Here are 100 books that Be Holding fans have personally recommended if you like
Be Holding.
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All my life, I’ve been aware that there are many layers to reality, many of which are human fabrications. Some are physical, like roads. Some are social, like healthcare. But the ones that control our lives the most, and that determine our global outcomes (poverty, war and ecological degradation for example), are ideological. The most powerful of these is our economic system. If we are to address the meta-crisis, I feel passionately that we need to be able to question and reimagine the economy. All the books I’ve chosen have been really important in helping me to think differently about things we usually take for granted.
I love this book because of how beautiful and hopeful it is. The author pulls together amazing stories from her life to gradually weave an understanding of the meta-crisis we find ourselves in. I was captivated by the way she contrasts her family’s indigenous American culture with our modern approaches to both science and the economy.
I love Robin’s prose, which is exquisitely written. But perhaps what I value the most is the fact that she writes with optimism, giving me the courage to get up every day and think about how to put her wisdom into practice.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
Leah Naomi Green is the author of The More Extravagant Feast, selected by Li-Young Lee for the Walt Whitman Award of The Academy of American Poets. She received the 2021 Lucille Clifton Legacy Award for compassion, courage, truth-telling, and commitment to justice, as well an Academy of American Poets 2021 Treehouse Climate Action Poetry Prize. The More Extravagant Feast was named “one of the best books of 2020” by The Boston Globe, is a silver winner of the 2020 Nautilus Book Awards, and was featured on NPR’s “All Things Considered”. She lives in Rockbridge County, Virginia where she and her family homestead and grow or find much of their food for the year.
There is not a better poet writing in English. For Graham, language is a beautiful, purposeful tool and she is using it, without pretense, to dig deeper and deeper into the ground of being. She asks the questions beneath the questions, and though she does not pretend to answer them, the reader shares and marvels in her asking, in her attention to being human and alive.
“Graham’s poetry is among the most sensuously embodied and imaginative writing we have.” —New York Times
“One of the most important living poets.” —Library Journal
Place is a new collection of poems from Pulitzer Prize winner Jorie Graham. An extraordinary American artist whom The New Yorker calls “a mesmerizing voice” Graham is renowned for poetry that is startling, original, and deeply relevant, and has been placed in the poetic lineage of such masters as T.S. Eliot and John Ashbery. In Place, Graham explores the ways in which our imagination, intuition, and experience aid us in navigating a world moving towards…
I am an author and former environmental activist who dropped out of the ‘conflict industry’ in 1997 to start the Quivira Coalition, a nonprofit organization dedicated to building a radical center among ranchers, environmentalists, scientists, and others around practices that improve resilience in working landscapes. For two decades, I worked on the front lines of collaborative conservation and regenerative agriculture, sharing innovative, land-based solutions to food, water, and climate challenges. I live in Santa Fe, New Mexico.
Farmer and author Wendell Berry is a personal hero of mine. From his home in Kentucky, Berry has been writing about regenerative agriculture for decades. The Art of the Commonplace gathers together twenty of his best essays. They articulate a compelling vision for people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary life. Berry is also the author of numerous works of poetry and fiction.
"Here is a human being speaking with calm and sanity out of the wilderness. We would do well to hear him." ―The Washington Post Book World
The Art of the Commonplace gathers twenty essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. Grouped around five themes―an agrarian critique of culture, agrarian fundamentals, agrarian economics, agrarian religion, and geobiography―these essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture.
Why is agriculture becoming culturally irrelevant, and at what cost? What are the…
Ever since I was a boy growing up in a small working-class shipyard town in the great Pacific Northwest near Seattle, I have experienced the jaw-dropping beauty of the natural world and human kindness overflowing, right alongside the numbing horror of human cruelty, war, racism, and environmental damage. It didn’t make sense, this joy and woe, so I’ve had a life’s mission to find ways of healing and integrating a broken world. These books have been a balm and refuge, offering me a deeper perspective, spiritual grounding, and pathways toward “the more beautiful world our hearts know is possible.” I hope they might benefit you too.
I am deeply troubled by how we are harming the earth, our Mother. I have also been a student of Thich Nhat Hanh’s for over 30 years and now a teacher in his tradition. This is his last book before he passed, and perfect for me, as a spiritual practitioner and an environmental activist. The book is an antidote to my periodic bouts of despair about climate change. It provides penetrating understanding of the suffering on the planet and its root causes in greed, hatred, and the delusion of separateness. I loved his stories, teachings, and practical advice for healing and transforming the roots of suffering that lie deep in my/our consciousness. A profound and moving book that I return to frequently for solace and guidance.
“When you wake up and you see that the Earth is not just the environment, the Earth is us, you touch the nature of interbeing. And at that moment you can have real communication with the Earth… We have to wake up together. And if we wake up together, then we have a chance. Our way of living our life and planning our future has led us into this situation. And now we need to look deeply to find a way out, not only as individuals, but as a collective, a species.”
