Here are 100 books that The Symposium fans have personally recommended if you like
The Symposium.
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I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
Thucydides, along with Herodotus a generation earlier, created history as we know it. Herodotus added to narrative the analysis of cause: ‘why’ as well as ‘what’. Thucydides added different levels of causation: the immediate reasons for the war and the long-term causes. He studied how the dynamics of fear and power drive states into warfare. He took the gods out of history (it is hard to remember how radical that was). He studied the corruption of moral language and behaviour under the pressure of conflict. In Pericles’ Funeral Speech he set out the theory of Athenian democracy (Pericles would have denied that our own society was democratic—a challenging thought). Thucydides’ eye is not exactly cold, but it is unblinking: no historian seems so free of illusion.
Thucydides called his account of two decades of war between Athens and Sparta "a possession for all time," and indeed it is the first and still the most famous work in the Western historical tradition.
Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom.
However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war…
The Dark Backward is the story of the strangest case ever tried in a court of law. The defendant, who does not speak English or any other language anyone can identify, had been found on an island no one knew existed and charged with murder, rape, and incest.
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
The narrator is turned into a donkey and undergoes various tribulations before recovering his human form. The only Latin novel to survive complete, it is a unique curiosity shop of diverse treasures: fantastical, comic, bawdy, beautiful, violent, and finally—biggest surprise of all—devoutly religious. "It smells of incense and urine," Flaubert said. Much of the work consists of tales related by the characters whom the donkey comes across, of which the longest is Cupid and Psyche, a fabulously rococo display of exquisite and enchanted storytelling. The virtuoso beauty of the description of Cupid’s wings is unbeatable. "Reader, listen up: you’ll love it," says the narrator at the start. You will. Again, go for Ruden’s translation.
Acclaimed poet and translator Sarah Ruden brilliantly brings Apuleius's comic tale to life
"A rollicking ride well worth the fare, . . . marvelously, sidesplittingly ridiculous. . . . It's a story, not a homily, and Sarah Ruden has re-bestowed it with artful aplomb."-Tracy Lee Simmons, National Review
"A cause for celebration. . . . We owe Sarah Ruden a great debt of thanks for [this] English translation that is no less inventive, varied, and surprising than the original."-G. W. Bowersock, New York Review of Books
With accuracy, wit, and intelligence, this remarkable new translation of The Golden Ass breathes…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
The supreme classic of western literature and all that, but what fascinates me is the paradoxes. Here is a poem about success, victory, and empire, yet it is suffused with grief and melancholy. It is an imperfect poem written by a perfectionist; it wears a sovereign authority, but no epic poem seems more personal. None ends so abruptly, yet the ending seems entirely complete. Virgil is a ‘civilised’ poet, literary, self-conscious, and controlled, but he is also intuitive and instinctive: he finds dark and wonderful places, and who can match his sense of mystery, his power to evoke the indescribable? Dryden’s translation is an English classic, or if you prefer a modern version, I recommend Sarah Ruden.
"The translation is alive in every part. . . . This is the first translation since Dryden's that can be read as a great English poem in itself."-Garry Wills, New York Review of Books
This extraordinary new translation of Vergil's Aeneid stands alone among modern translations for its accuracy and poetic appeal. Sarah Ruden, a lyric poet in her own right, renders the classic poem in the same number of lines as the original work-a very rare feat that maintains technical fidelity to the original without diminishing its emotional power.
Ruden's translation follows Vergil's content faithfully, and the economy and…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
‘Wrath’ is the first word, beginning European literature not with the whimper of infancy but with a bang. The Iliad is ferociously intense, the action remarkably compressed in time and place, despite the poem’s great length (most of it takes place on the plain of Troy over two or three days). It is the quintessence of tragedy, declaring that the quest for glory, the hero’s duty, is inseparably bound up with humiliation and death. But it is a high-spirited tragedy, immensely energetic, with a lust for the ordinary appetites of life. Life is so good: that is what makes the warriors’ deaths so terrible. The gods look on, both fascinated and detached, and through their eyes we see man as both small and great. I recommend Martin Hammond’s prose translation.
