100 books like The Landmark Thucydides

This book is an extraordinary synthesis of half a century of history (c. 1520-1571) as European powers and the Ottoman Empire fought for control of the Mediterranean Sea. Empires of the Sea focuses on a number of momentous military engagements, the Siege of Rhodes (1522), the Siege of Malta (1565), the Ottoman conquest of Cyprus (1570-1), and the Battle of Lepanto (1571). Crowley writes like an artist evoking the colors and textures of the brilliant seventeenth-century amid a world of emperors, sultans, popes, and pirates. He manages to capture both the extraordinary individuals who shaped momentous events through their personalities and the broader historical trends that led to the defeat of Ottoman expansion during the 16th century and shaped the contours of Europe as we know it today.

For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.

Fifth-century BC Athenian society was male-dominated, so most of our evidence comes from – and is about – men. Elegantly written, immaculately researched, and pleasingly illustrated, Aphrodite’s Tortoise goes a long way towards restoring the gender balance, uncovering the complex role that women played in Greek society, whether as wives, priestesses or slaves. At the heart of the book is the use of the veil, which not only protected women from the male gaze as they ventured outside (hence the title) but could convey a variety of visual signals depending on how it was worn. It’s a really stimulating book, the kind that makes you sit up and think about not just the ancient world but our own.

Of the over 1,000 independent city-states that made up the Hellenic world -- and competed in the Olympic Games -- Sparta is today the most notorious and influential (after Athens). This book provides a wonderful insight into its extraordinary culture, where Spartan males were brought up in a strict, even ruthless regime of military training, discipline, and self-sacrifice for the communal good -- but where women were given unexpected freedom and power.

Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves. 

It’s 1860, and Garibaldi's Redshirts have landed on the coast. Sicily’s ancient feudal society will soon be overthrown.

These historical events are the backdrop to an intriguing portrait of Don Fabrizio Corbera, Prince of Salina, a quiet, intense, and, in many ways, sympathetic member of the doomed Sicilian nobility. War is upon him, and yet Don Fabrizio continues his stately life and loves with meditative detachment.

This may be a story of civil war and social upheaval, but it is also a depiction of ancient families and allegiances, dusty landscapes, and the night sky. It is filled with rich symbolism and prophecy. The Leopard’s message: revolutions come and go, corruption endures. Its contribution to great historical fiction: Don Fabrizio, the last Leopard.

There is no better scholar of modern Greece than Mark Mazower and his latest work on the Greek Revolution is a tour de force. As the title suggests, Mazower explores how the Greek Revolution, based on the “new politics” of national identity, overthrew Ottoman imperialism and established the world’s first true nation-state. The Greek Revolution gives us all the famous characters from 1821 in detail: Koloktronis, the brigand turned general who became a national hero. Ibrahim Pasha, the son of the Pasha of Egypt who dreamed of conquering Greece for himself. Ioannis Kapodistrias was a brilliant diplomat who became the first Greek head of state only to be murdered by his own people. And George Byron, the poet, turned adventurer, turned financer of the Greek Revolution who died of fever while campaigning for Greek freedom. At the same time, the book analyzes more universal characteristics of revolutions: their fundamental link… show more.

The narrator is turned into a donkey and undergoes various tribulations before recovering his human form. The only Latin novel to survive complete, it is a unique curiosity shop of diverse treasures: fantastical, comic, bawdy, beautiful, violent, and finally—biggest surprise of all—devoutly religious. "It smells of incense and urine," Flaubert said. Much of the work consists of tales related by the characters whom the donkey comes across, of which the longest is Cupid and Psyche, a fabulously rococo display of exquisite and enchanted storytelling. The virtuoso beauty of the description of Cupid’s wings is unbeatable. "Reader, listen up: you’ll love it," says the narrator at the start. You will. Again, go for Ruden’s translation.

Kazantzakis is perhaps most famous for being excommunicated after he wrote The Last Temptation of Christ, but I think his best book is Freedom and Death. Freedom and Death was described as Kazantzakis’ “modern Iliad,” but it is more than a tale of heroes and war. It is about the struggle of the Cretan people for liberty and their desire to end the Ottoman occupation of their island at the end of the 19th century. In spite of the obvious morality of the cause of freedom, Kazantzakis paints a complex picture in which there are no obvious heroes and humanity’s faults are clearly visible. No character is more noble than the Turk, Nuri Bey. None more flawed than the novel’s Greek protagonist, Captain Michalis. Freedom and Death is also the powerful story of a man’s struggle against himself and the conflict between our personal interests and our… show more.

The participants at a drinking party disclose their ideas about love: a doctor is a bit pompous, Aristophanes tells a wacky pseudo-myth, Socrates unveils ‘the truth about love,’ which has supposedly been revealed to him by a priestess. "Plato was mad," an eminent scholar told me once. "But he was a genius." "Maybe, but a mad genius." Well, the Platonic theory of love does seem miles from our own experience, but there are extraordinary insights along the way—into the creative impulse, sexuality, and human psychology. It may have influenced Freud. It is also a literary treat, with details that you would expect more in a novel than a work of philosophy. And after Socrates seems to have wrapped things up, Alcibiades crashes in tipsy …