Here are 100 books that The History of the Peloponnesian War fans have personally recommended if you like
The History of the Peloponnesian War.
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The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.
Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge.
They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.
'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I recently reviewed this book for the nonfiction Author’s Association award. Presenting a different perspective on WWII in Europe, this is a factual story about the author’s father, Sam Hogan, as commander of a tank Task Force during the final stages of the war in Europe.
It is an interesting mix of details about the tactics and strategy of US tanks moving across France and Belgium to drive back the German front. It includes sobering reflections on the stifling conditions within the tanks, their vulnerability against a stronger, better-protected tank force, and the loss/ injuries of comrades as they continued to push forward against the odds.
A fourth-generation soldier tells the story of his father's tank battalion, the "Spearhead," that selflessly led the charge on the front lines from Normandy into Germany-against impossible odds, technologically superior weaponry, and a fanatical enemy on its home turf-and the heroes whose sacrifice won World War II.
At twenty-eight, Sam Hogan is one of the youngest lieutenant colonels in the US Army. The West Point graduate from Texas stands in the commander's hatch of his Sherman tank, behind him a steel wedge of seventeen other Shermans of his tank battalion. Two weeks after the now-infamous D-Day landings, Sam is preparing…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I worked closely with David to edit the book for publication. It presents a different view of ‘Operation Safe Haven’ in Iraq during the first Gulf War. Intended to help protect Iraqi Kurds from being targeted by Saddam Hussain, it involved both military and volunteer personnel of different nationalities.
It was written by one of the British volunteer engineers and, therefore, gives a different picture of how successful the project was. Much of the writing about Operation Safe Haven suggests it was a military success but neglects to mention the crucial role played by civilians who were seen by the Kurds as less of a threat than any military personnel.
They were able to get closer to individuals in the Kurdish community, so they played an invaluable role in keeping them safe. As with the other recommended books, it is good to see a different perspective on the reality of…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I am sure many will remember seeing the news footage on TV showing the little boy standing next to Saddam Hussain during the first Gulf War. He was, of course, not there by choice, as he was actually one of the hostages being held at the time. It was an interesting propaganda exercise, especially as Saddam tried to encourage Stuart to get closer but he was clearly not having it! From a PR perspective, it was unsuccessful and was not accepted as a positive image by those in the West.
This book is written by his mother and describes just how traumatic the experience was for all the family as well as all the other families held hostage at the time. As the final book in my selection, it completes the theme of the futility of war and its impact on the individuals closest to the action.
On 23 August 1990, the world was outraged when five-year-old Stuart Lockwood was used in a publicity stunt by Saddam Hussein. This work is based on his mother's diary of their imprisonment in Baghdad during the Gulf War, and their treatment during Iraq's human shield policy.
I have studied Classics and Ancient Greek history since my teens, I read ‘Greats’ (Ancient History and Philosophy) at Oxford, completed an archaeological doctorate on early Sparta also at Oxford (1975), while spending my teaching career (1972-2014) in Northern and Southern Ireland, and in England at Warwick and Cambridge Universities. I retired as the inaugural, endowed A.G. Leventis Professor of Greek Culture before taking up my current position as A.G. Leventis Senior Research Fellow of Clare College, Cambridge. I have been the author, co-author, editor, or co-editor of some 30 books on ancient Greek history, most recently Thebes: the Forgotten City of Ancient Greece.
Thucydides of Athens (c. 455-400 BC) was an Athenian aristocrat of supreme intelligence and a failed politician who turned his 20 years of political exile to excellent account by turning himself into the most acute analyst and historian of the great Atheno-Peloponnesian War of 431 to 404. Thucydides was born within the world’s first democratic political state but was out of sympathy with the rule of the majority, the masses – except when they themselves were kept in check and did what they were advised by a superior statesman of the unique calibre of Pericles (c. 493-429).
Thucydides outlived the end of that War, which was a major defeat ultimately for his own home city by the Spartans aided financially by the old enemy, the Persians. But he did not live long enough to complete his History, which breaks off in mid-sentence in what we call the summer of 411…
Thucydides' classic work is a foundational text in the history of Western political thought. His narrative of the great war between Athens and Sparta in the fifth century BC is now seen as a highly sophisticated study of the nature of political power itself: its exercise and effects, its agents and victims, and the arguments through which it is defended and deployed. It is therefore increasingly read as a text in politics, international relations and political theory, whose students will find in Thucydides many striking contemporary resonances. This edition seeks to present the author and the text in their proper…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
Thucydides, along with Herodotus a generation earlier, created history as we know it. Herodotus added to narrative the analysis of cause: ‘why’ as well as ‘what’. Thucydides added different levels of causation: the immediate reasons for the war and the long-term causes. He studied how the dynamics of fear and power drive states into warfare. He took the gods out of history (it is hard to remember how radical that was). He studied the corruption of moral language and behaviour under the pressure of conflict. In Pericles’ Funeral Speech he set out the theory of Athenian democracy (Pericles would have denied that our own society was democratic—a challenging thought). Thucydides’ eye is not exactly cold, but it is unblinking: no historian seems so free of illusion.
