Here are 19 books that A Collection of Poems by Robert Frost fans have personally recommended if you like
A Collection of Poems by Robert Frost.
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I am a primary care doctor who is fascinated by my patient’s stories and what they reveal about their lives, their illnesses, and their pathways to recovery. I have always been a lover of literature related to the human condition and “the big questions,” having majored in Russian Language and Literature as an undergraduate. All the books I have chosen were written by physicians who were accomplished not only in the sciences but in the arts. I hope you enjoy this hybridization of disciplines as much as I have!
I was simply stunned by this book. Dr. Sacks, a neurologist, drew me into the inner mysteries of the brain by describing the amazing lives and characters of some his most bizarrely afflicted patients. I was delighted to see how some of them overcame or coped with their afflictions, and I finished the book with an indescribable feeling of the magical alchemy of science and story to reveal our deepest truths.
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it.
In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with…
Growing up on a small farm in southern Ohio, I was the first generation of my family to attend both high school and college. Literature, reading it, talking about it, studying it, was my entry into a world of larger possibilities than my family’s somewhat straitened circumstances had allowed me. Faulkner attracted me because the rural enclave in which we lived, and my neighbors, resembled locales and characters in his fiction. Shakespeare attracted me for many reasons, most notably the beauty of his language and the ability of his plays to reveal new meanings as my life experiences changed.
Hamlet is one of those literary characters, like Faust, who gains an iconic, extra-literary identity. Moody, hesitant, insolent, and wracked by guilt and doubt, Hamlet marked the eruption into Western literature of self-consciousness as a literary trope.
Understanding that Rosencrantz and Guildenstern are agents of Claudius, not his true friends, Hamlet mockingly says, “You would pluck out the heart of my mystery.” Whether considered in psychological, social, religious, historical, or political terms, that “mystery” has for centuries intrigued readers and audiences. I invite you to share that intrigue, or to return to it.
In Shakespeare's verbally dazzling and eternally enigmatic exploration of conscience, madness and the nature of humanity, a young prince meets his father's ghost in the middle of the night, who accuses his own brother - now married to his widow - of murdering him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild insanity while plotting revenge. But his actions soon begin to wreak havoc on innocent and guilty alike.
Traveling, meeting people, hearing stories, learning about places and landscapes—this is what my writing is all about. Sometimes it takes the form of nonfiction, sometimes poetry. I’ve had a wandering spirit from early on, finding joy and wonder as a child while sitting in the backseat on road trips, or taking the bus cross-state, or (best of all) riding on a train going anywhere. Reading Kerouac’s On the Road brought everything together: heading out with no particular destination in mind other than finding oneself on the road. And then writing it all down, telling the story. Here are some books that have rekindled the Kerouac spirit for me.
Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenancewas first published when I was a teenager. I was aware of the book’s unforeseen popularity and countercultural reputation, but it proved too daunting for me at the time. I read it years later, after I had read Blue Highways, and was immediately enthralled with the road trip dimension of the book (Pirsig travels from Minneapolis to San Francisco on his motorcycle, accompanied by his son and some friends—not on the same motorcycle, of course). It’s a compelling journey across the austerely beautiful northern tier of the American West; it’s also a darker journey into the narrator’s troubled past. Much of the book is given to philosophical inquiry—an intellectual trip that’s just as compelling as the physical journey.
Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.
I grew up in an area that had been forest, then became farms, then became a suburb. The world around me was a palimpsest, the old stories always vaguely discernable beneath the new ones, and always in some way part of the new ones. Until recently there was always a working farm in my life as well, two in Oregon and one in North Central Washington, where I saw the daily labor of trying to make the earth say “wheat” or “cattle” instead of “dust” or “sagebrush.” My poems try to preserve that experience.
It’s the oldest book I know of that tries to explain the mutable material world in strictly material terms. Appropriately, or maybe paradoxically, Lucretius puts his treatise into the form of poetry, following strict rules of prosody, as if the conventions of verse could create order out of chaos. Two thousand years later, the master poet A.E. Stallings translates it into formal English poetry. Nothing remains fixed, especially not language, and yet we never quit trying.
One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks.
Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the…
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
I was in second grade when I first read this Robert Frost poem in our classroom textbook. There was one magnificent illustration of a horse in a dark, snowy forest, with big snowflakes falling that captured my imagination. I was entranced by the language and images and remember memorizing the poem to recite. In 1978 Susan Jeffers illustrated the poem as a picture book, with evocative gray and white drawings. A later edition added some color. In this case, the beauty of the text is such that no illustrations are needed, but it is lovely to see the snowy village, the narrator stopping to make a snow angel, and the snow-laden tree branches. A great introduction to the poems of Robert Frost, who called this poem “my best bid for remembrance.” (Just FYI, you can listen to a recording of Robert Frost reading this poem on YouTube.)
The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
From the illustrator of the world’s first picture book adaptation of Robert Frost’s “The Road Not Taken” comes a new interpretation of another classic Frost poem: “Stopping By Woods on a Snowy Evening.” Weaving a simple story of love, loss, and memories with only illustrations and Frost’s iconic lines, this stirring picture book introduces young readers to timeless poetry in an unprecedented way.
Years ago, I returned to school at Mount Holyoke College to complete my bachelor’s degree in American Studies. I took a course on Emily Dickinson at the poet’s home in Amherst, Massachusetts—what a thrill! On the first day of class I learned that for sixteen years Emily’s constant companion was Carlo, a Newfoundland dog. Having experienced a hairy, slobbery encounter with a Newf when I was twenty while wearing a white dress, I knew the myth of Emily, pristinely dressed, untouched by the more earthy emotions was wrong. A new story needed to be told. That was the beginning of Emily and Carlo.
