never intended to have anything to do with war beyond the books I enjoyed reading. On leaving the military in my 30s I employed the only skills I had and managed organisations and mostly news teams operating in conflict zones all over the world. I matured into a crisis manager, responding and consulting to crisis situations such as kidnap & ransoms, and evacuations from conflict zones. Most of the characters in my books are real, good and bad, taken from the vast theatre of my own experiences.
My first encounter with Israeli soldiers was in Ramallah during the second intifada. I was alone on the road late one night after curfew when a dozen Israeli soldiers, sons of Russian immigrants, dragged me from my vehicle and put a pistol to my head in a mock execution for their entertainment. My impression of Israeli soldiers was never great after that. Years later I met Miko Peled after reading his book about his time in the Israeli defence force and his relationship with his father, a highly decorated Israeli general who turned from hawk to dove in search of peace and reconciliation with the Palestinians. Miko took up the same struggle after his father's death. We have so far, without success, tried to make a movie of that family struggle.
A powerful account, by Israeli peace activist Miko Peled, of his transformation from a young man who'd grown up in the heart of Israel's elite and served proudly in its military into a fearless advocate of nonviolent struggle and equal rights for all Palestinians and Israelis. His journey is mirrored in many ways the transformation his father, a much-decorated Israeli general, had undergone three decades earlier. Alice Walker contributed a foreword to the first edition in which she wrote, "There are few books on the Israel/Palestine issue that seem as hopeful to me as this one." In the new Epilogue…
Before I became a writer, I worked for a time in the violence against women sector, and I started to see how violence against women was normalised or sanctioned by a complex matrix of laws, norms, and ideas that stick to our society like a spider’s web. I wanted to do my part in unpicking the web—and for me, as a writer, that comes in the form of beginning to break down simplistic stories and archetypes about what women should be, and what they historically might have been, in favour of a liberated future where the true potential of half the human race can be dreamed of, and realised.
A fascinating novel that depicts, in unsettlingly flat style, a historic gang-rape of a Palestinian woman by Israeli soldiers. Cut to the present day and a nameless, obsessive narrator becomes an amateur sleuth, preoccupied with understanding what took place. A brilliant meditation on memory, agency, and our relationship with history.
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba - the catastrophe that led to the displacement and expulsion of more than 700,000 people - and the Israelis celebrate as the War of Independence. Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this 'minor detail' of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience…
When I was in sixth grade, I was kidnapped by pirates, aka parents, who smuggled me from a city in Ohio to a desert island, aka a middle-of-nowhere, piney woods, East Texas town called Fred. The city limit signs were 0.9 miles apart, without a single stop sign or red light to get in the way. Not even a flashing yellow. To survive, I enrolled in a hands-on crash course in Small Town, aka baptism by fire. I regularly get notes from readers all over America saying Welcome to Fred transported them back to their childhood growing up in a small town.
That’s what a minute said to an hour Without me you are nothing
I know what you’re saying. First a kid’s book, now poems? Yes. Even though she has lived in St. Louis, Ramallah, Jerusalem, and now San Antonio, you would swear that she probably lived right down the street from wherever you are. In fact, she lives right down the road from me.
The wind never says Call me back, I’ll be waiting for your call. All we know about wind’s address is somewhere else.
Even though we share a birthday with Jack Kerouac and James Taylor, we have never met, but when I read her poems, I feel like I’m having a cup of coffee with a close friend, the friend you haven’t seen in years, but you know that if they walked in the door right now, you’d just pick up where you left off and talk…
"Nye once again deftly charts the world through verse."-Kirkus Reviews (starred review)
"A beautifully constructed, thoughtful, and inspiring collection."-School Library Journal (starred review)
Young People's Poet Laureate and National Book Award Finalist Naomi Shihab Nye's uncommon and unforgettable voice offers readers peace, humor, inspiration, and solace. This volume of almost one hundred original poems is a stunning and engaging tribute to the diverse voices past and present that comfort us, compel us, lead us, and give us hope.
"I think the air is full of voices. If we slow down and practice listening, we hear those voices better. They live…
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?
The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."
There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal…
Conflict resolution and intergroup relations are my passions. Perhaps because I’m a child of the Holocaust. My parents and I arrived in the U.S. as stateless refugees. The Holocaust primed me to explore why religion inspires so much hate. My career as a criminologist got me interested in the link between religion and violence. My refugee roots led me to an International Rescue Committee report on the Syrian crisis. That report hit me hard and felt very personal because it echoed my own family’s suffering in the Holocaust. I saw an opportunity to build bridges between enemies—Israel and Syria, Jews and Muslims—while also saving lives.
I was blown away by this narrative of the Israeli-Palestinian conflict from the Palestinian perspective. Sari Nusseibeh is the scion of one of the oldest and most distinguished Palestinian families. So important are they that the Nusseibehs hold the keys to the Church of the Holy Sepulcher and are charged with opening the Church each day. Despite the fact that Sari and his family lost so much when Israel declared statehood in 1948, I was moved by the absence of malice in what I found to be a balanced account of “the Nakbah.” After reading the book, I was eager to meet Sari, who was at the time president of Al Quds University. My husband and I did get to spend a day with him on campus, where we learned even more about the Palestinian side of the conflict.
These extraordinary memoirs give us a rare view into what the Arab-Israeli conflict has meant for one Palestinian family over the generations. Nusseibeh also interweaves his own story with that of the Palestinians as a people, always speaking his mind, and apportioning blame where he feels it due. Hated by extremists on both sides, his is a rare voice.
"This autobiography? carries the passion that might embolden ordinary Israelis and Palestinians to bypass the politicians and establish the peace that all but the armoured men desperately want." The Independent
"Nusseibeh's formidable achievement? leaves a drop of despair, because of how…
