I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
In mid-life, Ellis Elliott married a widower with a profoundly disabled son. This poetry collection observes how her reality shifted in a moment, including her perspective on how she sees the world and understands what it means to be human. Elliott offers an unflinching look into her reality, wishes, and frustrations as a latecomer in the special-needs world.
She pulls in the attending losses and blessings of middle age and lessons learned in acceptance and grief. Along the way Elliott reminds us that while we all might wrestle with unfathomable experiences, there is beauty and gratitude in even the darkest places.
I love the gorgeous, lyrical language Limón uses to sort out loss, own her power, and the power of the “huge beating genius machine” of the heart.
Limón uses imagery so visceral I can touch it, and examines the light and dark of womanhood when she declares, “…the largeness of me, the hot/gore of my want and wants, wants to disarm/the fixedness of this”. I like that what she writes is understandable, but never easy. Limón currently serves as our nation’s Poet Laureate.
Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you have to leave one day, and the search to find something that is ultimately "disorderly, and marvelous, and ours." A book of bravado and introspection, of 21st century feminist swagger and harrowing terror and loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the various ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages…
I like poetry that teaches me something, and I like how Harjo can teach me about Native American myth and culture (as a member of the Muscogee Nation)in a poem set within the context of something as mundane as an airport.
She expertly threads together the modern with the historical, and the sacred within the ordinary. “Once a woman fell from the sky. The woman who fell from the sky was neither murderer nor saint. She was rather ordinary…”
I am also struck with how Harjo unifies her own unique culture with the shared experiences of all of us, as in: “Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last/ sweet bite”.
She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.
This book breaks the rigid lap lanes of how a poem is “supposed to look”, and I love that about it. The pieces range from 2 lines to several pages, and can look like flash-fiction or something you jotted on a sticky-note beside your bed.
Fennelly never takes herself too seriously, as in the poem titled, “Returning From Spring Break, Junior Year at Notre Dame” and the one-line poem below the title, “Swapped the rosary on my bedpost for Mardi Gras beads.”
But it is not all kicks and giggles, as she confronts the reality of grief in the poem, “Grief Vacation”, talking about having to put on a different face after her sister’s death and then coming home, “she stepped into her suit of grief. She pulled it up, over her legs and hips.”
The 52 micro-memoirs in genre-defying Heating & Cooling offer bright glimpses into a richly lived life, combining the compression of poetry with the truth-telling of non-fiction into one heartfelt, celebratory book. Ranging from childhood recollections to quirky cultural observations, these micro-memoirs build on one another to arrive at a portrait of Beth Ann Fennelly as a wife, mother, writer and deeply original observer of life's challenges and joys.
Some pieces are wistful, some wry and many reveal the humour buried in our everyday interactions. Heating & Cooling: 52 Micro-Memoirs shapes a life from unexpectedly illuminating moments and awakens us to…
This collection teaches me as well, by taking me into the experience of growing up in the Black, rural Appalachian South.
The poems are part memoir, as in writing about the experience of her mother visiting her where she lived with her grandparents, “(We) held hands like we thought/mothers & daughters should/but neither of us knew for sure.”
They are also part love song to home-cooking, “Every morning of my childhood, my grandmother, who stood a little/ under five feet tall, donned an apron and cooked breakfast. Slow. Precise./ Deliberate. She equated food with love, and she cooked with both a fury/ and a quiet joy.”
And finally, they are part Black feminist manifesto, “My black body is a boulder, a stop sign. Sometimes i think my body is/ graceful, a song of freedom. Sometimes i think it is something that every/ eye casts away. I must concentrate if i want to fit into small spaces, slip/into the eye of america’s needle.”
"In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains…
This book embraces both the conventional and the campy. Odes is unafraid to take an unflinching look at an aging female body, and when I say “unflinching”, I mean poems like, "Ode to the Hymen" or "Blow Job Ode".
She also addresses conventional subjects in her poems, such as her sister, buttermilk, and the wind. Odes definitely pushes boundaries, but does so with consummate skill, so that you feel both highly literary and a little dirty at the same time.
She doesn’t just talk about obvious body parts, either. In "Ode to Wattles", she writes, “…I love to be a little/disgusting, to go as far as I can/into the thrilling unloveliness/of an elder woman’s aging.”
PULITZER PRIZE WINNER • An intimate collection of poems that “picks up where Stag’s Leap left off, which is to say that it contains some of the best and most ingenious poems of her career.” —The New York Times
Opening with the powerful and tender “Ode to the Hymen,” Sharon Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience…
Not only am I the author of seven women’s fiction novels, I’m a voracious reader who believes she was raised by Judy Blume and Sidney Sheldon. In our broken home, reading was an escape, a salve for the wound, a place where I felt heard and understood. My novels touch on deep emotions—real and relatable. If I don’t capture thatfeeling when I’m reading through my drafts, I dig deeper. And that’s the thing about a great book, that gut punch, that slide under my skin, I get you. There’s no better read than the one that pulls the heartstrings and gives you all the feels.
What You Do To Me follows Rolling Stone reporter Cecilia James on the hunt to find the muse behind a famous love song, all while managing an estranged relationship with her father and boyfriend Pete.
Inspired by Hey There Deliah, the dual timeline stretches across the sunny beaches of 1970s Miami with star-crossed lovers Eddie and Sara, to the glittery music industry of 1990s LA. For music lovers and fans of that first, unforgettable love, What You Do To Me is the story of a love song with equal parts heart and harmony.
From the bestselling author of This Is Not How It Ends comes a moving novel of two unfinished love stories and the music and lyrics that bring them together.
Journalist Cecilia James is a sucker for a love song. So when she stumbles across a clue to the identity of the muse for one of rock’s greatest, she devotes herself to uncovering the truth, even as her own relationship is falling apart.
While writing an article for Rolling Stone, Cecilia works to reveal the mystery that has intrigued fans and discovers a classic tale of two soulmates separated by fate and circumstance. Rock…
