100 books like The Epic of Gilgamesh

E.B. White wrote this book to explain death to children, and while death may be impossible for anyone to understand or accept fully, Charlotte the Spider makes a pretty good attempt.

If you read this book to your kids, you will all have Charlotte (and Wilbur and the rest of the farm animals) in your hearts forever. 

Set in Naples, Italy, this culturally rich book is the first in a series of four connected novels that tell the complete story of a profound and intense friendship between two women who are opposites in almost every way.

It is a friendship-love story that illustrates how a deep and abiding love can help and hurt two people. My Italian ancestors are from Naples, and Elena Ferrante’s books capture the spirit of their passions while delivering complex and emotional life lessons.

Ann Patchett is a successful American novelist, and Truth and Beauty is her memoir about her friendship with the poet, Lucy Grealy. She writes beautifully about Grealy, her talent and her warm, engaging personality, but also about her struggles and eventual death. Patchett conveys the depth of a passionate friendship by letting the reader see all her thoughts and feelings, courageously looking at how we can love someone, but how they can also try us to our limits. It is a book for those who love literature and are fascinated by the depth and intricacy of a creative connection between humans.

This extraordinary novel by the Hungarian writer, Marai, was written in 1942. It reveals a friendship between two men who met when they were schoolboys. One, Henri, is from a privileged noble family, the other, Conrad, from a disadvantaged background, but they attend the same military academy together. One day Conrad disappears and Henri is left to wonder what happened to him. The book starts as Henri learns Conrad is about to return after 40 years of absence. The narrative is utterly compelling and the characters and their relationship are fascinating. It is one of those books that you can’t stop keep reading because you are so absorbed in the world the writer has created, but at the same time, you don’t want to finish so you put the book down to savour each moment. 

The Epic of Gilgamesh is one of the great masterpieces of world literature, and the oldest, with its origins lost in the mists of time.

It contains a dramatic account of the Great Flood, upon which the much later Noah’s Ark tale was based. The Epic was current for some 3,000 years and entered the literature of many ancient cultures including those of Sumer, where it originated, Assyrian, Babylonian, and Hittite.

The Epic has been reconstructed from many thousands of clay tablets unearthed from Middle Eastern archaeological sites. The cultures through which it passed moulded their own flesh upon its venerable bones and this I have also done. 

Charles Causley’s poems celebrate every turn of Cornwall’s stride. He writes of the sea, towns, moors, and people with incredible imagery humor, and tragedy.

The poems ask questions of love and nature. "And careless, like tide-marks, the hedges / Are bursting with Almond and May." Causley sings the magic of Cornwall, ‘Its anchor is glittering granite," "His smile was sharp as tin."

My favorites are the ballads, I was inspired to write the Caradoc ballads by reading Causley’s ballads over and over. Folklore underpins many of his poems, there are mermaids, giants, saints, and even a baby devil.

Considered to be the longest poem in the world, the Sanskrit Mahabharata is comprised of around 1.8 million words (for comparison: the combined length of the seven Harry Potter books is barely 1.1 million words). At 928 pages, Mahabharata: A Modern Retelling is by no means a short book, but it does make the massive Sanskrit epic very accessible for general readers. While the Sanskrit Mahabharata is primarily composed in couplets called shlokas, Carole Satyamurti’s masterful retelling is in blank verse, which is the meter of my two favorite English epics: John Milton’s Paradise Lost and Jack Mitchell’s The Odyssey of Star Wars. I also especially love the way Satyamurti presents Karna, the secret elder brother of Pandavas and one of the greatest tragic heroes in world literature. 

For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.

I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.

I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.

This book of ancient vacanas- lyric verse of four saint-poets of South India- will seer into your heart. These mystical poems, translated by one of India’s most revered writers, bring the reader into direct experience with the divine, or God, or Shiva, cutting through caste, class, race, religion, and culture. Born of the bhakti (devotional) protest movement, these poems will remind you of Rumi. I’m always surprised that these soulful poems are not better known to Western readers. Read a verse. Sit in meditation. Notice what happens inside your body. 

Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.