I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This book is part of the Hetty Feather collection, perfect for fans of this feisty Victorian heroine.
Recounted by ‘Diamond’ (formerly Ellen-Jane), the child acrobatic wonder, this is a story about running away FROM the circus. Bought for five guineas by cruel clown Beppo, Diamond is forced to become part of the Silver Brothers’ tumbling act at Tanglefield’s Travelling Circus. Although competent, she is mistreated and unhappy, but when Hetty Feather joins the circus as ringmaster ‘Emerald’, things begin to change…
Diamond wasn't always a star. Born to penniless parents who longed for a strong, healthy son, she was a dainty, delicate daughter - and a bitter disappointment.
Discovering an extraordinary gift for acrobatics, Diamond uses her talent to earn a few pennies, but brings shame on her family. When a mysterious, cruel-eyed stranger spots her performing, Diamond is sold - and is taken to become an acrobat at Tanglefield's Travelling Circus.
The crowds adore Diamond, but life behind the velvet curtains is far from glamorous. Her wicked master forces Diamond to attempt ever more daring tricks, until she is terrified…
Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.
The Farmer and the Clown is my personal candidate for “best” wordless picture book. Author and two-time Caldecott Honor medalist Marla Frazee tells the story of a reluctant farmer who rescues a frightened baby clown separated from his circus family. With zero words and perfect pacing, Frazee steals our hearts as the farmer and the clown overcome their fears and learn to love each other. A testament to kindness and friendship, this book will appeal to grandparents, parents, and young readers alike. Once you read The Farmer and the Clown, you’ll want to acquire the other two books in this amazing trilogy:The Farmer and the Monkeyand The Farmer and the Circus.
A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer's vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves-and about life!
Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
Gruen paints her scenes with vivid brush strokes, her people are so real you can hear them talk, and her animals likewise - especially Rosie. Incredibly sad in parts, at the end the tale is properly uplifting. The author’s notes are highly worth reading, adding to the heartbreak in some instances. It was a different world back then.
THE INTERNATIONAL PHENOMENON AND NEW YORK TIMES BESTSELLER NOW A FILM STARRING REESE WITHERSPOON AND ROBERT PATTINSON
'Great story, loads of fun; hard to put down.' STEPHEN KING
The Great Depression, 1929. When Jacob Jankowski, recently orphaned and utterly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits in the Benzini Brothers Most Spectacular Show on Earth: a second-rate travelling circus struggling to survive by making one-night stands in town after endless town. Jacob, a veterinary student now unable to finish his degree, is put in charge of caring for the circus menagerie. He…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight.
After ten-year-old Hastin's family borrows money to pay for his sister's hospital bill, he leaves his village in northern India to take a job as an elephant keeper and work off the debt. He thinks it will be an adventure, but he isn't prepared for the cruel circus owner. The crowds that come to the circus see a lively animal who plays soccer and balances on milk bottles, but Hastin sees Nandita, a sweet elephant and his best friend, who is chained when she's not performing and hurt with a hook until she learns tricks perfectly. Hastin protects Nandita as…
I loved the heart of this book. It’s queer and Jewish and a historical fantasy—what’s not to love?
It has one of the best twists I’ve ever encountered. I still ask myself, “How did I not see that coming?” Of course the answer is that J. R. Dawson does such a good job with the plot that readers won’t see it before it smacks them in the face. (In the best way, of course.)
Dawson made me fall in love with her characters and the circus all over again. Plus, now I really want my own Spark.
When darkness descends, expect sparks. The First Bright Thing by J. R. Dawson is a spellbinding debut for fans of The Night Circus and The Invisible Life of Addie La Rue.
Welcome to the Circus of the Fantasticals . . .
After the First World War, a select few wake up with frightening magical abilities. Rin can jump through time. Her wife, Odette, can heal the unhealable. And their friend, Mauve, sees what others can't. Alone, afraid and exiled from regular society, the trio create a haven for Sparks - people like them - a circus housing those who are…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is such an excellent and innovative example of an interdisciplinary approach to animal history. Susan Nance blends current scientific thinking about the welfare, agency, and cognition of elephants with a detailed and highly engaging look at the role of these animals in circus history. This is a wonderful model of how to write animal history, an endeavor that isn’t always that straightforward because archival records tend to focus on human lives, deaths, and achievements.
Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In "Entertaining Elephants" Susan Nance examines elephant behavior - drawing on the scientific literature of animal cognition, learning, and communications - to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. "Entertaining Elephants" is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
I read that Noel Streatfeild actually spent time with a travelling circus to achieve authenticity in this story. Well, you can almost smell the greasepaint and sawdust.
