Why did I love this book?
For most of us writers, it’s hard enough to make people come to life on the page. In this Pulitzer Prize-winner, Powers manages to turn trees into memorable characters. A literary tour-de-force, The Overstory exemplifies why nonfiction authors like me, charged with conveying critical information to readers, study the story-telling alchemy of novelists. Recalling Picasso’s observation that art is a lie that gives us the truth, this deeply researched work of fiction reminds us that failing to respect our biological companions on this Earth, as our early ancestors did, risks not only losing them, but ourselves. Even though I’ve written about the environment for decades, after reading it, I’ll never again feel the same about forests and trees again. The Overstory doesn’t merely inform, it transforms.
36 authors picked The Overstory as one of their favorite books, and they share why you should read it.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…