Here are 100 books that Stopping by Woods on a Snowy Evening fans have personally recommended if you like
Stopping by Woods on a Snowy Evening.
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The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
My memories of childhood are of white winters and deep snowfalls. Like anyone in a perfect snowstorm, I have often looked at the flakes on the shoulders and sleeves of my coat and wished I could preserve that perfect crystal. I also wondered if the saying was true—that no two snowflakes are alike—and how anyone could possibly know.
I had no idea as a child that a Vermont farmer, Wilson Bentley, studied and photographed snowflakes for years, leading to discoveries about these six-sided, fleeting jewels. In Snowflake Bentley (another Caldecott recipient), Jacqueline Martin introduces us to a time “In the days when farmers worked with ox and sled,” and a boy “who loved snow more than anything else in the world.” A fascinating, educational, and true story to explore.
From the time he was a small boy, Wilson Bentley saw snowflakes as small miracles. And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: no two snowflakes are alike; and each one is startlingly beautiful. His story is gracefully told and brought to life in lovely woodcuts, giving children insight into a soul who had not only a scientist's vision and perseverance but a clear passion for the wonders of nature.…
I am someone who has made major decisions in my life based solely on the desire to ski powder! That’s why I live in Sun Valley, Idaho and get to enjoy the snow and winter fun all season long. And because I love children’s books and specialize in writing for the youngest children, I have educated and experiential opinions as to what makes a great children’s book work. So, there you have it: Snow and Kids’ Books; two of my favorite things!
The Snowy Day is, at its heart, a beautiful book about playing alone.
When I was reading this book to my kids, we had just moved to the mountains of Ketchum, Idaho and my son had started third grade at a new school. He spent a lot of time playing alone in the snow and could relate to Peter’s solo adventures in the book.
The bright, graphic collage illustrations add a liveliness that reflects the joy of discovery, while the cool snow tones bring a silent reflectiveness. The book’s history is rich as well: It was published in 1963 and was the first color picture book to feature a black character.
As the book gently led readers into Jack’s quiet and joyful world, it was also a message of inclusiveness that broke through a wall in children’s publishing.
The magic and wonder of winter's first snowfall is perfectly captured in Ezra Jack Keat's Caldecott Medal-winning picture book. This celebrated classic has been shared by generations of readers and listeners, a must-have for every child's bookshelf and a perfect gift for the holiday season.
New York Public Library's #1 book on the list of "Top Check Outs of All Time"
In 1962, a little boy named Peter put on his snowsuit and stepped out of his house and into the hearts of millions of readers. Universal in its appeal, this story beautifully depicts a child's wonder at a new…
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
Both the poetry and prose of this beautiful book speaks to my heart; these are words I would have liked to have written myself: Softly, gently in the secret light/Down from the North came the quiet white./Drifting, sifting, silent flight,/Softly, gently in the secret night. After the first poetic introduction, the book moves into a perfect description of a neighborhood before, during and after a big snow, beginning with the first flakes of snow the children catch on their tongues, to the postman pulling on his boots; the snowfall so deep that the farmer must dig his way to the barn. In the night the stars come out when the snow stops. The next morning, bright light fills the barn where the farmer milks his cow, and children build a snowman, a snow fort, and have a snowball fight. The melting snow drips into icicles, as the neighborhood warms…
The classic Caldecott Medal–winning picture book about a neighborhood transformed by a delightful snowfall, from the legendary picture book duo Alvin Tresselt and Roger Duvoisin.
When the first flakes fell from the grey sky, the postman and the farmer and the policeman and his wife scurried about doing all the practical things grown-ups do when a snowstorm comes. But the children laughed and danced, and caught the lacy snowflakes on their tongues.
All the wonder and delight a child feels in a snowfall is caught in the pages of this book—the…
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
Local to me, I’ve been familiar with the gorgeous poster and mural art of Greg Newbold. More recently he has teamed up with his wife Amy to create a series of picture books showcasing the styles of renowned artists. This first book takes snowmen and imagines what they would look like if painted by artists such as Van Gogh, Dali, Picasso, O’Keefe, and others. An excellent introduction to the painting styles of famous artists, with informative text to reinforce the idea that “not all artists paint the same.”
From that simple premise flows this delightful, whimsical, educational picture book that shows how the artist's imagination can summon magic from a prosaic subject. Greg Newbold's chameleon-like artistry shows us Roy Lichtenstein's snow hero saving the day, Georgia O'Keefe's snowman blooming in the desert, Claude Monet's snowmen among haystacks, Grant Wood's American Gothic snowman, Jackson Pollock's snowman in ten thousand splats, Salvador Dali's snowmen dripping like melty cheese, and snowmen as they might have been rendered by J. M. W. Turner, Gustav Klimt, Paul Klee, Marc Chagall, Georges Seurat, Pablita Velarde, Piet Mondrian, Sonia Delaunay, Jacob Lawrence, and Vincent van…
Years ago, I returned to school at Mount Holyoke College to complete my bachelor’s degree in American Studies. I took a course on Emily Dickinson at the poet’s home in Amherst, Massachusetts—what a thrill! On the first day of class I learned that for sixteen years Emily’s constant companion was Carlo, a Newfoundland dog. Having experienced a hairy, slobbery encounter with a Newf when I was twenty while wearing a white dress, I knew the myth of Emily, pristinely dressed, untouched by the more earthy emotions was wrong. A new story needed to be told. That was the beginning of Emily and Carlo.
