The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
When examining the future, you’re always dealing with lots of different sources of information.
Trying to understand how they align, interact, and compete is complex. It doesn’t matter whether you’re working as a futurist, trying to plot out a new business plan, or just thinking about your personal life.
One thing that has always helped me is writing. Getting it down on paper is a powerful way to structure your thoughts, to share them, and kick off collaboration.
If you want help using writing to explore your mind and your world, then this is the book. It’s in many ways quite simple, but it’s no less powerful than that.
Everything we're learning about how we function best as humans in the digital age is pointing towards one of our oldest technologies: the pen and the page.
Exploratory writing - writing for ourselves, not for others, writing when we don't know exactly what it is we want to say - is one of the most powerful and lightweight thinking tools we have at our disposal. It's also been, until now, one of the most overlooked.
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
Nothing says humanity like vulnerability about the messy, imperfect creatures we are, and this book has that in spades. (Or I guess, more appropriately, hearts.) I could talk about how the book is darkly funny and reveals hidden depths of the soul, but I'll admit one thing I love about it is that it contains one of the most beautiful, inspiring poems I've ever heard, one I share frequently, with some devastating lines and a real sense of hope that it's okay to feel broken and still fight on, and the poem is titled, “I Can't Believe I Let You Touch My Balls”. It's like if that old piano player joke was real life.
A strong dose of Bukowski, Breaking Bad, and brilliance. Intense and gripping, with splashes of outlandish humor, it is a full frontal assault on the challenges of modern life for outsiders. As award-winning poet Mark Bibbins raves, "Thomas Fucaloro is here and he is showing you his big messy heart. (Actually, if you're looking for other body parts, you'll find most of them in this book.). Poet Corrina Bain (louderARTS project) applauds the work: "It Starts from the Belly and Blooms dives facefirst into the glory and wildness of life, combining fearless authenticity, humor, and a gut-punching ear for images.…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.
A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels-inside or outside the classroom.
This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers…
Tiny Tales is a collection of 365 bite-sized stories and poems, written each day of 2023 to a one-word prompt created by one of the official #vss365 (very short story, 365 days a year) ambassadors on Twitter ("X").
Tweet-sized (280 characters or fewer) storytelling (aka "Twitterature") inspires experimentation and variety, and that is exactly what you'll find in this collection of compositions ranging from true stories to playful limericks, romantic fiction to war-inspired tales, wistful observations from a long-ago childhood to fantastical imaginings of a distant future.
Whether you want to read a story a day or use the prompts (included in their original order at the end of the book) as a springboard to jumpstart your own writing, Tiny Tales will keep you entertained and inspired throughout the year. It is a perfect gift to yourself or for any aspiring or avid writer in your life.
Tiny Tales is a collection of 365 bite-sized stories and poems, written each day of 2023 to a one-word prompt created by one of the official #vss365 (very short story, 365 days a year) ambassadors on Twitter ("X"). Tweet-sized (280 characters or fewer) storytelling (aka "Twitterature") inspires experimentation and variety, and that is exactly what you'll find in this collection of compositions ranging from true stories to playful limericks, romantic fiction to war-inspired tales, wistful observations from a long-ago childhood to fantastical imaginings of a distant future.
Whether you want to read a story a day or use the prompts…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
Well-chosen stories with commentary that makes sense. A classic. Both authors were founders with others of The Fugitives, who published for a short time a literary magazine at Vanderbilt University, in Nashville, Tennessee. Both were giants in the expanding popularity of fiction writing. As a teacher of creative writing and creating great fiction stories, I have found the wisdom of these writers essential in nurturing writers to elevate their work and careers.
I believe in the power of personal narratives and the memoir genre as tools to foster healing and forgiveness. As a licensed professional counselor with a doctorate in adult education, I devoted years toward better understanding the fractured relationship I had with my mother, eventually uncovering the source of her pain and trauma. My mother’s mental health and addiction issues were muddied by the shame she carried for years, as a terrified secret keeper, full of self-loathing. Although I was often the target of her anger, I found a pathway to compassion that mended my heart and provided an example of intergenerational healing for my own daughter.
One of the conundrums that writers in the memoir genre encounter is the balancing act related to sharing family stories while addressing concerns and nuances about privacy.
Kerry Cohen’s The Truth of Memoir provides pointed advice about truthful storytellers, while also being considerate of multiple, familial viewpoints. Cohen reminds authors of the importance of thoughtfully assessing the motivation to write, cautioning those who may feel compelled to write in order to seek revenge, particularly when writing about family members.
When you write a memoir or personal essay, you dare to reveal the truths of your experience: about yourself, and about others in your life. How do you expose long-guarded secrets and discuss bad behavior? How do you gracefully portray your family members, friends, spouses, exes, and children without damaging your relationships? How do you balance your respect for others with your desire to tell the truth?
In The Truth of Memoir, best-selling memoirist Kerry Cohen provides insight and guidelines for depicting the characters who appear in your work with honesty and compassion. You'll…
Although two of my nonfiction books—The Dream of Water and Polite Lies—are about traveling from the American Midwest to my native country of Japan, I'm not a traveler by temperament. I long to stay put in one place. Chimney swifts cover the distance between North America and the Amazon basin every fall and spring. I love to stand in the driveway of my brownstone to watch them. That was the last thing Katherine Russell Rich and I did together in what turned out to be the last autumn of her life before the cancer she’d been fighting came back. Her book, Dreaming in Hindi, along with the four other books I’m recommending, expresses an indomitable spirit of adventure.
