I first became interested in the Kurds during a 1998 journey I took to Iran to work on my first book about the Middle East, Neither East nor West. While there, I traveled to Sanandaj, Iran’s unofficial Kurdish capital, where I was immediately struck by how different the area seemed from the rest of the Islamic Republic—heartbreaking in its lonesome beauty, and defiant. Despite a large number of Revolutionary Guards on the streets, the men swaggered and women strode. These people are not cowed, I thought—no wonder they make the Islamic government nervous. I had to find out more.
Everywhere I traveled in Kurdistan, I was invited into homes to have a cup of tea—and so was reminded again and again of this captivating book by an English barrister and linguist who traveled to the region in 1993. Through her work, the suffering of the Kurds, especially women, under Saddam Hussein’s regime comes vividly to life, as does their courage, strong sense of family and place, and indomitable spirit.
I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future.
I know and love some hopeless optimists and can recognise myself in Angry Wasp and Friendly Bee in equal measure.
This is a quirky and hilarious book about finding friendship in the most unlikely places. I love the messages of loyalty and glass-half-full living, all in a fun mix of near-miss disasters.
It's a great read for younger readers learning about friendship.
Friendly Bee wants to be friends with every bug he meets, whether they like it or not.
Meet Friendly Bee: he's a bee who puts himself out there, a bee who sees the best in other beings. Sometimes, Friendly Bee’s cheerful attitude gets him into trouble – like almost being squashed by an excessively large shoe; or becoming a delicious meal for the mildly homicidal Enormous Hairy Spider. Luckily, Friendly Bee’s reluctant best friend Angry Wasp is there to save this buzzing buffoon from certain doom – if he really has to.
My interest in politics and conflict has always come from the margins. I have developed an interest in the periphery, minorities, liberation movements, other actors outside the center, official governance institutions, and national political elites. My work has mainly concentrated on how such actors have sought to influence politics at the national and international level and how questions of identity, perceptions of self and other, and sense of belonging come into play. Geographically, my interest has lied primarily in the Middle East, broadly defined, particularly Iraq, Turkey, Syria, and Kurdistan. In recent years, however, I have also developed an interest in East Africa, especially Sudan and South Sudan.
Researchers rarely have the opportunity to gain an insight into the inner workings of authoritarian regimes. Opening the Ba‘th Party archives to researchers has been one of these rare opportunities and has resulted in an outburst of fascinating works. Most of these studies, however, have been carried out by historians. Therefore, Blaydes’s research stands out, as it sets an example of how political scientists can benefit from archival sources and historical case studies as labs to challenge conventions in the field, in this case, about the origins of authoritarianism.
Blaydes provides a detailed and nuanced account of Ba‘thist Iraq, from the Kurdish North to the predominantly Shi‘i South, combining chronological and thematic analysis to highlight every aspect of the Ba‘thist state’s repression of the Iraqi population. Blaydes’s findings feed into broader theoretical conclusions about how and why people choose to collaborate with or challenge a dictatorship.
A new account of modern Iraqi politics that overturns the conventional wisdom about its sectarian divisions
How did Iraq become one of the most repressive dictatorships of the late twentieth century? The conventional wisdom about Iraq's modern political history is that the country was doomed by its diverse social fabric. But in State of Repression, Lisa Blaydes challenges this belief by showing that the country's breakdown was far from inevitable. At the same time, she offers a new way of understanding the behavior of other authoritarian regimes and their populations.
Drawing on archival material captured from the headquarters of Saddam…
This novel is haunting, and filled with moments of piercing beauty and an exquisite attention to specific, sensory detail. Vivid scenes and the rising suspense immersed me in the plot. The characters are beautifully developed in all their messy human complexity, and nuances of motivation and emotion. Each struggles to survive, thrive, and love in systems of oppression, from sexism to genocide. What a gorgeous book that shares a terrifying era and a beautiful land, written by an author with personal connections and insight into both. The triumph of the human spirit shines through in the protagonist as she learns what courage it takes to truly love another and oneself.
An aspiring photographer follows her dreams and faces her fears in a poignant novel about finding beauty, promise, and love amid the chaos of war-torn Kurdistan.
It's 1979. Olivia Murray, a secretary at a Los Angeles newspaper, is determined to become a photojournalist and make a difference with her work. When opportunity arrives, she seizes it, accompanying her Kurdish boyfriend, Delan, to northern Iraq for a family wedding, hoping to capture an image that lands her a job in the photo department. More important, though, the trip is a chance to understand Delan's childhood and bridge the differences of their…
As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.
If you want a quick overview of Iraqi history with easily digestible political science takes on the country’s problems, this is your book. Tripp’s study of Iraq has been read by countless undergraduate students—myself included—grappling with trying to understand the course of events that led the United States to declare war on Iraq twice. The book provides lucid arguments in an easily accessible writing style. As a first introduction to Iraqi history, this book is hard to beat.
To understand Iraq, Charles Tripp's history is the book to read. Since its first appearance in 2000, it has become a classic in the field of Middle East studies, read and admired by students, soldiers, policymakers and journalists. The book is now updated to include the recent American invasion, the fall and capture of Saddam Hussein and the subsequent descent into civil strife. What is clear is that much that has happened since 2003 was foreshadowed in the account found in this book. Tripp's thesis is that the history of Iraq throughout the twentieth-century has made it what it is…
I’ve been writing crime novels and TV shows for years. For TV, I wrote for Law & Order, Pretty Little Liars, CSI: Miami, and several other crime shows. In the book world, I used to write amateur sleuth novels, and now I write thrillers. My favorite form of relaxation is to get a cup of tea, put my feet up, and read a great thriller. They inspire me. As I read, I study how they’re structured. There’s nothing I appreciate more than a twist I didn’t see coming, a morally good character who turns out to be evil, or a flawed character who ultimately turns out to be good.