Thucydides called his account of two decades of war between Athens and Sparta "a possession for all time," and indeed it is the first and still the most famous work in the Western historical tradition.
Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom.
However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war…
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Written around twenty-five centuries ago, this remains the seminal work of history, political science, man as he is, war, and diplomacy. The author expressly intended that it be “a work for all time,” and so it remains. Moreover, it serves still as an example of a civilization ruining itself, as Europe did in the Great War. Thus, it continues to warn.
Such was Macaulay's verdict on Thucydides (c. 460-400 BC) and his history of the Peloponnesian War, the momentous struggle between Athens and Sparta as rival powers and political systems that lasted for twenty-seven years from 431 to 404 BC, involved virtually the whole of the Greek world, and ended in the fall of Athens. Thucydides himself was a participant in the war; to his history he brings an awesome intellect, brilliant narrative, and penetrating analysis of the nature of power, as it affects both states and individuals.
I’m a historian and classicist, teaching at the University of Exeter. I am equally interested
in classical Greece and Rome, especially their economy and society, and in the ways that classical ideas and examples have been influential in the modern world.
Not a book about Thucydides, but a selection of the speeches – one of the most striking aspects of his approach to history is the way he includes set-piece debates, not so much as accurate transcripts of what was actually said as a means of exploring issues of war, peace, democratic deliberation and so forth. If you already own a copy of Thucydides, this may not be of much interest (unless you’re obsessive enough to compare Hanink’s translations with others), but if you’re new to the topic this may be a good place to start: the speeches are more accessible than the lengthy battle narratives, they’re the main basis for Thucydides’ reputation as a thinker about political issues, as well as the source of some memorable lines, and Hanink’s introduction does a good job of explaining all of this.
An accessible modern translation of essential speeches from Thucydides's History that takes readers to the heart of his profound insights on diplomacy, foreign policy, and war
Why do nations go to war? What are citizens willing to die for? What justifies foreign invasion? And does might always make right? For nearly 2,500 years, students, politicians, political thinkers, and military leaders have read the eloquent and shrewd speeches in Thucydides's History of the Peloponnesian War for profound insights into military conflict, diplomacy, and the behavior of people and countries in times of crisis. How to Think about War presents the most…
I’m a lifelong warfighter, law enforcement officer, intelligence officer, and emergency services worker, intimately familiar with the crisis response and what makes conflict so fascinating to students of history. I’m also a popular novelist with an in-depth understanding of story arcs and what makes great prose. I’ve previously published narrative military history myself – Legion Versus Phalanx: The Epic Struggle for Infantry Supremacy in the Ancient World. My short nonfiction, much of it based on military history and crisis work, has appeared in The New York Times, The Daily Beast, The New Republic, Foreign Policy, and Ancient Warfare Magazine.
Roberts’ groundbreaking, game-changing story of the Peloponnesian War (really, wars) is richly detailed and comprehensive, a modernizing “leveling up” from Donald Kagan’s 2004 standard text. By centering her narrative in the impact of the war, rather than strategy and politics, Roberts brings home the terrible human cost of the conflict, and the book serves as a critical examination of what wholesale violence means to a society, from the high to the low. Roberts writes with incredible empathy, and her voice makes the book more than enlightening, it’s a deeply moving mediation on the depths of self-inflicted suffering as only human beings can engender.
In 431 BC, the long simmering rivalry between the city-states of Athens and Sparta erupted into open warfare, and for more than a generation the two were locked in a life-and-death struggle. The war embroiled the entire Greek world, provoking years of butchery previously unparalleled in ancient Greece. Whole cities were exterminated, their men killed, their women and children enslaved. While the war is commonly believed to have ended with the capture of the Athenian navy in 405 and the subsequent starvation of Athens, fighting in Greece would continue for several decades. Sparta's authority was challenged in the so-called Corinthian…
An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
This book is important, authoritative, and compelling because it demonstrates that a conservative historian can be comfortable with revisionist history. Kagan, a Yale historian noted as a leading academic traditionalist, terms Thucydides “the first revisionist historian” not because he was like today’s leftists but because he took issue with his pioneering predecessor, Herodotus. In his great history of the Peloponnesian War, Thucydides threw down the gauntlet over which was the “best” and “right” way to do history. He thought its subjects should be politics, warfare, the relation between states, and—a surprise?—men. His views held the field for centuries. The Framers of the Constitution were its legatees. So were we until the late 20th century, when social and cultural subjects gained attention. This wonderful book shows why.
A reconsideration of the first modern historian and his methods from a renowned scholar
The grandeur and power of Thucydides' The Peloponnesian War have enthralled readers, historians, and statesmen alike for two and a half millennia, and the work and its author have had an enduring influence on those who think about international relations and war, especially in our own time. In Thucydides, Donald Kagan, one of our foremost classics scholars, illuminates the great historian and his work both by examining him in the context of his time and by considering him as a revisionist historian.