Want a book that tells a poignant story and will inspire you to write poetry? Well, have your tissues ready for this one. Jack, an elementary school student, balks at writing poetry. When Miss Stretchberry’s class examines various famous poets’ work he is critical. For example, he thinks “Mr. Robert Frost has a little too much time on his hands.” This short funny and moving novel in free verse follows Jack’s journey as he learns to use poetry to express his feelings and to eulogize his beloved yellow dog, Sky. The poems mentioned in the book are included at the end. Just like poetry at its best,Love That Dogwill enchant readers while using only a few special words.
The Newbery Medal-winning author of Walk Two Moons, Sharon Creech, brings readers a story with enormous heart.
Love That Dog shows how one boy named Jack finds his voice with the help of a teacher, a pencil, some yellow paper, and of course, a dog. Written as a series of free-verse poems from Jack's point of view, and with classic poetry included in the back matter, this novel is perfect for kids and teachers, too.
Jack hates poetry. Only girls write it and every time he tries to, his brain feels empty. But his teacher, Miss Stretchberry, won't stop giving…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
Lowell began this memoir in a mental hospital. He was told it may help him recover from a manic-depressive condition. But he never finished it. He sold the manuscript to Harvard University and there it mouldered away for forty years until editors Steven Gould Axelrod and Grzegorz Kosc resurrected it. Lowell had never meant it to be published. Yet, in this manuscript we discover the bones of his famous poetic work Life Studies, which virtually turned him into one of the greatest of Confessional poets. The manuscript that fell between the cracks demonstrates what a great prose writer Lowell was, and how the language of his poetry was already embedded in these prose descriptions.
A complete collection of Robert Lowell’s autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and confusions of his adult life.
Robert Lowell's Memoirs is an unprecedented literary discovery: the manuscript of Lowell’s lyrical evocation of his childhood, which was written in the 1950s and has remained unpublished until now. Meticulously edited by Steven Gould Axelrod and Grzegorz Kosc, it serves as a precursor or companion to his groundbreaking book of poems Life Studies, which signaled a radically new prose-inflected direction in his work, and indeed in American poetry.
Memoirs also includes intense depictions of Lowell’s…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
When it comes to animal photography, National Geographic set the standard for excellence – and when one pairs 200 of their best photographs with poetry from some of the country's finest poets, you end up with a beautiful, coffee table book that deserves to be in every house.
From classic poets like Robert Frost, Emily Dickinson, and Rudyard Kipling to contemporary writers including Naomi Shihab Nye, Jack Prelutsky, and Jane Yolen (and even a few from anthologist and former U.S. Children’s Poet Laureate J. Patrick Lewis) this is a book you will want to take time to peruse read, and ponder.
What could be better than cuddling up with your child and this book on your lap and allowing your imaginations to soar with the words and images? Lovingly selected by U.S. Children's Poet Laureate J. Patrick Lewis and paired with vibrant animal photography, this collection of poems is an exuberant celebration of the animal kingdom and a beautiful introduction to this genre of literature.
Designed for family sharing but targeted to ages 4-8, this dynamic, fresh, yet still classic collection of animal poems is a must-have for the family bookshelf. Featured poets include J. Patrick Lewis, Dorothy Aldis, Emily Dickinson,…
As a clinical psychologist, I listen to thoughts all the time. I’m also having my own, constantly. We rely on our thoughts to help us navigate the world. However, our thoughts can also be a source of suffering. At times, they're not such reliable guides or helpers. Acceptance and Commitment Therapy (ACT) is a way of thinking about thinking. ACT captured my imagination early in my clinical career. I trained with ACT’s originator, Steven Hayes, in the early 1990’s. I’ve come to believe that being more aware of our own thoughts, and our relationship to them is key to creating positive change and living a life grounded in our values.
This poetic book by a literary scholar looks at the way we think about and experience not only the lives we lead, but those alternative lives that we do not lead.
Our thoughts can lead us to obsessively regret our choices or focus on “the road not taken.” Miller looks at the sense of loss that can accrue as the potential transitions to the actual.
He describes our unled lives as “part of this world as shadows are part of things…”
A captivating book about the emotional and literary power of the lives we might have lived had our chances or choices been different.
We each live one life, formed by paths taken and untaken. Choosing a job, getting married, deciding on a place to live or whether to have children-every decision precludes another. But what if you'd gone the other way? It can be a seductive thought, even a haunting one.
Andrew H. Miller illuminates this theme of modern culture: the allure of the alternate self. From Robert Frost to Sharon Olds, Virginia Woolf to Ian McEwan, Jane Hirshfield to…
I never believed the idea that creativity was for a gifted few. Throughout my life, as a teenage fishing guide, an entrepreneur and college professor, novelist, and creativity guide, the folks I’ve met are rich with creative and entrepreneurial qualities. My calling is to help you appreciate your creative genius so that it appreciates in value for you. Growing your creatively entrepreneurial genius is the best way to prepare for a future of unknowable unknowns, the best way to build careers we desire, the best way to fully appreciate life. I offer various perspectiveS on core creative and entrepreneurial concepts so you can construct the best path to your personal renewal and growth.
How do creative people produce their best work? That’s the question Galenson researched as an economics professor leading to this book comparing the two major creative approaches he’s identified: Do they create by just getting started and through incremental efforts and continuous testing they feel their way until they discover what they will create? Or do they begin with careful and comprehensive plans of what they will create, beginning only when they are confident they have a full vision of what the end looks like? He studied artists—painters and poets, novelists and sculptors—but the questions he asks and the answers he frames are relevant to all creatively entrepreneurial work and he shares his thoughts about that as well. I love Cezanne’s paintings and was delighted to learn my creative process is similar to his.
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct…