As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.
If you want a quick overview of Iraqi history with easily digestible political science takes on the country’s problems, this is your book. Tripp’s study of Iraq has been read by countless undergraduate students—myself included—grappling with trying to understand the course of events that led the United States to declare war on Iraq twice. The book provides lucid arguments in an easily accessible writing style. As a first introduction to Iraqi history, this book is hard to beat.
To understand Iraq, Charles Tripp's history is the book to read. Since its first appearance in 2000, it has become a classic in the field of Middle East studies, read and admired by students, soldiers, policymakers and journalists. The book is now updated to include the recent American invasion, the fall and capture of Saddam Hussein and the subsequent descent into civil strife. What is clear is that much that has happened since 2003 was foreshadowed in the account found in this book. Tripp's thesis is that the history of Iraq throughout the twentieth-century has made it what it is…
I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future.
I know and love some hopeless optimists and can recognise myself in Angry Wasp and Friendly Bee in equal measure.
This is a quirky and hilarious book about finding friendship in the most unlikely places. I love the messages of loyalty and glass-half-full living, all in a fun mix of near-miss disasters.
It's a great read for younger readers learning about friendship.
Friendly Bee wants to be friends with every bug he meets, whether they like it or not.
Meet Friendly Bee: he's a bee who puts himself out there, a bee who sees the best in other beings. Sometimes, Friendly Bee’s cheerful attitude gets him into trouble – like almost being squashed by an excessively large shoe; or becoming a delicious meal for the mildly homicidal Enormous Hairy Spider. Luckily, Friendly Bee’s reluctant best friend Angry Wasp is there to save this buzzing buffoon from certain doom – if he really has to.
I loved the simplicity of the story and the care of the writing in this book.
A man commits a crime and plans to disappear and never be found. This book is so easy to track because it follows the main character through his many efforts to not draw the attention of the authorities, which is not easy in this day and age of electronic breadcrumbs and video surveillance everywhere. He settles in a small town, renting a space on Sugar Street, and tries to keep a low profile, but the low-life characters he comes across—a byproduct of efforts to stay off the grid and deal strictly with cash transactions—make that difficult. The characters (ranging from his landlord to a bad cop) are rendered with precise authenticity.
I found this novel to be an engaging and fast read.
'Part of the power of Sugar Street lies in its style . . . in the prose you can feel the adrenaline of [the protagonist's] initial flight wearing off , his life shrinking down to a couple of city blocks . It's brilliantly done' Guardian
'A deft punch of a novel from Jonathan Dee . . . [he] creates a true page-turner out of simple materials and the result is a troubling and stimulating look at real American life - at the fix that materialism plus the information state has got us into. It's also very funny' George Sanders
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
I’m a nonfiction author whose success owes enormously to fiction. It challenges me to portray real people as vividly as characters in novels, and to use narrative and dialogue to keep readers turning the pages. Reading great novelists has taught me to obsessively seek exactly the right words, to fine-tune the cadence of each sentence, and to heed overall structural rhythm; continually, I return to the fount of fiction for language and inspiration. The astonishing novels I’ve shared here are among the most important books I’ve recently read to help grasp the critical times we’re living in. I’m confident you’ll feel the same.
I’ve just returned from a research trip to Iraq (one of many settings for my next book: stay tuned). I took along two Iraqi novels, The President's Gardens and Daughter of the Tigris (they’re really just one; the first literally ends with the words to be continued) and I was as stirred by reading them as by what I saw there. While we protest Russia’s outrageous rape of Ukraine, we forget the hideous mess that America’s unjustifiable invasion left in Iraq. Even under Saddam Hussein, Iraq was considered the flower of Arab culture, a land overflowing with poetry, music, and art. Today much of it is rubble. Masterfully, Al-Ramli describes the latter with all the breathtaking beauty of the former. This ranks among my most moving reading experiences ever.
One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq.
"A contemporary tragedy of epic proportions. No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting". Hassan Blasim, winner of the Independent Foreign Fiction Prize for The Iraqi Christ.
On the third day of Ramadan, the village wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop.
One of them belonged to one of the most wanted men in Iraq, known to…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I am sure many will remember seeing the news footage on TV showing the little boy standing next to Saddam Hussain during the first Gulf War. He was, of course, not there by choice, as he was actually one of the hostages being held at the time. It was an interesting propaganda exercise, especially as Saddam tried to encourage Stuart to get closer but he was clearly not having it! From a PR perspective, it was unsuccessful and was not accepted as a positive image by those in the West.
