Here are 100 books that Riprap and Cold Mountain Poems fans have personally recommended if you like
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In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
Dirt Work: An Education in the Woodsis a memoir about Byl’s experience as a trail builder in Glacier National Park and Cordova and Denali, Alaska. All too often, books about physical labor highlight a male perspective. It is wonderful to have Byl’s perspective on her life as a trail builder. Byl so stunningly weaves vignettes about a life working in the woods. Her stories teach us about physical and intellectual labor and do so beautifully.
A lively and lyrical account of one woman’s unlikely apprenticeship on a national park trail crew—and what she discovers about nature, gender, and the value of hard work
Christine Byl first encountered the national parks the way most of us do: on vacation. But after she graduated from college, broke and ready for a new challenge, she joined a Glacier National Park trail crew as a seasonal “traildog” maintaining mountain trails for the millions of visitors Glacier draws every year. Byl first thought of the job as a paycheck, a summer diversion, a welcome break from “the real world” before…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
On Trails: An Exploration is a completely different style of book. Rather than exploring trails through the lens of trail building, Moor, an Appalachian Trail thru-hiker, examines trails from a variety of angles. In a book that spans from the beginning of animal life to today’s digital age, Moor examines the world’s oldest trail, learns how to build trails, and even thinks about roads and the internet.
New York Times Bestseller • Winner of the National Outdoor Book Award • Winner of the Saroyan International Prize for Writing • Winner of the Pacific Northwest Book Award • “The best outdoors book of the year.” —Sierra Club
From a talent who’s been compared to Annie Dillard, Edward Abbey, David Quammen, and Jared Diamond, On Trails is a wondrous exploration of how trails help us understand the world—from invisible ant trails to hiking paths that span continents, from interstate highways to the Internet.
While thru-hiking the Appalachian Trail, Robert Moor began to wonder about the paths that lie beneath…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
Nathaniel Farrell Brodie’sSteel on Stone takes readers into Grand Canyon National Park. Here, Brodie worked on trails for eight seasons during brutal summer heat and cold winters. Brodie explores not just the national park in its beauty and danger but also the park’s history, tales from the park, and other adventures. In the end, Steel on Stone beautifully ruminates on home and on Brodie’s love of this landscape.
The Grand Canyon National Park has been called many things, but home isn't often one of them. Yet after years of traveling the globe, Nathaniel Brodie found his home there.
Steel on Stone is Brodie's account of living in the canyon during the eight years he worked on a National Park Service trail crew, navigating a vast and unforgiving land. Embedded alongside Brodie and his crew, readers experience precipitous climbs to build trails, dangerous search-and-rescue missions, rockslides, spelunking expeditions, and rafting trips through the canyon on the Colorado River. From Brodie's chronicles of tracking cougars and dodging rampaging pack mules…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
While I could list many great books on backpacking and hiking trails, there are few books devoted to trail building. I’ll leave behind trail building and focus on a poet, Cold Mountain, who, like those of us who were trail builders, lived in the woods. Cold Mountain, an ancient Chinese poet, wrote his poems on rocks and bark and scattered them across his Tiantai Mountains. These poems are beautiful meditations on landscapes, wildness, Taoism/Buddhism, and politics.
This authoritative, bilingual edition represents the first time the entirety of Cold Mountain's poetry has been translated into English.
These translations were originally published by Copper Canyon Press nearly twenty years ago. Now, significantly revised and expanded, the collection also includes a new preface by the translator, Red Pine, whose accompanying notes are at once scholarly, accessible, and entertaining. Also included for the first time are poems by two of Cold Mountain's colleagues.
Legendary for his clarity, directness, and lack of pretension, the eight-century hermit-poet Cold Mountain (Han Shan) is a major figure in the history of Chinese literature and…
I’m a former newspaper guy who always wanted to write novels and finally took a serious crack at fiction a few years before I retired from journalism. I’m also a World War II buff, a fact that stems from my having grown up around veterans of the war — fathers, uncles, grandfathers — who told me their stories. As a novelist writing about World War II, I realized I couldn’t fully understand that war until I understood the one that preceded it, hence my focus on books related to the earlier conflict.
Like Sassoon, Owen entered the war as a “dreamy” youth interested in literature and art. Unlike Sassoon, though — whom Owen idolized — Owen did not survive the war. He was killed in action on November 4, 1918, a week before the war ended.
Owen wrote all of the poems for which he is remembered between August 1917 and September 1918. His experience of the war turned him from “ a very minor poet to something altogether larger,” writes C. Day Lewis. “…It was a forced growth, a revolution in his mind which, blasting its way through all the poetic bric-a-brac, enabled him to see his subject clear — ‘War, and the pity of War.’ The subject made the poet: The poet made the poems, which radically changed our attitude toward war.”
The hallmarks of Owen’s poetry are his compassion for the frontline soldier and the precision and clarity with…
Wilfred Owen was twenty-two when he enlisted in the Artists' Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.
Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge.
They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.
'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
By showcasing the rich tradition of queer poets whose writing is inspired by nature, Queer Nature opens up the nature poetry genre.
It is the book I needed twenty years ago when I began writing poetry. In my search for queer role models I was happy to find Mary Oliver, Kay Ryan, and Elizabeth Bishop but little did I know how many others were hiding in plain sight. This expansive anthology presents up to 200 more poets from 150 years ago to the present day, with a moving introduction by editor Michael Walsh.
Funny, sad, complex, and direct; the poems explore exclusion and alienation as well as love and belonging. Above all else this anthology confirms that poetry is as boundless as nature and that together they belong to everyone.
An anthology of queer nature poetry spanning three centuries.
This anthology amplifies and centers LGBTQIA+ voices and perspectives in a collection of contemporary nature poetry. Showcasing over two hundred queer writers from the nineteenth to the twenty-first century, Queer Nature offers a new context for and expands upon the canon of nature poetry while also offering new lenses through which to view queerness and the natural world.
In the introduction, editor Michael Walsh writes that the anthology is "concerned with poems that speak to and about nature as the term is applied in everyday language to queer and trans bodies…
As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
Edited by former Poet Laureate Joy Harjo, this poetry
collection does not exclusively feature women, but we all need more poetry in
our lives. This expansive collection of native voices spans from 17th
century to the 20th, and is the most historically comprehensive collection
of native poetry to date. When the Light of the World Was Subdued should
be recommended reading everywhere.
United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into one momentous volume. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries.
Opening with a blessing from Pulitzer Prize winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organised sections. Each section begins with a poem from the massive libraries of oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake…
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
This collection, published by Bloodaxe Books, categorizes poems loosely by theme and contains a treasure trove of the best poems to help you keep on living when life is too hard. There is a wide range of themes, as well as some uplifting poems that explore everything beautiful about being alive.
Staying Alive is an international anthology of 500 life-affirming poems fired by belief in the human and the spiritual at a time when much in the world feels unreal, inhuman and hollow. These are poems of great personal force connecting our aspirations with our humanity, helping us stay alive to the world and stay true to ourselves. Many people turn to poetry only at unreal times, whether for consolation in loss or affirmation in love, or when facing other extremes and anxieties. Staying Alive includes many of the great modern love poems and elegies, but it also shows the power…
