I am the author of ten collections of microfiction and poetry. I came to microfiction after having written several novels and short story collections. I just felt that I was saying more than I wanted to say. Microfiction has allowed me to completely distill my stories to the essence of what makes them tick. Of the 26 books I have written, the microfiction collections are my favorites because every word and idea is carefully measured. I am presently working on my next collection of microfiction and have no immediate plans to return to writing at longer lengths. Oddly, writing small has freed me up so I can experiment with various genres, structures, and ideas. I honestly feel microfiction has made me a much better writer.
I wrote...
The Library of Afro Curiosities: 100-Word Stories
By
Ran Walker
What is my book about?
A young boy wrestles with what it means to have long hair. A woman finds herself accepting a relationship she knows is not good for her. A generation of successful graduates places greater value on materialism than love. Aliens and more aliens. Mystery. Intrigue. Love (and love lost). And, yes, Blackness. All in one hundred 100-word stories.
In Ran Walker's latest collection of 100-word stories, he leaves few stones unturned as he pushes the limits of the form in engaging, surprising, and even humorous ways. Welcome to The Library of Afro Curiosities.
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The Books I Picked & Why
Fissures: One Hundred 100-Word Stories
By
Grant Faulkner
Why this book?
Prior to reading this book, I was unfamiliar with 100-word stories (or drabbles). Even more, I had never seen a book that consisted entirely of 100-word stories before. Each one was a distinct and thorough world unto itself. It was through this book that I began to understand the possibilities for the 100-word form. If it were not for this book, I might have never really pushed myself to understand, appreciate, and write microfiction.
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Without a Net
By
Ana Maria Shua
Why this book?
It was hard to settle on a single book by Shua, who is widely considered the “Queen of South American Microfiction,” because her work is just so good. Without a Net is one of her two microfiction collections translated into English. This one deals with characters from circuses and carnivals and is an astonishing collection of microfiction. Each carefully chosen word resonates and illustrates the power of the form. This is a book I would want to have with me if I could only take one book with me on a weeks-long trip.
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Briefs
By
John Edgar Wideman
Why this book?
John Edgar Wideman is the first African-American writer I can clearly point to who took microfiction seriously enough to write an entire collection. His stories are filtered through the lens of Blackness, but that is not the major reason why I like this book. Wideman does things with language that force me to completely step back and rethink things. I find myself reading his words aloud, simply because they feel as though they transcend the page. If it were not for Wideman, I would not feel as comfortable revealing the authenticity of my experience in my work.
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The Collected Stories of Lydia Davis
By
Lydia Davis
Why this book?
After wading through and translating the verbosity of Proust, she challenged herself to write very tiny stories. She is a pioneer in contemporary American literature and her work deals largely with the experiences of women, particularly those in domestic situations. Her work is sharp and pointed, often poetic and resonant. Her use of language really makes you interrogate how many words you truthfully need to tell a good story. This collection combines several of her earlier collections.
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Heating & Cooling: 52 Micro-Memoirs
By
Beth Ann Fennelly
Why this book?
As a native Mississippian, I was already aware of Fennelly’s works, but this collection is my absolute favorite of her wonderful collections. She uses micro pieces to tell some of the most interesting experiences of her life (so far). Even more, she blurs the line between what is poem and what is prose. She can take a single moment in time and make it into a lesson on life and the realities of the world. I highly recommend this book if you want to see how micro writing can be used for nonfiction.