'The best modern prose translation of The Iliad' Robin Lane Fox, The Times
The first of the world's great tragedies, The Iliad centres on the pivotal four days towards the end of the ten-year war between the Greeks and the Trojans. In a series of dramatic set pieces, it follows the story of the humiliation of Achilleus at the hands of Agamemnon and his slaying of Hektor: a barbarous act with repercussions that ultimately determine the fate of Troy. The Iliad not only paints an intimate picture of individual experience, but also offers a universal perspective in which human loss…
In Plato’s Sophist, the main speaker (not Socrates in this case!) mocks those he calls “late-learners," I fall decidedly into that category. When I first read the works of Plato, I was lured into a lifelong attempt to understand and explain the figure of Socrates as he appears in Plato’s dialogues. Lately I have been reading materials by ancient Socratic sources other than Plato and have been wrestling with the uneasy recognition that this “father of Western philosophy” was not seen in the same way even by those who knew him personally. Who was Socrates??? Once upon a time, I thought I knew…
Collected in this one book are very reliable and readable translations of a prudent selection of the fragments of Socratic authors other than Plato and Xenophon, and these are compared very intelligently to what may be found on similar topics in Plato and Xenophon.
Reading these gave me, as Platonically fixated as I am, a feeling of whiplash. Will the real Socrates please stand up?
In addition to works by Plato and Xenophon, we know of dozens of treatises and dialogues written by followers of Socrates that are now lost. The surviving evidence for these writings constitutes an invaluable resource for our understanding of Socrates and his philosophical legacy. The Circle of Socrates presents new--sometimes the first--English translations of a representative selection of this evidence, set alongside extracts from Plato and Xenophon. The texts are arranged according to theme, with concise introductions that provide an overview of the topics and the main lines of thought within them.
In Plato’s Sophist, the main speaker (not Socrates in this case!) mocks those he calls “late-learners," I fall decidedly into that category. When I first read the works of Plato, I was lured into a lifelong attempt to understand and explain the figure of Socrates as he appears in Plato’s dialogues. Lately I have been reading materials by ancient Socratic sources other than Plato and have been wrestling with the uneasy recognition that this “father of Western philosophy” was not seen in the same way even by those who knew him personally. Who was Socrates??? Once upon a time, I thought I knew…
Most people who hear about Socrates are given a kind of stock portrait that comes straight out of Plato’s depictions in his dialogues. I really admire this book because it opens up new possibilities for readers to reconsider the Platonic portrait and reminded me to think about what it means for an important philosopher to be “remembered” by multiple people.
The book’s chapters include all of the important alternatives to Plato and Xenophon, usually considered the two “main” sources for Socrates.
In the two golden centuries that followed the death of Socrates, ancient philosophy underwent a tremendous transformation that culminated in the philosophical systematizations of Plato, Aristotle and the Hellenistic schools. Fundamental figures other than Plato were active after the death of Socrates; his immediate pupils, the Socratics, took over his legacy and developed it in a variety of ways. This rich philosophical territory has however been left largely underexplored in the scholarship.
This collection of eleven previously unpublished essays by leading scholars fills a gap in the literature, providing new insight into the ethics, metaphysics, and epistemology as developed by…
Philosophy is defined as “the study of the fundamental nature of knowledge, reality, and existence, especially when considered as an academic discipline.” Put another way, it is not so much the study of things and phenomena, but the derivative question below the veneer of what things are. I am interested in everything, how everything works, but also why it, and all of nature, including the mind and eyelashes, exist in the first place. I can remember back to childhood always thinking like this. This involves grasping for knowledge of both the details and global contexts of everything, whether it’s biology, chemistry, religion, neuroscience, horticulture, violence, goodness, hockey, or even what Plato was trying to say.
After 2,400 years, Plato finally won the battle against Socrates, Aristotle, Avicenna, Rousseau, Locke, Freud, French and Neo-Liberalism, and most parents of two-year-olds. According to 21st-century neuroscientists, as Plato provided in the Allegory of the Cave, the prescient idea is that we are not born as blank slates, but rather have the basic knowledge of beauty, good and evil baked into our prenatal brain (genetically preformed circuits!)