When I was a kid, I used to love W. Somerset Maugham short stories. Often they were about two strangers, usually men, meeting in a remote colonial outpost, and one of the two would then proceed to tell the other a strange, violent, heartbreaking, life-altering story that had happened to him or that he had witnessed. Mouth to Mouth, which I loved, reminded me of those stories.
I listened to it on audiobook, and the narration is pitch-perfect. This novel is about two men who meet at an airport when their plane is delayed. They go into a lounge, where one of them, a rich art dealer named Jeff, proceeds to tell the other his life story.
It’s gripping. I sat in my car after I got home so I could listen to the last twenty minutes.
I loved the simplicity of the story and the care of the writing in this book.
A man commits a crime and plans to disappear and never be found. This book is so easy to track because it follows the main character through his many efforts to not draw the attention of the authorities, which is not easy in this day and age of electronic breadcrumbs and video surveillance everywhere. He settles in a small town, renting a space on Sugar Street, and tries to keep a low profile, but the low-life characters he comes across—a byproduct of efforts to stay off the grid and deal strictly with cash transactions—make that difficult. The characters (ranging from his landlord to a bad cop) are rendered with precise authenticity.
I found this novel to be an engaging and fast read.
'Part of the power of Sugar Street lies in its style . . . in the prose you can feel the adrenaline of [the protagonist's] initial flight wearing off , his life shrinking down to a couple of city blocks . It's brilliantly done' Guardian
'A deft punch of a novel from Jonathan Dee . . . [he] creates a true page-turner out of simple materials and the result is a troubling and stimulating look at real American life - at the fix that materialism plus the information state has got us into. It's also very funny' George Sanders
I started writing about another world when I was eight years old. I was already a reader, but books for kids were full of adventuring boys, with girls mostly sidelined. My world started with a gang of adventuring girls, and as I aged up, it kept getting bigger, and deeper, especially as I studied history. All fiction is a mirror to our contemporary society, and in conversation with other fiction; so is epic fantasy written over a lifetime. Many books later, I still get to adventure, wield magic, and be a hero, through my characters!
Brust has written a long series that is all connected to his cycle about Vlad Taltos.
My favorite is The Phoenix Guards, which evokes, for me, the swashbuckling style and fun of Dumas’ Three Musketeers. Brust took that tongue-in-cheek narrative voice, and the panache of the seventeenth-century Musketeers as envisioned by Dumas, and created this world full of magic and fascinating denizens.
I’m a travel writer, photographer, and lover of wilderness. I am the co-author of three travel guides about swimming: Places We Swim Australia, Places We Swim Sydney, and my new book, listed below. Together with my wife, we write about the connection between water, wilderness, and culture. I am fascinated with how people and nature interact and change one another. All of these books and authors on my list reveal how their experiences in nature have fuelled, anchored them, and inspired their craft.
My wife and I felt a kinship with Bonnie when we discovered her writing, or maybe she was just the person we wanted to be.
She is a New York Times journalist, a surfer, and a swimmer. Although she lives in San Francisco, she has spent some time living in Australia (Sydney, where we live), and she has experienced some of our local swimming spots, as well as many in California (her locals).
In this book, Bonnie artfully expresses the intangible feelings many of us feel about swimming and water and how we engage with it as humans. The best writers can articulate feelings and experiences in a way that makes you feel seen. This is one of those books for me.
“A fascinating and beautifully written love letter to water. I was enchanted by this book." —Rebecca Skloot, bestselling author of The Immortal Life of Henrietta Lacks
We swim in freezing Arctic waters and piranha-infested rivers to test our limits. We swim for pleasure, for exercise, for healing. But humans, unlike other animals that are drawn to water, are not naturalborn swimmers. We must be taught. Our evolutionary ancestors learned for survival; today, swimming is one of the most popular activities in the world. Why We Swim is propelled by stories of Olympic champions, a Baghdad swim club that meets in…
From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.
In 2003 Stewart was appointed deputy governor of Amara and then later Nasiriya, both provinces in the remote southern marsh areas of Iraq. His job was to offer reconstruction resources and bring a semblance of order to their civilian government after coalition forces overthrew Saddam Hussein. What he found was two very different kinds of reactions to his advice by the local population. When he returned to see the results of their community-building efforts much later, he was surprised to find that the most contentious group had made the greatest progress. His narrative reminds us that cultures have sub-groups with variations in the way they respond to various sets of conditions. Accepting assistance passively from an outsider rather than negotiating differences upfront can result in a flawed implementation.
An adventurous diplomat’s “engrossing and often darkly humorous” memoir of working with Iraqis after the fall of Saddam Hussein(Publishers Weekly).
In August 2003, at the age of thirty, Rory Stewart took a taxi from Jordan to Baghdad. A Farsi-speaking British diplomat who had recently completed an epic walk from Turkey to Bangladesh, he was soon appointed deputy governor of Amarah and then Nasiriyah, provinces in the remote, impoverished marsh regions of southern Iraq. He spent the next eleven months negotiating hostage releases, holding elections, and splicing together some semblance of an infrastructure for a population of millions teetering on the…
