Fans pick 63 books like Geek Love

This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.

The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.

I’ve found so much value in this book; it’s one of my most recommended titles to both friends and clients.

It never ceases to amaze me how many people feel “not good enough” and the impact this has on our lives. Some of the most challenging feelings, such as guilt and shame, frequently emerge out of complex early life family dynamics, and more subtle forms of emotional neglect associated with narcissistic personality disorder can be incredibly difficult to disentangle.

The ”a-ha” moments in this book, especially emerging from the case studies, shone a light on feelings of insignificance and how to heal the inner child.

I’m not sure I could love this book anymore–I often speak about the importance of accepting and working through negative emotions and that there are no inherently “bad” feelings, but this book expresses the importance of the difficult seasons we experience in life in an utterly breathtaking and encompassing way.

This is more of a memoir than a scientific book that wraps you in a warm embrace of personal narrative, like talking to a dear friend after a heartbreak. With the inclusion of historical and anthropological examples of “wintering,” this book beautifully takes a stance against toxic positivity and why it’s ok not to be ok. 

As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.

Even though this is a collection of short stories, it tells the story of Mississippi and the South in a way few have captured. I have recommended this book to dozens of people over the years who were looking to begin reading Mr. Faulkner’s work.

The stories about Native American culture (Red Leaves, A Justice, and Lo) are insightful and completely changed my thinking about that culture. The stories of small-town life come alive in unique and disturbing ways, but they are always inventive and deep. I love these stories and the fact that even after eighty or ninety years, they continue to introduce one of the greatest writers in the English language to the people of the world.

The black-and-white images of Ralph Eugene Meatyard have long fascinated me and informed my visual work and writing. Meatyard was, by profession, an optician in Lexington, Kentucky, yet his personal passion was making photographs. His subjects were his wife, children, and family friends, who he often posed in murky settings as they wore masks and held dolls. These images are both disquieting and euphonious, tapping into something primal that hints at the secretive world of childhood.

I read this novel when I was twenty-two years old.

I remember exactly where I was (in the kitchen of a dilapidated apartment I loved) and what time of day I read it (early afternoon until early evening). I cackled and sobbed (I am not a sobber), and afterward, I couldn’t get the main character’s voice out of my head for days. He narrated everywhere I went and everything I did.

Before then, I’d always written casual nonsense for my own entertainment, but I knew afterward I wanted to do that—I wanted to make people laugh, horrify them, and put their hearts through the wringer. 

This is one of my all-time favorite novels, though I'm not quite sure how to explain it. Set in a small Texas town, Come, The Restorer is a strange, hallucinatory, and comical novel where nothing is quite normal, in fact far from it. Among the cast of characters are Mr. de Persia who becomes a prophet to the townspeople after he is discovered in a glass bathtub with an erection, the virginal Jewel Adair who following her husband's fiery death begins roaming the countryside naked, and Addis, Jewel's adopted son, who is on a singular quest to make himself a Panhandle saint. There's just no other book like this one.

Calvino’s Cosmicomics is perhaps the funniest and most outlandish collections of short stories I’ve ever come across. Think Stephen Hawking’s A Brief History of Time meets Alice in Wonderland. Starting with the Big Bang and charting the entire evolution of the universe and of life on Earth, Calvino’s narrator shape-shifts from a man, to a dinosaur, to a mollusk, a single-cell organism, a subatomic particle, and even a disembodied being. In this linked collection of modern fairy tales, the author displays wild flights of imagination, combining scientific rigor with an uproarious repudiation of logic. Oh, and the narrator’s name is Qfwfq.

Before her mega-hit Gone Girl, Gillian Flynn penned this diabolical noir set in the deep South. It’s an edgy story, presenting a gallery of disturbed characters—including the deeply troubled protagonist, a journalist who returns to her hometown to report on the murders of two young girls.

Some books I forget a week or two after reading, others just stick with me for a year or more, and some leave bootprints in my mind forever. This is one of the latter.