Want a book that tells a poignant story and will inspire you to write poetry? Well, have your tissues ready for this one. Jack, an elementary school student, balks at writing poetry. When Miss Stretchberry’s class examines various famous poets’ work he is critical. For example, he thinks “Mr. Robert Frost has a little too much time on his hands.” This short funny and moving novel in free verse follows Jack’s journey as he learns to use poetry to express his feelings and to eulogize his beloved yellow dog, Sky. The poems mentioned in the book are included at the end. Just like poetry at its best,Love That Dogwill enchant readers while using only a few special words.
The Newbery Medal-winning author of Walk Two Moons, Sharon Creech, brings readers a story with enormous heart.
Love That Dog shows how one boy named Jack finds his voice with the help of a teacher, a pencil, some yellow paper, and of course, a dog. Written as a series of free-verse poems from Jack's point of view, and with classic poetry included in the back matter, this novel is perfect for kids and teachers, too.
Jack hates poetry. Only girls write it and every time he tries to, his brain feels empty. But his teacher, Miss Stretchberry, won't stop giving…
People come to songwriting from all different directions. Some have wanted to do this since they were little kids. Some like to make their parents mad. Some are wildly talented but crippled with doubt. All I can say is that no matter which way you’re facing, I think I can help you. I say this because I’ve been teaching college-level songwriting for years now, and every semester I have students who want to meet with me for office hours. They’re all repeat customers and I’ve noticed that many of them ask repeat questions. The point of my book, Music, Lyrics, and Life, is to try to address those repeat questions because chances are good that you have them, too.
A series of poetry lectures not intended for publication, they combine to form an astounding journey into language and art. You don’t need to be a poet to love the casual way she delivers bomb after bomb, and to wish you’d been her student. I guess this is as close as I’ll get, and it’s taken a long time (I’m still not done) because I can just sit on a phrase or a page for an entire subway ride. Definitely would have failed her class, but having the lectures written out is like getting an extension without needing to grovel for it.
This is one of the wisest books I've read in years...--New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act--the fact that poetry must both guard and reveal, hint at and pull back...Also, and maybe most crucially, Ruefle's work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that's vital and welcome, that doesn't make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Ultimately, this is a work about trauma, both personal and cultural; it is a deeply human testimony to trauma’s power to erase, shape, and reshape the narratives of our lives.
The self, this book implies, is one such narrative, and the forces of contemporary society act in powerful and often surreptitious ways to shape that story.
Rankine is a complete original in her methods of tackling these mysteries, and a reader leaves this book with a sense of having woken, if only a bit more, to the forces that are living our lives for us.
A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars—doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.
First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
There are so few books available about trail building. Riprap might be the oldest and one of the most beautiful. Riprap poetically describes Snyder’s summer trail-building job in 1955 in Yosemite National Park. These poems not only sing about the beauty and physicality of trail building but also echo back on the ancient Chinese poets who Snyder was studying during that time. In the end, Riprap shows us trail building but also illuminates how wildness can infuse the human spirit.
By any measure, Gary Snyder is one of the greatest poets in America in the last century. From his first book of poems to his latest collection of essays, his work and his example, standing between Tu Fu and Thoreau, have been influential all over the world. Riprap, his first book of poems, was published in Japan in 1959 by Origin Press, and it is the fiftieth anniversary of that groundbreaking book we celebrate with this edition. A small press reprint of that book included Snyder's translations of Han Shan's Cold Mountain Poems, perhaps the finest translations of that remarkable…
I am a neuroscientist best known for my studies and writings exploring the brain basis of consciousness. Trained as a physicist, I was for 27 years a professor of biology and engineering at the California Institute of Technology in Pasadena before moving to the Allen Institute in Seattle, where I became the Chief Scientist and then the President in 2015. I published my first paper on the neural correlates of consciousness with the molecular biologist Francis Crick more than thirty years ago.
An extraordinary gem of a booklet that considers the many ways that four lines of a single poem, composed by an 8th century Chinese Buddhist, have been translated into modern idiom. It is amazing how a mere twenty ideograms, depicting a mountain and forest scene devoid of people, can illuminate the variety and subtlety of consciousness. I recommend the 2016 edition with additional translations.
The difficulty (and necessity) of translation is concisely described in Nineteen Ways of Looking at Wang Wei, a close reading of different translations of a single poem from the Tang Dynasty-from a transliteration to Kenneth Rexroth's loose interpretation. As Octavio Paz writes in the afterword, "Eliot Weinberger's commentary on the successive translations of Wang Wei's little poem illustrates, with succinct clarity, not only the evolution of the art of translation in the modern period but at the same time the changes in poetic sensibility."
I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
I love the gorgeous, lyrical language Limón uses to sort out loss, own her power, and the power of the “huge beating genius machine” of the heart.
Limón uses imagery so visceral I can touch it, and examines the light and dark of womanhood when she declares, “…the largeness of me, the hot/gore of my want and wants, wants to disarm/the fixedness of this”. I like that what she writes is understandable, but never easy. Limón currently serves as our nation’s Poet Laureate.
Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you have to leave one day, and the search to find something that is ultimately "disorderly, and marvelous, and ours." A book of bravado and introspection, of 21st century feminist swagger and harrowing terror and loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the various ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages…