This book is written by his mother and describes just how traumatic the experience was for all the family as well as all the other families held hostage at the time. As the final book in my selection, it completes the theme of the futility of war and its impact on the individuals closest to the action.
On 23 August 1990, the world was outraged when five-year-old Stuart Lockwood was used in a publicity stunt by Saddam Hussein. This work is based on his mother's diary of their imprisonment in Baghdad during the Gulf War, and their treatment during Iraq's human shield policy.
I lived in the former Soviet Union for ten years, primarily in Moscow, the home of many a brutal tyrant. My obsession with dictator literature began after I discovered that Saddam Hussein had written a romance novel, following which I spent many years reading the literary output of all of the 20th century’s most terrible tyrants, from Mussolini to Stalin to the Ayatollah Khomeini. This monumental act of self-torture resulted in my critically acclaimed book The Infernal Library: On Dictators, the Books They Wrote, And Other Catastrophes of Literacy.
Most books about dictators are written by scholars and academics, but Peter York has a different background — he is a style guru and cultural commentator who writes about trends for magazines and newspapers in the UK.His approach, therefore, is very different from the other books on this list and in Dictator Style he casts a witty, acerbic eye over the interior design choices of some of the world’s most evil men. Multiple photographs are provided to document their crimes against taste, and York skewers everything from the leopard skin rug of Romania’s Nicolae Ceacescu to the soft porn sci-fi fantasy paintings collected by Saddam Hussein. Whereas most authors focus on the depths of evil contained in each dictator’s soul, Yorke shines a spotlight on their shallows, revealing in the process that they are also frequently banal and vulgar in their tastes, and easily seduced by shiny baubles.
Welcome to the fabulous lifestyles of the cruel and despotic. Running with the idea that our homes are where we are truly ourselves, Peter York's wildly original and scathingly funny look at the interior decorating tastes of some of history's most alarming dictators proves that absolute power corrupts absolutely, right down to the drapes. Mining rare, jaw-dropping photographs of interiors now mostly (thankfully) destroyed, York's hilarious profiles of 16 inner sanctums of the scary leaves no endangered tiger pelt unturned, from Saddam Hussein's creepy private art collection to General Noriega's Christmas tree to the strange tube and knob contraption in…
I started writing about another world when I was eight years old. I was already a reader, but books for kids were full of adventuring boys, with girls mostly sidelined. My world started with a gang of adventuring girls, and as I aged up, it kept getting bigger, and deeper, especially as I studied history. All fiction is a mirror to our contemporary society, and in conversation with other fiction; so is epic fantasy written over a lifetime. Many books later, I still get to adventure, wield magic, and be a hero, through my characters!
Brust has written a long series that is all connected to his cycle about Vlad Taltos.
My favorite is The Phoenix Guards, which evokes, for me, the swashbuckling style and fun of Dumas’ Three Musketeers. Brust took that tongue-in-cheek narrative voice, and the panache of the seventeenth-century Musketeers as envisioned by Dumas, and created this world full of magic and fascinating denizens.
This is a book that I will re-read throughout the rest of my life because it affected me deeply. The story was completely out of own experience but is written in such a detailed and visceral way that I was transported to rural Iceland.
It blends realism with mysticism and magic in a wonderful way – It is an epic tale that evokes the Icelandic sagas of old. I devoured it! I couldn’t put it down, and I felt bereft when I finished it. I ache to know what happened next.
I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
Set in Baghdad in 2002, this book introduced me to a part of the world that I knew little about. The novel is written as a braided narrative of three interconnected women—Huda, Rania, and Ally—each harboring their own secrets and lies as they navigate life under Sadaam Hussein’s authoritarian regime.
I found myself holding my breath as the three women’s lives became increasingly entangled and endangered. This compelling and suspenseful novel asks how much we are willing to compromise our values in order to protect the people we love. I enjoyed reading it and learned a lot about Iraq in the process.
“Breathtaking…Riveting and profound! I adored this book!” —Ellen Marie Wiseman, New York Times bestselling author of The Orphan Collector
“A deeply involving and important novel by a master storyteller.” —Susan Wiggs, # 1 New York Times bestselling author
INTERNATIONAL BESTSELLER
In this moving, suspenseful debut novel, three courageous women confront the complexities of trust, friendship, motherhood, and betrayal under the rule of a ruthless dictator and his brutal secret police. Former foreign correspondent Gina Wilkinson draws on her own experiences to take readers inside a haunting story of Iraq at the turn of the millennium and the impossible choices faced…
