Here are 100 books that Iraqi Kurdistan - New Horizons fans have personally recommended if you like
Iraqi Kurdistan - New Horizons.
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The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I loved this when I first read it many years ago during my studies of Ancient Greek Art & Literature: all the familiar names and places, such as Helen of Troy. The best element for me was this early translation in 1948, with a fascinating use of the English language by an expert professor from an old Public School.
His language is ironic and amusing in places, but he also despairs at the futility of it all. You will recognize this futility continuing to the present day when he describes how hostilities began and different ‘tribes’ on the same side killing each other in the confusion of battle. Nothing changes then.
'With icy remorselessness, it puts paid to any notion that the horrors of modern history might be an aberration - for it tells of universal war, of terrorism, revolution and genocide' Tom Holland
The long life-and-death struggle between Athens and Sparta plunged the ancient Greek world into decades of war. Thucydides was an Athenian and achieved the rank of general in the earlier stages of the war, and in this detailed, first-hand contemporary account he writes as both a soldier and a historian. He applies a passion for accuracy and a contempt for myth and romance in compiling a factual…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.
Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge.
They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.
'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I recently reviewed this book for the nonfiction Author’s Association award. Presenting a different perspective on WWII in Europe, this is a factual story about the author’s father, Sam Hogan, as commander of a tank Task Force during the final stages of the war in Europe.
It is an interesting mix of details about the tactics and strategy of US tanks moving across France and Belgium to drive back the German front. It includes sobering reflections on the stifling conditions within the tanks, their vulnerability against a stronger, better-protected tank force, and the loss/ injuries of comrades as they continued to push forward against the odds.
A fourth-generation soldier tells the story of his father's tank battalion, the "Spearhead," that selflessly led the charge on the front lines from Normandy into Germany-against impossible odds, technologically superior weaponry, and a fanatical enemy on its home turf-and the heroes whose sacrifice won World War II.
At twenty-eight, Sam Hogan is one of the youngest lieutenant colonels in the US Army. The West Point graduate from Texas stands in the commander's hatch of his Sherman tank, behind him a steel wedge of seventeen other Shermans of his tank battalion. Two weeks after the now-infamous D-Day landings, Sam is preparing…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I am sure many will remember seeing the news footage on TV showing the little boy standing next to Saddam Hussain during the first Gulf War. He was, of course, not there by choice, as he was actually one of the hostages being held at the time. It was an interesting propaganda exercise, especially as Saddam tried to encourage Stuart to get closer but he was clearly not having it! From a PR perspective, it was unsuccessful and was not accepted as a positive image by those in the West.
This book is written by his mother and describes just how traumatic the experience was for all the family as well as all the other families held hostage at the time. As the final book in my selection, it completes the theme of the futility of war and its impact on the individuals closest to the action.
On 23 August 1990, the world was outraged when five-year-old Stuart Lockwood was used in a publicity stunt by Saddam Hussein. This work is based on his mother's diary of their imprisonment in Baghdad during the Gulf War, and their treatment during Iraq's human shield policy.
I first became interested in the Kurds during a 1998 journey I took to Iran to work on my first book about the Middle East, Neither East nor West. While there, I traveled to Sanandaj, Iran’s unofficial Kurdish capital, where I was immediately struck by how different the area seemed from the rest of the Islamic Republic—heartbreaking in its lonesome beauty, and defiant. Despite a large number of Revolutionary Guards on the streets, the men swaggered and women strode. These people are not cowed, I thought—no wonder they make the Islamic government nervous. I had to find out more.
Everywhere I traveled in Kurdistan, I was invited into homes to have a cup of tea—and so was reminded again and again of this captivating book by an English barrister and linguist who traveled to the region in 1993. Through her work, the suffering of the Kurds, especially women, under Saddam Hussein’s regime comes vividly to life, as does their courage, strong sense of family and place, and indomitable spirit.
As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.
