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Diary of a Human Shield.
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The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I loved this when I first read it many years ago during my studies of Ancient Greek Art & Literature: all the familiar names and places, such as Helen of Troy. The best element for me was this early translation in 1948, with a fascinating use of the English language by an expert professor from an old Public School.
His language is ironic and amusing in places, but he also despairs at the futility of it all. You will recognize this futility continuing to the present day when he describes how hostilities began and different ‘tribes’ on the same side killing each other in the confusion of battle. Nothing changes then.
'With icy remorselessness, it puts paid to any notion that the horrors of modern history might be an aberration - for it tells of universal war, of terrorism, revolution and genocide' Tom Holland
The long life-and-death struggle between Athens and Sparta plunged the ancient Greek world into decades of war. Thucydides was an Athenian and achieved the rank of general in the earlier stages of the war, and in this detailed, first-hand contemporary account he writes as both a soldier and a historian. He applies a passion for accuracy and a contempt for myth and romance in compiling a factual…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.
Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge.
They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.
'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I recently reviewed this book for the nonfiction Author’s Association award. Presenting a different perspective on WWII in Europe, this is a factual story about the author’s father, Sam Hogan, as commander of a tank Task Force during the final stages of the war in Europe.
It is an interesting mix of details about the tactics and strategy of US tanks moving across France and Belgium to drive back the German front. It includes sobering reflections on the stifling conditions within the tanks, their vulnerability against a stronger, better-protected tank force, and the loss/ injuries of comrades as they continued to push forward against the odds.
A fourth-generation soldier tells the story of his father's tank battalion, the "Spearhead," that selflessly led the charge on the front lines from Normandy into Germany-against impossible odds, technologically superior weaponry, and a fanatical enemy on its home turf-and the heroes whose sacrifice won World War II.
At twenty-eight, Sam Hogan is one of the youngest lieutenant colonels in the US Army. The West Point graduate from Texas stands in the commander's hatch of his Sherman tank, behind him a steel wedge of seventeen other Shermans of his tank battalion. Two weeks after the now-infamous D-Day landings, Sam is preparing…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I worked closely with David to edit the book for publication. It presents a different view of ‘Operation Safe Haven’ in Iraq during the first Gulf War. Intended to help protect Iraqi Kurds from being targeted by Saddam Hussain, it involved both military and volunteer personnel of different nationalities.
It was written by one of the British volunteer engineers and, therefore, gives a different picture of how successful the project was. Much of the writing about Operation Safe Haven suggests it was a military success but neglects to mention the crucial role played by civilians who were seen by the Kurds as less of a threat than any military personnel.
They were able to get closer to individuals in the Kurdish community, so they played an invaluable role in keeping them safe. As with the other recommended books, it is good to see a different perspective on the reality of…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Bettany Hughes follows the infamous beauty Helen of Troy through 3,000 years of world myth, history, archaeology, and culture.
I first read this book as an undergraduate and I’ve returned to it many times over the years as a first class example of how to make use of every possible scrap of evidence when attempting to bring the past to life in three dimensions and vivid technicolor.
As soon as men began to write, they made Helen of Troy their subject; for nearly three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for both the Trojan War and enduring enmity between East and West. For millennia she has been viewed as an exquisite agent of extermination. But who was she?
Helen exists in many guises: a matriarch from the Age of Heroes who…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Wittgenstein’s Mistress is a novel by David Markson that takes the form of a journal written by a woman living on a beach who believes she is the only person left on earth. It is made up of short paragraphs—often no more than a sentence—that record her lonely travels, like a surrealist Robinson Crusoe. At the risk of spoiling a conceptual twist, what begins as a metaphysical examination of language and the self turns out to be a study of grief and betrayal. If you are lonely, Wittgenstein’s Mistress is wonderful company: captivating, playful, intellectually rich, and unexpectedly moving.
Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.
Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as…
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.
Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war-a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers-violence, betrayal, extortion, threat of war-thwart Helen's plans and…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
‘Wrath’ is the first word, beginning European literature not with the whimper of infancy but with a bang. The Iliad is ferociously intense, the action remarkably compressed in time and place, despite the poem’s great length (most of it takes place on the plain of Troy over two or three days). It is the quintessence of tragedy, declaring that the quest for glory, the hero’s duty, is inseparably bound up with humiliation and death. But it is a high-spirited tragedy, immensely energetic, with a lust for the ordinary appetites of life. Life is so good: that is what makes the warriors’ deaths so terrible. The gods look on, both fascinated and detached, and through their eyes we see man as both small and great. I recommend Martin Hammond’s prose translation.
'The best modern prose translation of The Iliad' Robin Lane Fox, The Times
The first of the world's great tragedies, The Iliad centres on the pivotal four days towards the end of the ten-year war between the Greeks and the Trojans. In a series of dramatic set pieces, it follows the story of the humiliation of Achilleus at the hands of Agamemnon and his slaying of Hektor: a barbarous act with repercussions that ultimately determine the fate of Troy. The Iliad not only paints an intimate picture of individual experience, but also offers a universal perspective in which human loss…
Stephanie Storm is a talented young adult fantasy author whose writing is reminiscent of classic fantasy novels with a modern twist. Her imaginative storytelling and richly developed characters draw readers into immersive worlds filled with magic, adventure, and breathtaking landscapes. Her writing style is enchanting, capturing the hearts of readers of all ages and leaving them eagerly turning pages late into the night. Growing up with her nose buried in a book, she found solace and inspiration in the escapism and limitless possibilities of the genre. Her imagination was sparked by the enchanting stories she devoured, which fuelled her passion for writing and creating her own fantastical tales.
Greek Gods and Godesses are usually a very over done genre, but Josephine nails her take on a retelling.
This series is hands down one of my top series even after all this time and I squealed with joy when I saw that she continued the series when we thought it was done!
When shy, awkward Helen Hamilton sees Lucas Delos for the first time she thinks two things: the first, that he is the most ridiculously beautiful boy she has seen in her life; the second, that she wants to kill him with her bare hands.
With an ancient curse making them loathe one another, Lucas and Helen have to keep their distance. But sometimes love is stronger than hate, and not even the gods themselves can prevent what will happen . . .
The first book in Josephine Angelini's thrilling series, Starcrossed is a passionate love story that began thousands of…
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