Here are 100 books that Nineteen Ways of Looking at Wang Wei fans have personally recommended if you like
Nineteen Ways of Looking at Wang Wei.
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What I love about philosophy (I’ve been a philosophy professor at the University of California, Riverside, since 1997) is not its ability to deliver the one correct answer to the nature of the world and how to live but rather its power to open our mind to new possibilities that we hadn’t previously considered; its power to blow apart our presuppositions, our culturally given “common sense” understandings, and our habitual patterns of thinking, casting us into doubt and wonder. The science writing, fiction, and personal essays I love best have that same power.
Every time I revisit Sacks, especially this book, I am blown away anew at people’s ability to create meaning and value in the face of severe cognitive disability.
A man’s capacity to categorize objects is so impaired that when he moves to leave the room, he mistakenly reaches for his wife’s head instead of his hat. How can he even get through the day? With the help of familiar routines, his loving spouse, and music.
A “lost mariner” can’t retain any new information longer than a few minutes and still thinks he’s living decades ago, but he finds meaning in the timeless ceremonies of his religion. A man repeatedly throws his own leg out of bed and is surprised to find himself on the floor again….
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it.
In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with…
I am an archaeologist dealing with prehistoric societies for the last 30 years. For many hundreds of thousands of years, our ancestors worldwide practiced shamanism and altered states of consciousness. I think this is what makes us human and what allows the persistence and success of our genus. The more I learn about these two subjects, the more I understand their importance and relevance to us today. There is a lesson sent to us by past societies: Pay respect to the world. Respectful behavior is assisted by shamanism and altered states of consciousness. We can be better, feel better, and do better, and the books I recommended are the beginning of this wonderful way.
It just blows my mind any time I read it, the same way it did the first time. Huxley was way ahead of his time when he wrote this influential book, and he was one of the first prophets of the New Age and the Age of Consciousness.
I was deeply touched by his intimate descriptions of his own experiences with LSD and Mescaline and the way it opened his mind to understanding the complexities of our consciousness beyond our regular and daily way of perceiving the world.
One of my favorite rock bands, The Doors, is named after this book, and it gives me ultimate pleasure to listen to Jim Morrison while reading it. What an experience!
Discover this profound account of Huxley's famous experimentation with mescalin that has influenced writers and artists for decades.
'Concise, evocative, wise and, above all, humane, The Doors of Perception is a masterpiece' Sunday Times
In 1953, in the presence of an investigator, Aldous Huxley took four-tenths of a gram of mescalin, sat down and waited to see what would happen. When he opened his eyes everything, from the flowers in a vase to the creases in his trousers, was transformed. Huxley described his experience with breathtaking immediacy in The Doors of Perception.
I am a neuroscientist best known for my studies and writings exploring the brain basis of consciousness. Trained as a physicist, I was for 27 years a professor of biology and engineering at the California Institute of Technology in Pasadena before moving to the Allen Institute in Seattle, where I became the Chief Scientist and then the President in 2015. I published my first paper on the neural correlates of consciousness with the molecular biologist Francis Crick more than thirty years ago.
A concise introduction to the beating heart of the ancient mind-body problem – consciousness and free will. Searle, famous for his Chinese Room argument that is featured in the book, engages with contemporary scientific theories of consciousness, which is uncommon for philosophers. What is even rarer is that Searle professes himself perplexed when it comes to reconciling his feelings of acting freely with the laws of physics that appear to rule out free will.
"The philosophy of mind is unique among contemporary philosophical subjects," writes John Searle, "in that all of the most famous and influential theories are false." One of the world's most eminent thinkers, Searle dismantles these theories as he presents a vividly written, comprehensive introduction to the mind. He begins with a look at the twelve problems of philosophy of mind-which he calls "Descartes and Other Disasters"-problems which he returns to throughout the volume, as he illuminates such topics as materialism, consciousness, the mind-body problem, intentionality, mental causation, free will, and the self. The book offers a refreshingly direct and engaging…
I am a neuroscientist best known for my studies and writings exploring the brain basis of consciousness. Trained as a physicist, I was for 27 years a professor of biology and engineering at the California Institute of Technology in Pasadena before moving to the Allen Institute in Seattle, where I became the Chief Scientist and then the President in 2015. I published my first paper on the neural correlates of consciousness with the molecular biologist Francis Crick more than thirty years ago.