When Pamela Petro traveled to Lampeter, Wales for the first time to enroll in a year-long master’s degree program, she had no idea that the open vista of sheep pastures and low hills around the town would strike a chord in her—she found herself nodding as if she was in agreement with the landscape—or that she would spend the rest of her life returning to Wales from the various American cities where she made a life as a writer and a teacher. The Long Field takes us on a journey through time and ideas as well as of places.
The book masterfully weaves together the accounts of various trips to Wales and elsewhere, the childhood spent in suburban New Jersey where, in spite of the family she loved and was loved by, Ms. Petro was overcome by a desire not to stay in one place, and most important of all,…
The Long Field burrows deep into the Welsh countryside to tell how this small country became a big part of an American writer's life. Petro, author of Travels in an Old Tongue, twines her story around that of Wales by viewing both through the lens of hiraeth, a quintessential Welsh word famously hard to translate. It literally means "long field," but is also more than the English approximation of "homesickness." It's a name for the bone-deep longing felt for someone or something--a home, culture, language, a younger self--that you've lost or left behind. Hiraeth is embodied by Arthur, King of…
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Master teacher David Mura’s A Stranger's Journey addresses long-overlooked issues of race and identity in publishing and in the standard teaching of creative writing and he brilliantly advocates for a more inclusive and expansive definition of writing craft. Though this book is partly aimed at educators, he offers incredibly useful craft lessons as well, primarily through his deft analysis of work done by writers ranging from James Baldwin to Mary Karr to ZZ Packer. In a world that no longer accepts the notion that our greatest authors have to be “dead white men,” Mura offers a necessary window into the intersection of race, literature, and culture.
Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as Junot Diaz, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Sherman Alexie, while making compelling connections to Mura's own life and work as a Japanese…
As a writer, I love words and am continuously fascinated by the way they work. In terms of writing manuals, I particularly value the work of writers who combine knowledge and understanding of writing techniques while also providing inspiration and keys to freeing the imagination. I’ve found these books brilliantly complement my professional interest in story structure and how story works, and match my own approach to combining theory with practice; craft with art in my work on story. I hope you find they inspire creativity in you, too.
This book, by Pulitzer prize winner Robert Olen Butler, is in three parts. Transcripts of inspiring lectures are followed by well-edited accounts of individual coaching sessions. These provide very useful nuggets of practical wisdom about unblocking habitual patterns that get in the way of flowing writing practice – habitual patterns that every writer faces and needs to deal with. The stories analysed in the book are found in the final part. An appendix follows, with a story by Butler called ‘Open Arms’, which demonstrates his skill as a writer. A theme that flows through the book is ‘yearning’ – and the book invites you to engage with this theme… with open arms. It’s a work that I go to when I’m stuck – it never fails to inspire.
This comprehensive guide to writing creative fiction collects the lectures of the Pulitzer Prize winning author, Robert Olen Butler, transcribed and edited by Janet Burroway, the author of the classic text on creative writing, "Writing Fiction". "From Where You Dream" reimagines the process of writing as emotional rather than intellectual, and tells writers how to achieve the dreamspace necessary for composing honest, inspired fiction. Proposing fiction as the exploration of the human condition with yearning as its compass, Butler reinterprets the traditional tools of the craft using the dynamics of desire. Butler offers invaluable insights into the nature of voice…
I
love this book! It is a treasure chest of tools on character development: it
poses questions that make you think; it provides many examples from books, film,
and television; and has practical exercises.
The author David Corbett shows you
how to unravel the complicated layers that comprise us humans. The book is an insightful
guide into the human psyche that helped me look at the human condition with an
investigative lens. This makes me a better writer because this book reinforces
(with many practical examples and exercises) the importance of diving into what
motivates people. Knowing what a character wants and why will make them more
believable.
Former private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and mastering crucial techniques required for memorable dialogue and unforgettable scenes. This is a how-to guide for both aspiring and accomplished writers that renders all other books of its kind obsolete.
My introduction to mystery writing was a competition for a first crime novel. I was lucky enough to win with Wobble to Death, about a Victorian long-distance race. When I went to collect the prize, I was startled to be asked if I was already at work on the next one. The publishers Macmillan had started a crime list and were looking for a career writer. I knew practically nothing about the genre and had to give myself a crash course. How I needed the support of books like these! After five years, I had the confidence to give up the day job and have made my living from mystery writing for almost fifty years.
Although I’m a Brit, I joined the Mystery Writers of America early in my career and benefited enormously from the friendships I made. This newly published volume is a virtual encyclopedia of the advice their experts are willing to share. With more than seventy contributors, it covers the field and more, including mysteries for children, graphic novels, and true crime. None of it is treated as gospel. I laughed out loud when I found the chapter "Always Outline" by Jeffery Deaver, followed by "Never Outline" by Lee Child. Even the follow-up process of reaching out to readers is explained in "Building Your Community" by Louise Penny. This is a must-visit workshop for anyone serious about the craft.
From the most successful mystery writers in the business, an invaluable guide to crafting mysteries-from character development and plot to procedurals and thrillers-a must-have for every aspiring mystery writer.
Mystery Writers of America (MWA) is known for providing unparalleled resources on the craft, art, and business of storytelling, helping writers of all levels improve their skills for nearly a century. Now, this new handbook helps authors navigate the ever-shifting publishing landscape-from pacing, plotting, the business side of publishing, to the current demand for diversity and inclusivity across all genres, and more.
Featuring essays by a new generation of bestselling experts…