This book, which was published in 1937, is perhaps a strange choice for a list of this kind. However, Road through Kurdistan provides fascinating insights into many aspects of Iraqi social and political history in the 1930s. The author, Archibald Milne Hamilton, was a civil engineer from New Zealand who was commissioned to build a strategically important road through Southern Kurdistan, stretching from Erbil, through Rowanduz, and ending at the Iranian border. The road was constructed between 1928 and 1932 and subsequently became known as the Hamilton Road. The book is interesting from an engineering perspective, as the road was a major feat, but also because of its numerous anecdotes about all the people Hamilton encountered over the years. It is a rare account by a non-British outsider who offers a unique perspective on many contemporary social and political issues.
In 1928, A.M. Hamilton travelled to Iraqi Kurdistan, having been commissioned to build a road that would stretch from Northern Iraq, through the mountains and gorges of Kurdistan and on to the Iranian border. Now called the Hamilton Road, this was, even by today's standards, a considerable feat of engineering and remains one of the most strategically important roads in the region. In this colourful and engaging account, Hamilton describes the four years he spent overcoming immense obstacles - disease, ferocious brigands, warring tribes and bureaucratic officials - to carve a path through some of the most beautiful but inhospitable…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Bettany Hughes follows the infamous beauty Helen of Troy through 3,000 years of world myth, history, archaeology, and culture.
I first read this book as an undergraduate and I’ve returned to it many times over the years as a first class example of how to make use of every possible scrap of evidence when attempting to bring the past to life in three dimensions and vivid technicolor.
As soon as men began to write, they made Helen of Troy their subject; for nearly three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for both the Trojan War and enduring enmity between East and West. For millennia she has been viewed as an exquisite agent of extermination. But who was she?
Helen exists in many guises: a matriarch from the Age of Heroes who…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Wittgenstein’s Mistress is a novel by David Markson that takes the form of a journal written by a woman living on a beach who believes she is the only person left on earth. It is made up of short paragraphs—often no more than a sentence—that record her lonely travels, like a surrealist Robinson Crusoe. At the risk of spoiling a conceptual twist, what begins as a metaphysical examination of language and the self turns out to be a study of grief and betrayal. If you are lonely, Wittgenstein’s Mistress is wonderful company: captivating, playful, intellectually rich, and unexpectedly moving.
Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.
Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as…
I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Another perspective of the Trojan War from a minor player’s perspective, Daughter of Yesterday, is the first mythology retelling I read as a child, and it still holds up. A series of unfortunate events puts the protagonist in Helen of Troy’s household as a companion for her young daughter.
I’d never read a version of the myth that views Helen as a mother, an often-forgotten fact in retellings. Myths are so often taught in isolation that this was the first time I realized these mythological characters like Helen and Cassandra knew each other.
The fact that the main character is a completely powerless child trying her best to survive the chaos around her ramps up the tension and highlights the tragedy of the war.
Anaxandra is taken from her birth island at age 6 by King Nicander to be a companion to his crippled daughter, Princess Callisto. Six years later, her new island is sacked by pirates and she is the sole survivor. Alone with only her Medusa figurine, she reinvents herself as Princess Callisto when Menelaus, great king of Sparta, lands with his men. He takes her back to Sparta with him where Helen, his beautiful wife, does not believe that the red-headed child is Princess Callisto. Although fearful of the half-mortal, half-goddess Helen, Anaxandra is able to stay out of harm’s way—until…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
‘Wrath’ is the first word, beginning European literature not with the whimper of infancy but with a bang. The Iliad is ferociously intense, the action remarkably compressed in time and place, despite the poem’s great length (most of it takes place on the plain of Troy over two or three days). It is the quintessence of tragedy, declaring that the quest for glory, the hero’s duty, is inseparably bound up with humiliation and death. But it is a high-spirited tragedy, immensely energetic, with a lust for the ordinary appetites of life. Life is so good: that is what makes the warriors’ deaths so terrible. The gods look on, both fascinated and detached, and through their eyes we see man as both small and great. I recommend Martin Hammond’s prose translation.
'The best modern prose translation of The Iliad' Robin Lane Fox, The Times
The first of the world's great tragedies, The Iliad centres on the pivotal four days towards the end of the ten-year war between the Greeks and the Trojans. In a series of dramatic set pieces, it follows the story of the humiliation of Achilleus at the hands of Agamemnon and his slaying of Hektor: a barbarous act with repercussions that ultimately determine the fate of Troy. The Iliad not only paints an intimate picture of individual experience, but also offers a universal perspective in which human loss…