This book, by the co-discoverer of the molecular structure of DNA, helped kick off the modern research enterprise that seeks to track and identify the neuronal correlates of consciousness, that is the footprints of consciousness in the brain. Crick argues that for tactical reasons, scientists should focus on more accessible aspects of consciousness, such as visual awareness, and provides an easy-to-follow introduction into the mammalian brain.
Applying the methodology of science to the search for the soul, the winner of the Nobel Prize for the discovery of DNA explores the fundamental questions of human consciousness, challenging science, philosophy, and religion. Reprint. 25,000 first printing.
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
As well as being the best Gothic style verses in the English language with the possible exception of some by Edgar Allan Poe-there are some way ahead of their time. "If Earth & Moon were gone" prefigures Mach's Principle, which was only formulated 4 decades after EJB thought of it. Anyone lucky enough to find an edition with EJB's Essays she wrote in Brussels will have a copy of her formulation of Evolutionary theory 2 decades before Mr. Darwin claimed it as his own.
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Bronte sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in…
As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
Edited by former Poet Laureate Joy Harjo, this poetry
collection does not exclusively feature women, but we all need more poetry in
our lives. This expansive collection of native voices spans from 17th
century to the 20th, and is the most historically comprehensive collection
of native poetry to date. When the Light of the World Was Subdued should
be recommended reading everywhere.
United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into one momentous volume. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries.
Opening with a blessing from Pulitzer Prize winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organised sections. Each section begins with a poem from the massive libraries of oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
A full-length rewrite of Walt Whitman’s “Song of Myself” that preserves only the first and last letter of each line, Shelfis a consummate work of potential literature—from the “why on earth would someone do that” all the way to the “wait, this is actually dope.” Without ever estranging himself from Whitman’s transcendentalist trumpeting, Quintavalle burrows deep into the poem’s form and instills a disenchanted eloquence all his own.
Poetry. In this poem, Rufo Quintavalle has rewritten Walt Whitman's Song of Myself keeping the first and last letter of each line, and replacing the middle. Within this strict constraint, Quintavalle the poet has achieved a remarkable and touching intimacy at a distance with Whitman's inner world.
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
As the years pass it seems to me that Sylvia Plath is not just one of the notable poets of the second half of the twentieth century but the stand-out voice after whom everyone had to refer back to her. Her death by suicide still stirs the imagination; her poems are a kind of controlled scream showing her wrestling with an intolerable mental condition.
This comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees.
The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia.
This collection was awarded the 1981 Pulitzer Prize for poetry.
'For me, the most important literary event of 1981 has been the publication, eighteen…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
I’m including some verse in my list because there’s no better way to capture Appalachia’s mix of beauty and sorrow than with poetry. This collection by Joseph Bathanti, former poet laureate of North Carolina and longtime inhabitant of the Blue Ridge Mountains, lays bare the effects of mountaintop removal mining against a backdrop of the serene landscape it destroys. I don’t often read a book of poetry more than once, but I found myself skipping back through this one a lot, unable to turn away from the forsaken people and places of the poems.
Light at the Seam, a new collection from North Carolina poet Joseph Bathanti, is an exploration of mountaintop removal in southern Appalachian coal country. The volume illuminates and champions often invisible people residing, in a precarious moment in time, on the glorious, yet besieged, Appalachian earth. Their call to defend it, as well as their faith that the land will exact its own reckoning, constitutes a sacred as well as existential quest. Rooted in social and restorative justice, Light at the Seam contemplates the earth as fundamentally sacramental, a crucible of awe and mystery, able to regenerate itself and its…