I'm a writer and a late-life fine arts photographer. For eight years I had been writing a book set in the personal and historical past. I would sit at the computer, shut my eyes, and say to myself, “Go deeper.” Eventually, I was able to recall long-forgotten details. When I looked up from those years of writing, the memoir, entitled Phantom Limb, was finished and being published. However, I discovered that I could no longer see – really see – what was around me. Along the way, I had lost that alert attention to the way light falls, to colors that used to hit me between the eyes. I felt the loss deeply. I’ve always loved to look. I had to do something to summon it back.
In order to retrieve my sense of seeing in the present, I went to my second home in Mexico, read a little each morning, and then went walking without any destination. This is the book I was reading those mornings in Mexico, before my walks. It may seem odd to start with a book about poetry, but this one opened the gate to seeing and to taking my first
photograph.
A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays.
Nine Gates begins with a close examination of the roots of poetic craft in "the mind of concentration" and concludes by exploring the writer's role in creating a sense of community that is open, inclusive and able to bind the individual and the whole in a way that allows each full self-expression. in between, Nine Gates illumines the nature of originality, translation, the various strategies by which meaning unfolds itself…
As a full-time writer of creative non-fiction, I am passionately interested in what makes us human. Like most people. I have always been fascinated by friendship and have had many friends throughout my life. I decided to write about friendship when a good friend 'pruned' me, that is, ended our friendship. I was bewildered and hurt and wanted to understand what had happened, which led me to write True Friends. When I discussed the topic with others, it turned out that most people had also experienced a friend break-up, but it was not much written about—until now!
This book is simply the first written story ever found—and it’s about friendship! It was pressed into clay in the city of Nineveh around four thousand years ago and was re-found in the nineteenth century. It tells the story of a friendship between two men, Gilgamesh, the lord of his city, and Enkidu, ‘a wild man’ from the forests. The story recounts their adventures, then Enkidu’s death, and Gilgamesh’s grief at losing his friend. I find it extraordinary that so many thousands of years ago, human beings were concerned with the nature and power of friendship—it shows that the bonds of friendship are fundamental to human beings.
Gilgamesh, King of Uruk, and his companion Enkidu are the only heroes to have survived from the ancient literature of Babylon, immortalized in this epic poem that dates back to the 3rd millennium BC. Together they journey to the Spring of Youth, defeat the Bull of Heaven and slay the monster Humbaba. When Enkidu dies, Gilgamesh's grief and fear of death are such that they lead him to undertake a quest for eternal life. A timeless tale of morality, tragedy and pure adventure, The Epic of Gilgamesh is a landmark literary exploration of man's search for immortality.
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Poets have many tools at their disposal in their attempt to bring aesthetic unity to a long poem, and C. D. Wright is innovative in her use of imagery and cinematic grammar to do exactly that.
This is a book to be studied for its remarkable ability to convey, in what Auden called “memorable speech,” the beautiful doom of the common heart.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so."
C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation.…
I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
This collection teaches me as well, by taking me into the experience of growing up in the Black, rural Appalachian South.
The poems are part memoir, as in writing about the experience of her mother visiting her where she lived with her grandparents, “(We) held hands like we thought/mothers & daughters should/but neither of us knew for sure.”
They are also part love song to home-cooking, “Every morning of my childhood, my grandmother, who stood a little/ under five feet tall, donned an apron and cooked breakfast. Slow. Precise./ Deliberate. She equated food with love, and she cooked with both a fury/ and a quiet joy.”
And finally, they are part Black feminist manifesto, “My black body is a boulder, a stop sign. Sometimes i think my body is/ graceful, a song of freedom. Sometimes i think it is something that every/ eye casts away. I must concentrate if i…
"In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
There are so few books available about trail building. Riprap might be the oldest and one of the most beautiful. Riprap poetically describes Snyder’s summer trail-building job in 1955 in Yosemite National Park. These poems not only sing about the beauty and physicality of trail building but also echo back on the ancient Chinese poets who Snyder was studying during that time. In the end, Riprap shows us trail building but also illuminates how wildness can infuse the human spirit.
By any measure, Gary Snyder is one of the greatest poets in America in the last century. From his first book of poems to his latest collection of essays, his work and his example, standing between Tu Fu and Thoreau, have been influential all over the world. Riprap, his first book of poems, was published in Japan in 1959 by Origin Press, and it is the fiftieth anniversary of that groundbreaking book we celebrate with this edition. A small press reprint of that book included Snyder's translations of Han Shan's Cold Mountain Poems, perhaps the finest translations of that remarkable…
I'm a storyteller whose daydreams begin with “once upon a time”. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to…
