19 books like A Collection of Poems by Robert Frost

Every time I revisit Sacks, especially this book, I am blown away anew at people’s ability to create meaning and value in the face of severe cognitive disability.

A man’s capacity to categorize objects is so impaired that when he moves to leave the room, he mistakenly reaches for his wife’s head instead of his hat. How can he even get through the day? With the help of familiar routines, his loving spouse, and music.

A “lost mariner” can’t retain any new information longer than a few minutes and still thinks he’s living decades ago, but he finds meaning in the timeless ceremonies of his religion. A man repeatedly throws his own leg out of bed and is surprised to find himself on the floor again….

I’ve taught Hamlet for over ten years and keep finding new revelations in it. The language is rich and beautiful, the story is painful, and the themes are relevant even today. It’s the kind of story that makes you want to memorize it, even though the main character is terrible sometimes.

My friends can tell you that I get excited any time I see a Hamlet reference or hear about a new version of the play. It’s famous for a reason. It shouldn’t work, but it absolutely does. My favorite Shakespeare play!

Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance was first published when I was a teenager. I was aware of the book’s unforeseen popularity and countercultural reputation, but it proved too daunting for me at the time. I read it years later, after I had read Blue Highways, and was immediately enthralled with the road trip dimension of the book (Pirsig travels from Minneapolis to San Francisco on his motorcycle, accompanied by his son and some friends—not on the same motorcycle, of course). It’s a compelling journey across the austerely beautiful northern tier of the American West; it’s also a darker journey into the narrator’s troubled past. Much of the book is given to philosophical inquiry—an intellectual trip that’s just as compelling as the physical journey.

It’s the oldest book I know of that tries to explain the mutable material world in strictly material terms. Appropriately, or maybe paradoxically, Lucretius puts his treatise into the form of poetry, following strict rules of prosody, as if the conventions of verse could create order out of chaos. Two thousand years later, the master poet A.E. Stallings translates it into formal English poetry. Nothing remains fixed, especially not language, and yet we never quit trying.

I was in second grade when I first read this Robert Frost poem in our classroom textbook. There was one magnificent illustration of a horse in a dark, snowy forest, with big snowflakes falling that captured my imagination. I was entranced by the language and images and remember memorizing the poem to recite. In 1978 Susan Jeffers illustrated the poem as a picture book, with evocative gray and white drawings. A later edition added some color. In this case, the beauty of the text is such that no illustrations are needed, but it is lovely to see the snowy village, the narrator stopping to make a snow angel, and the snow-laden tree branches. A great introduction to the poems of Robert Frost, who called this poem “my best bid for remembrance.” (Just FYI, you can listen to a recording of Robert Frost reading this poem on YouTube.) 

Want a book that tells a poignant story and will inspire you to write poetry? Well, have your tissues ready for this one. Jack, an elementary school student, balks at writing poetry. When Miss Stretchberry’s class examines various famous poets’ work he is critical. For example, he thinks “Mr. Robert Frost has a little too much time on his hands.” This short funny and moving novel in free verse follows Jack’s journey as he learns to use poetry to express his feelings and to eulogize his beloved yellow dog, Sky. The poems mentioned in the book are included at the end. Just like poetry at its best, Love That Dog will enchant readers while using only a few special words. 

Lowell began this memoir in a mental hospital. He was told it may help him recover from a manic-depressive condition. But he never finished it. He sold the manuscript to Harvard University and there it mouldered away for forty years until editors Steven Gould Axelrod and Grzegorz Kosc resurrected it. Lowell had never meant it to be published. Yet, in this manuscript we discover the bones of his famous poetic work Life Studies, which virtually turned him into one of the greatest of Confessional poets. The manuscript that fell between the cracks demonstrates what a great prose writer Lowell was, and how the language of his poetry was already embedded in these prose descriptions. 

When it comes to animal photography, National Geographic set the standard for excellence – and when one pairs 200 of their best photographs with poetry from some of the country's finest poets, you end up with a beautiful, coffee table book that deserves to be in every house.

From classic poets like Robert Frost, Emily Dickinson, and Rudyard Kipling to contemporary writers including Naomi Shihab Nye, Jack Prelutsky, and Jane Yolen (and even a few from anthologist and former U.S. Children’s Poet Laureate J. Patrick Lewis) this is a book you will want to take time to peruse read, and ponder.

This poetic book by a literary scholar looks at the way we think about and experience not only the lives we lead, but those alternative lives that we do not lead. 

Our thoughts can lead us to obsessively regret our choices or focus on “the road not taken.” Miller looks at the sense of loss that can accrue as the potential transitions to the actual. 

He describes our unled lives as “part of this world as shadows are part of things…”    

How do creative people produce their best work? That’s the question Galenson researched as an economics professor leading to this book comparing the two major creative approaches he’s identified: Do they create by just getting started and through incremental efforts and continuous testing they feel their way until they discover what they will create? Or do they begin with careful and comprehensive plans of what they will create, beginning only when they are confident they have a full vision of what the end looks like? He studied artists—painters and poets, novelists and sculptors—but the questions he asks and the answers he frames are relevant to all creatively entrepreneurial work and he shares his thoughts about that as well. I love Cezanne’s paintings and was delighted to learn my creative process is similar to his.