Rather than being sent to separate orphanages, sheltered siblings Santa and Peter run away to Cob’s Circus where their Uncle Gus performs on the trapeze. Peter learns to ride and to understand animals, and Santa learns to tumble, but they need to persuade their uncle to like them and decide to keep them. Though old-fashioned, this tale is vivid with colour and spectacle, and the atmosphere so well-captured.
When their snobbish Aunt Rebecca dies, leaving them alone and penniless, Peter and Santa are faced with the dreadful prospect of life in separate orphanages. Desperate, they run away to find their only living relative - Uncle Gus - who works in a circus.
But Gus doesn't suffer fools gladly. To fit into his world, Peter and Santa must work harder than they've ever done in their lives.
I’m obsessed with the exploration of what it means to be a human being. We’re coming into an era where we see more characters who aren’t good or evil but both—they possess the potential to save someone from jumping off a bridge one day and beating someone the next. We’re all capable of the greatest acts of kindness and the most abominable atrocities imaginable. I believe we need to be reminded of that fact so that when there comes a time when we can decide whether to hurt or to help someone, we become the better version of ourselves and make the right decision.
I know, I know…this is a book you’re either going to love or hate, and it’s probably on a lot of lists. I love this book because before it was as common to “break the rules” and write frankly about taboo subjects, Katherine Dunn dove headfirst into an ocean of taboo and told a story that’s as exquisitely heart-wrenching as it is ghastly.
Despite her flaws (and I mean flaws in character–I don’t consider her physical traits to be flawed at all), the protagonist, Oly, is driven by devotion to her family as much as anything.
A National Book Award Finalist: This 'wonderfully descriptive' novel from an author with a 'tremendous imagination' tells the unforgettable story of the Binewskis, a carny family whose mater- and paterfamilias have bred their own exhibit of human oddities. (The New York Times Book Review)
The Binewskis arex a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities (with the help of amphetamine, arsenic, and radioisotopes). Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan, Iphy and Elly, the lissome Siamese twins, albino hunchback Oly, and…
I've loved books and reading from an early age. My family and I go to the library nearly every week to check out books, do research, or attend library programs like storytime. My interest in libraries led me to read books about libraries and write one of my own. I’m a children’s book author living in North Carolina with my husband and two book-devouring kids. I Want My Book Back is my second book, following my debut, Teach Your Giraffe to Ski. When I’m not reading or writing, I like hanging out with my family, being outdoors, and going on everyday adventures.
I’m a big fan of Elise Parsley’s books, so of course, I had to read this one when it came out. My kids and I laughed a lot while reading this. Magnolia wants to set up a loud and messy circus, complete with a human cannonball routine in the library. The kids quickly pointed out that this goes against commonly accepted library behavior – though, of course, it takes Magnolia quite a while before she notices that everything is wrong with her plan.
If you see a poster that says "You Can Do Anything at the Library!", it is NOT giving you permission to put on a circus! But Magnolia doesn't see any problem with setting up her own big top. She's got a lot of gusto and one mean human cannonball routine. So what if her greatest show on Earth won't fit between bookshelves? Elise Parsley's boldly expressive illustrations perfectly complement this mostly-librarian-approved guide on how to be everything BUT quiet in the library!
I am an author, illustrator, and award-winning creative director. I have loved to draw and make things since a young age, mostly wacky contraptions (inspired by my love of the Hanna-Barbera Wacky Races cartoons). I’m particularly passionate about making the process of creating fun, the five books below definitely achieve that, each in its own unique way.
Mike Adamick's book zeroes in on make-ability, projects that kids can actually make with their Dads. To this end, no project is overly ambitious, also, and this is something I like a lot, each project is photographed and presented as it would look if you were to tackle the project for real with your kids. There's a certain nostalgic charm to many of the projects, which include, rope swings, circus stilts, balance boards, and an ol'-fashioned fruit crate scooter, and while some of the more eye-catching projects involve working with wood, the designs are kept simple, favouring ease of construction over fancy design flourishes.
Get ready to take playtime to the next level with Dad's Book of Awesome Projects! Inside, you;ll find step-by-step instructions and photographs detailing projects so imaginative and fun, no one will complain about turning off the TV. From wooden "swords" to slay the most vicious of dragons to circus stilts that will send you soaring to new heights, these projects are sure to spark everyone's creative spirit. And the fun doesn't stop there! This book shows you and your kids how to build:
Comic book shoes
Rope swings
Homemade goo slime
Eggshell cupcakes
Ol'-fashioned…
