I grew up in an area that had been forest, then became farms, then became a suburb. The world around me was a palimpsest, the old stories always vaguely discernable beneath the new ones, and always in some way part of the new ones. Until recently there was always a working farm in my life as well, two in Oregon and one in North Central Washington, where I saw the daily labor of trying to make the earth say “wheat” or “cattle” instead of “dust” or “sagebrush.” My poems try to preserve that experience.
In his hundreds of poems, Frost wrote about a lot of things, but almost always about the fluid nature of the world and our efforts to give it shape and meaning. The very form of a poem, he believed, embodies those efforts. The question always remains: What form do we find, what form do we impose, and what self do we construct in doing so?
Start with “For Once, Then, Something,” in which he adapts the meter of classical poetry to the cadences of the English language and the ambiguity of modern life. Take a long look at the long poem “Home Burial,” in which a grieving couple clash over incompatible ways of understanding nature’s apparent indifference to human desire. Re-read “Mending Wall,” in which two people disagree about the meaning of the form they cooperate in imposing on the landscape.
And don’t neglect the letters in which Frost acknowledges his dept to William James, the psychologist who explored how we make meaning of what he called the “blooming, buzzing confusion” around us – and find something like ourselves in the process.
The early works of beloved poet Robert Frost, collected in one volume.
The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy’s Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such…
A young man pretends to be something he isn’t, and (perhaps) discovers that he is what he pretends to be – and isn’t. Nothing remains fixed. The slippery language is essential: Trying to make his experience mean something coherent and actionable challenges his enormous skill with language. After all, words are one of the ways we try to fence off the flux, but it won’t be contained. The language is confusing in the truest sense,mixed up. The first words of the play are “Who’s there?” and Hamlet’s first words are a slippery attempt at an answer: “A little more than kin, and less than kind.” Our words are approximate at best, downright wrong at worst. Through the following five acts the play explores what that question and answer mean, and especially how the struggle to put the answer into words is itself part of the answer.
In Shakespeare's verbally dazzling and eternally enigmatic exploration of conscience, madness and the nature of humanity, a young prince meets his father's ghost in the middle of the night, who accuses his own brother - now married to his widow - of murdering him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild insanity while plotting revenge. But his actions soon begin to wreak havoc on innocent and guilty alike.
Work! It’s one of the most neglected topics in literature, and yet it’s what most of us spend our lives doing, trying to create something where there was nothing. How can we make it meaningful? Pirsig shows us that by investing ourselves in the most ordinary activities we shape the shapeless world, and ourselves, into something transcendent, if only briefly. His keyword is “quality,” by which he means the essential whatnessof things: What they are is what we make of them, and in doing so, we make ourselves, in work that is never finished.
Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.
In these accounts of strange neurological misfires, Sacks shows how unreliable we can be as narrators of our own lives. The examples are extreme, sure, but they question the foundations of our certainty about the world and ourselves. Ordinarily, our senses make sense of the flux, label it and archive it for future reference; when the wires get crossed, we see hints of the essential changeableness of things and of the fictional self that tries to tame them. The book is a guided tour of what Sacks call our cerebral habitat: “Forcing or finding order in an imagined chaos.”
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it.
In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with…
It’s the oldest book I know of that tries to explain the mutable material world in strictly material terms. Appropriately, or maybe paradoxically, Lucretius puts his treatise into the form of poetry, following strict rules of prosody, as if the conventions of verse could create order out of chaos. Two thousand years later, the master poet A.E. Stallings translates it into formal English poetry. Nothing remains fixed, especially not language, and yet we never quit trying.
One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks.
Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
With input from over 100 musicians, the book discusses what exactly jazz is, and how you know you are listening to it. Do we truly know when and how jazz first originated? Who was the first jazz musician? How does jazz link to other genres? What about women in jazz? And writers and journalists? Do reviews make any difference?
This book is a deep dive into jazz's history, impact, and future. It discusses jazz's social, cultural, and political influence and reveals areas where jazz has had an impact we may not even realize.Its influences on hip hop, the connection to…
This book is very different from other, more general jazz books. It is packed with information, advice, well researched and includes experiences from jazz musicians who gleefully add their rich voices to Sammy's in-depth research. All genres, from hard bop to be-bop, vocal jazz, must instrumental, free jazz, and everything between is covered in one way or another and given Sammy's forensic eye. There is social commentary and discussions of careers in jazz music. The musical background of those in the book is rich and diverse. Critics comment: "This new book by Sammy Stein is a highly individual take on…
Richard Wakefield's third collection of poetry, Terminal Park, bears truthful and often wryly humorous witness to a wide range of human experiences. His portraits of life in rural Washington State are particularly compelling, in a way that evokes the best of Frost without sacrificing Wakefield's own distinctive voice. A showcase of given and nonce forms, Terminal Park is the work of a master craftsman, delivered with wit, empathy, and grace.