Collected here in two volumes are the complete works of Plato, in the classic translation by Benjamin Jowett. One of the most influential thinkers of Ancient Greece or any other era, Plato formed the basis of Western philosophy. Mostly written in the form of dialogues with his teacher Socrates as the protagonist, his works address themes as varied as metaphysics, psychology, pedagogy, politics, and ethics. Despite the weighty subject matter, Plato's writing remains accessible to the general reader, and infused with wit and humor. Why is Plato worth reading today? His dialogues are vitally concerned with how we should live.…
In Plato’s Sophist, the main speaker (not Socrates in this case!) mocks those he calls “late-learners," I fall decidedly into that category. When I first read the works of Plato, I was lured into a lifelong attempt to understand and explain the figure of Socrates as he appears in Plato’s dialogues. Lately I have been reading materials by ancient Socratic sources other than Plato and have been wrestling with the uneasy recognition that this “father of Western philosophy” was not seen in the same way even by those who knew him personally. Who was Socrates??? Once upon a time, I thought I knew…
It was exciting for me to read this book because the author is deeply committed to the view that Xenophon—and not Plato—is the most reliable and also most interesting source on the life and thought of Socrates. And what a different picture from Plato is given here!
Plato’s Socrates can be enigmatic, but Johnson’s review of the evidence in Xenophon gives a clear and robust portrait. But does this mean that Plato just lied?
Xenophon's Socratic Works demonstrates that Xenophon, a student of Socrates, military man, and man of letters, is an indispensable source for our understanding of the life and philosophy of Socrates.
David M. Johnson restores Xenophon's most ambitious Socratic work, the Memorabilia (Socratic Recollections), to its original literary context, enabling readers to experience it as Xenophon's original audience would have, rather than as a pale imitation of Platonic dialogue. He shows that the Memorabilia, together with Xenophon's Apology, provides us with our best evidence for the trial of Socrates, and a comprehensive and convincing refutation of the historical charges against Socrates.…
I love to read (full stop). And especially, I love to read Plato in English and in Greek, by myself and with others. I studied Plato for my doctorate in Philosophy at the University of Cambridge (in England) because in his dialogues, one finds all the dimensions of philosophy coming together. Why does thinking about how to live lead not only to ethics and political philosophy, but also epistemology (what we can know), aesthetics (what is beautiful), and metaphysics (what is the nature of reality)? Having read Plato with third graders, graduate students, business leaders, and retirees, I find that people of all kinds respond to his works.
Plato speaks in the Republic of the “old quarrel between poetry and philosophy”–yet he was a writer of imaginative prose himself. This book shows how seriously Plato took poetry: how many of the crucial ideas in the dialogues grow out of Socrates’ commentary on lines of poetry from Homer, Hesiod, or other archaic Greek authors.
Jill Frank reads Plato very differently from me: she thinks that the Republic is signaling its readers to reject the political ideals that the dialogue seems to propose, in favor of the democratic authority of the individual. But while I don’t agree, I always learn so much from her astute insights as a reader of Plato’s writings.
When Plato set his dialogs, written texts were disseminated primarily by performance and recitation. He wrote them, however, when literacy was expanding. Jill Frank argues that there are unique insights to be gained from appreciating Plato's dialogs as written texts to be read and reread. At the center of these insights are two distinct ways of learning to read in the dialogs. One approach that appears in the Statesman, Sophist, and Protagoras, treats learning to read as a top-down affair, in which authoritative teachers lead students to true beliefs. Another, recommended by Socrates, encourages trial and error and the formation…
I grew up in an area that had been forest, then became farms, then became a suburb. The world around me was a palimpsest, the old stories always vaguely discernable beneath the new ones, and always in some way part of the new ones. Until recently there was always a working farm in my life as well, two in Oregon and one in North Central Washington, where I saw the daily labor of trying to make the earth say “wheat” or “cattle” instead of “dust” or “sagebrush.” My poems try to preserve that experience.
It’s the oldest book I know of that tries to explain the mutable material world in strictly material terms. Appropriately, or maybe paradoxically, Lucretius puts his treatise into the form of poetry, following strict rules of prosody, as if the conventions of verse could create order out of chaos. Two thousand years later, the master poet A.E. Stallings translates it into formal English poetry. Nothing remains fixed, especially not language, and yet we never quit trying.
One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks.
Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the…
