I’m a historical fiction author (one novel published by Penguin, plus several Sherlock Holmes stories with Belanger Books) – and I read it avidly too, although many of the Victorian novels I love were considered frighteningly modern in their day. I’m fascinated by the 19th century as both reader and writer because of the incredible changes (social and technological) it saw, and the resulting dramas and tensions that emerged. Literacy and literary culture exploded during Victoria’s reign, but it was also a time of astonishing contrast: poverty versus huge wealth, outward virtue versus secret vice, prejudice and injustice (especially regarding women’s rights) versus struggles for social progress… sound familiar?
Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too.
Winner of the James Tait Black Memorial Prize for fiction
From the master of the literary supernatural and author of The Bloody Chamber, her acclaimed novel about the exploits of a circus performer who is part-woman, part-swan
Sophi Fevvers-the toast of Europe's capitals, courted by the Prince of Wales, painted by Toulouse-Lautrec-is an aerialiste extraordinaire, star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover Fevvers's true identity: Is she part swan or all fake? Dazzled by his love for Fevvers, and desperate for the scoop of…
I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowersand Gulliver’s Travels. I hope you enjoy them!
I just don’t know why this book isn’t talked about more. It’s so brooding and brilliant and horrifying. Heavily influenced by Philip Pullman’s masterful Clockwork (there’s sinister automata, and creepy clockmakers, and a snow-bound Germanic feel), it contains one of the most awful and terrifying antagonists in all of children’s literature. Nasty and enchanting — the very darkest and grimmest of tales.
What good is a toy that will wind down? What if you could give a toy a heart? A real heart. One that beat and beat and didn't stop. What couldn't you do if you could make a toy like that?
From the moment that the circus boy, Mathias, takes a small roll of paper from the dying conjuror, his fate is sealed. For on it is the key to a terrifying secret, and there are those who would kill him rather than have it told.
Pursued by the sinister Dr. Leiter with his exquisite doll and malevolent dwarf, preyed…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is such an excellent and innovative example of an interdisciplinary approach to animal history. Susan Nance blends current scientific thinking about the welfare, agency, and cognition of elephants with a detailed and highly engaging look at the role of these animals in circus history. This is a wonderful model of how to write animal history, an endeavor that isn’t always that straightforward because archival records tend to focus on human lives, deaths, and achievements.
Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In "Entertaining Elephants" Susan Nance examines elephant behavior - drawing on the scientific literature of animal cognition, learning, and communications - to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. "Entertaining Elephants" is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
I’ve always been drawn to the dark, mysterious, and weird. Originally influenced by science fiction and fantasy, then later by mysteries, suspense, thrillers, and horror, I loved the mental visuals and excitement of being in extreme, reality-bending situations. Combine these aspects, and that’s why I told my own story with these same themes:In Tents is my homage to small-town culture… twisted into a darker reality.
The earliest publication date of this collection goes all the way back to 1935. A strange circus comes to town, with the performers consisting of creatures who talk less about circusy things than they do about philosophy and some strangely specific moralizing. Those thought-provoking aspects are what stick in my mind now. What first drew me to the story was the mystery of the circus itself, and the wonderfully creative creatures inside of it.
Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression-that is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents.
Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real-a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao himself. The circus unfolds, spinning magical, dark strands that ensnare the town's populace: the sea…
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight.
After ten-year-old Hastin's family borrows money to pay for his sister's hospital bill, he leaves his village in northern India to take a job as an elephant keeper and work off the debt. He thinks it will be an adventure, but he isn't prepared for the cruel circus owner. The crowds that come to the circus see a lively animal who plays soccer and balances on milk bottles, but Hastin sees Nandita, a sweet elephant and his best friend, who is chained when she's not performing and hurt with a hook until she learns tricks perfectly. Hastin protects Nandita as…
As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.
Katherine is a super-talented writer who has written adult books as well.
In this case she brings her amazing skills to bear on a strong mystery with a female protagonist, a grandad, and a bunch of talented circus performer types. Great use of words, complex plot, good resolution, spooky locations.
“A dazzling tale of wild hope, lingering grief, admirable self-sufficiency, and intergenerational adoration.” —Publishers Weekly (starred review) “Vita tests her own limits, and readers will thrill at her cleverness, tenacity, and close escapes.” —Booklist “A satisfying adventure.” —Kirkus Reviews
From award-winning author Katherine Rundell comes a fast-paced and utterly thrilling adventure driven by the loyalty and love between a grandfather and his granddaughter.
When Vita’s grandfather’s mansion is taken from him by a powerful real estate tycoon, Vita knows it’s up to her to make things right.
With the help of a pickpocket and her new circus friends, Vita creates…
I love fantasy books and I love the wonderful array of British authors out there, so I wanted to showcase some of them in my small selection of books. Some are well known, some less so but all have their own unique and fascinating way of creating fantasy worlds. There are so many good books to choose from but these five are real must-reads as far as I’m concerned.
This book is amazing. Micah Grey, the new runaway boy to join the circus, has secrets to hide. Some of them start to be uncovered in this book, some will follow. I love that the author explores identity and belonging in a way that feels so authentic. I love that this book is the I in LGBTQIA+ fiction. I love the worlds created. I love everything about this book. Laura Lam is an amazing storyteller who brings to life fascinating characters in a real page-turner. I’ve included this in my best of British selection as the author lives in Scotland even though she’s American.
From the Sunday Times bestselling author of Seven Devils
'A fantastical, richly drawn, poignant take on a classic coming-of-age story' - Leigh Bardugo
In a land of lost wonders, the past is stirring once more . . .
Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy.
I read broadly across many genres and know what it's like to get stuck in a rut and need to find something different to keep my interest. The books I've suggested all have a broad appeal and any one of them could break the dreaded slump. Even those that fall into a genre you don't normally read are likely to draw you into their own special magic.
This one's a fast-moving mystery story that takes you behind the scenes of the circus! An insurance investigator, John Nieves, has to determine whether a lion tamer's death was an accident or murder, but the circus people play practical jokes on him, especially after they discover he has a childhood fear of clowns! The big cats feature in this but are well treated and John develops an affinity with a panther who had been refusing to eat. This one has tension, suspense, and a lot of laughs along with the glamour of the circus!
A fatal accident at the circus sparks an insurance investigation that leads John Nieves, a former New York cop, to a list of murder suspects. It seems that The Great Rollo, beloved of millions, had enemies... both at the circus and among his own family. All that is surreal and magical about the circus brings out Nieves' deepest fears, blinding him to the very real danger that is closer at hand. A bizarre series of revelations and coincidences keep Nieves' suspicions of the circus people high, even after the actual evidence suggests that the incident really was only an unfortunate…
I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.
Cat, or Catalia Fisa, is a badass character from page one. She’s a fighter, and with good reason. Coming from a traumatic family life, Cat draws her strength from the fears she felt throughout her youth. Not only that, but she’s painfully aware of her many physical and emotional flaws. I think it says a lot about a character who knows they have faults that need to be dealt with, faults that prevent them from developing healthy relationships or putting their safety first at times. Throughout The Kingmaker Chronicles, Cat sacrifices herself repeatedly for the people she loves, a trait that every lead should have (to some extent anyway).
Cat Fisa isn't who she pretends to be. She's perfectly content living disguised as a soothsayer in a traveling circus, avoiding the destiny the Gods—and her dangerous family—have saddled her with. As far as she's concerned, the magic humming within her blood can live and die with her. She won't be a pawn in anyone's game.
But then she locks eyes with an ambitious warlord from the magic-deprived south and her illusion of safety is shattered forever.
Griffin knows Cat is the Kingmaker—the woman who divines truth through lies—and he wants her to…
I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.
To the many approaches of modern historians—the emotional standards of the Stearnses, the emotional regimes of Reddy, the emotional communities of my own work—Mark Seymour here adds an important dimension, a study of the places and media in which emotions are expressed, from the courtroom to the love letter. He shows not only how emotions aroused by one venue may mean different things to different people, but also how the clash of such emotions may help modify and mold new forms of emotional expression and create new objects of emotional focus.
Based on the records of a murder trial that transfixed all of Italy in the late 1870s, this study makes use of a dramatic court case to develop a new paradigm for the history of emotions - the 'emotional arena'. Set in the decade following Italian unification, the context was one of notable cultural variety. An as-yet unexplored aspect of this was that the experience and expression of emotions were as variable as the regions making up the new nation. Through a close examination of the spaces in which daily lives, loves, and deaths unfolded - from marital homes to…
