Fans pick 100 books like Riprap and Cold Mountain Poems

Dirt Work: An Education in the Woods is a memoir about Byl’s experience as a trail builder in Glacier National Park and Cordova and Denali, Alaska. All too often, books about physical labor highlight a male perspective. It is wonderful to have Byl’s perspective on her life as a trail builder. Byl so stunningly weaves vignettes about a life working in the woods. Her stories teach us about physical and intellectual labor and do so beautifully.

On Trails: An Exploration is a completely different style of book. Rather than exploring trails through the lens of trail building, Moor, an Appalachian Trail thru-hiker, examines trails from a variety of angles. In a book that spans from the beginning of animal life to today’s digital age, Moor examines the world’s oldest trail, learns how to build trails, and even thinks about roads and the internet. 

Nathaniel Farrell Brodie’s Steel on Stone takes readers into Grand Canyon National Park. Here, Brodie worked on trails for eight seasons during brutal summer heat and cold winters. Brodie explores not just the national park in its beauty and danger but also the park’s history, tales from the park, and other adventures. In the end, Steel on Stone beautifully ruminates on home and on Brodie’s love of this landscape.

While I could list many great books on backpacking and hiking trails, there are few books devoted to trail building. I’ll leave behind trail building and focus on a poet, Cold Mountain, who, like those of us who were trail builders, lived in the woods. Cold Mountain, an ancient Chinese poet, wrote his poems on rocks and bark and scattered them across his Tiantai Mountains. These poems are beautiful meditations on landscapes, wildness, Taoism/Buddhism, and politics.

Like Sassoon, Owen entered the war as a “dreamy” youth interested in literature and art. Unlike Sassoon, though — whom Owen idolized — Owen did not survive the war. He was killed in action on November 4, 1918, a week before the war ended.

Owen wrote all of the poems for which he is remembered between August 1917 and September 1918. His experience of the war turned him from “ a very minor poet to something altogether larger,” writes C. Day Lewis. “…It was a forced growth, a revolution in his mind which, blasting its way through all the poetic bric-a-brac, enabled him to see his subject clear — ‘War, and the pity of War.’ The subject made the poet: The poet made the poems, which radically changed our attitude toward war.”

The hallmarks of Owen’s poetry are his compassion for the frontline soldier and the precision and clarity with… show more.

As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.

Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge. 

They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

Bukowski had a unique perspective on the world, and anyone who has read his work would most definitely agree. This book, which is a collection of some of Bukowski’s greatest pieces in my opinion, has a way of resonating with you on a personal level. Whether it be gaining a newfound perspective on the animals that scurry around our yards, or of a gambler wasting away in a casino on a Monday afternoon, Bukowski has a knack for bringing up the world’s problems in a way that is both depressing and humorous at the same time, while also giving peeks at his wit and charm as well.

In this book-length poem, Ross Gay manages to “talk” to the reader intimately without once “mansplaning” the way that so much of the tradition of “nature writing” has, for centuries, done. With the refrains of “what am I seeing?” and “what am I practicing?” Gay creates what feels like a genuine conversation with the reader, allowing me to ask myself the same questions as I read, to form my own thoughts and feelings, rather than passively receiving his.

In what I find to be his best work yet, Gay offers a genuine invitation to the reader to join into the seeing and feeling and meaning-making, thus making the meaning-making infinitely more meaningful. Be Holding is like a personal letter taken from its envelope, but somehow intended for all of us. It is as intricate as it is accessible and clear.

For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.

I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.

I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.