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I’ve always been drawn to stories about outsiders, those people who are different from their peers. Outsiders may feel a deep sense of isolation. They are often ostracized or even persecuted because of their difference. Sometimes the outsiders triumph, sometimes they fail, but they are all striving to come to terms with what makes them different. I think this topic resonates with lots of people, myself included, because many of us for a variety of reasons sometimes feel isolated from others. This theme of differentness, of isolation, is a thread that runs through much of my writing.
This novel captured my imagination when I first read it in high school, a time when I felt especially isolated. Not only is it a good outsider story, it’s a good come-uppance story (the evil forces get their come-uppance in the end).
When he’s eight years old, Horty Bluett runs away from his abusive adoptive family and his classmates who torment him. Some carnival people, also outcasts, take him in. Horty doesn’t realize until he’s older that he is an alien, grown by alien organisms from another world, and his special power is the ability to duplicate, or “mimic”, other life forms. This talent helps him thwart the sinister carnival owner’s plans and, as an added bonus, exact revenge on his cruel adoptive father, Judge Bluett.
Winner of the Hugo, Nebula and World Fantasy Life Achievement Awards
"One of the masters of modern science fiction."—The Washington Post Book World
Eight-year-old Horty Bluett has never known love. His adoptive parents are violent; his classmates are cruel. So he runs away from home and joins a carnival. Performing alongside the fireaters, snakemen and "little people," Horty is accepted. But he is not safe. For when he loses three fingers in an accident and they grow back, it becomes clear that Horty is not like other boys. And it is a difference some people might want to use.
I’ve always been drawn to the dark, mysterious, and weird. Originally influenced by science fiction and fantasy, then later by mysteries, suspense, thrillers, and horror, I loved the mental visuals and excitement of being in extreme, reality-bending situations. Combine these aspects, and that’s why I told my own story with these same themes:In Tents is my homage to small-town culture… twisted into a darker reality.
The earliest publication date of this collection goes all the way back to 1935. A strange circus comes to town, with the performers consisting of creatures who talk less about circusy things than they do about philosophy and some strangely specific moralizing. Those thought-provoking aspects are what stick in my mind now. What first drew me to the story was the mystery of the circus itself, and the wonderfully creative creatures inside of it.
Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression-that is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents.
Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real-a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao himself. The circus unfolds, spinning magical, dark strands that ensnare the town's populace: the sea…
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
There’s something deliciously attractive about this book.
The language Bradbury uses draws me in every time I visit it, and it keeps me hooked. This was another book I found as a kid, and it left its hooks in me from when I was young.
Is it morbid? There are definitely morbid parts to it. And it deals with life-and-death situations, but it’s just so good. I never wanted it to end.
One of Ray Bradbury’s best-known and most popular novels, Something Wicked This Way Comes, now featuring a new introduction and material about its longstanding influence on culture and genre.
For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin. Cooger & Dark’s Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. The carnival rolls in sometime after midnight, ushering in Halloween a week early. A calliope’s shrill siren song beckons to all…
I believe with all of my heart that each one of us was created with two achingly powerful inner drives: 1) the longing for new worlds and 2) the desperate urge to do something meaningful. I simply could never believe that human beings are all simply cosmic accidents produced by some sort of cosmic casino. I believe God created people and gave us each an instinct to seek our true home. The books I write—all 22 of them—are tales of flawed individuals, thrown into unexpected, life-changing events, and given the chance to journey through many astoundingly lush worlds, all in an effort to do the seemingly impossible.
It may surprise you that I’m a devout Christian man but absolutely love the horror genre.
The Relic is more of a modern fantasy/mystery combined with horror, but it is truly one of the most chilling books I’ve ever read. Something murderous is on the loose at the New York Museum of Natural History, and this thing is anything but natural.
I believe this is the first book in the series to feature FBI Special Agent Pendergast. He is the coolest reiteration of Sherlock Holmes since Conan-Doyle. Not derivative by any means. Pendergast, however, has an affinity for cases with supernatural threads running through.
The coolest thing about Pendergast is that he often is the catalyst who helps other more reluctant characters reach their heroic potential.
The New York Museum of Natural History is built over a subterranean labyrinth of neglected specimen vaults, unmapped drainage tunnels and long-forgotten catacombs.
And there's something down there.
When the mutilated bodies of two young boys are discovered deep within the museum's bowels, Lieutenant Vincent D'Agosta of the NYPD fears a homicidal maniac may be at large. FBI agent Aloysius X.L. Pendergast believes they may be facing something much worse.
As the death toll mounts, and with the opening of the museum's new 'Superstition' exhibition just days away, the two men must work together to prevent a massacre.
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
A delightful, bonkers story in which 12-year-old Alex MacBuff, Laird of ancient Castle Carra, is not so much haunted by a motley collection of ghosts as brought up by them from babyhood. For battle-hardened Krok the Viking, heartbroken Victorian governess Miss Spinks, spoilt 5-year-old poltergeist Flossie, retired vampire Stanislaus and failed Hellhound Cyril, Alex is the centre of their world, and they will do anything to help him. Anything, that is, except stop haunting the crumbling, much-loved but unaffordable Castle Carra that Alex needs to sell to Texan billionaire Hiram Hopgood. Which is awkward… as a ghost-free castle is part of the deal.
'I will buy your castle,' declared Hiram C. Hopgood. 'But only if there are no ghosts!'
Alex MacBuff can't afford to keep his beloved Castle Carra, and an American millionaire has made him an offer he can't refuse. The castle is shipped all the way to Texas, but its ghostly inhabitants, including Krok the Viking warrior and a hell-hound called Cyril, follow their home across the Atlantic. How can Alex stop them haunting Hiram and also save the millionaire's daughter from an evil ransom plot?
The Haunting of Hiram is a wonderfully spooky young-fiction title from the award-winning author of…
I'm a PEN Award-winning historian of alternative spirituality and a writer-in-residence at the New York Public Library. I track the impact and substance of supernatural beliefs—a source of fascination since my Queens, NY, boyhood—in books including Occult America, The Miracle Club, and Uncertain Places. I often say that if you do not write your own history, it gets written for you—usually by people who may not care about or even understand the values that emanate from your work. Given my personal dedication to the spiritual search, I call myself a believing historian (which most historians of religion actually are). I labor to explore the lives, ideas, and practices behind esoteric spirituality.
I have been praising this book for years and have no plans to stop anytime soon. Using investigatory skills and a keen sense of human pathos, journalist and NPR producer Horn tells the full-circle story of the parapsychology lab founded by the Rhines. She doggedly and accurately presents the “unbelievable” findings of the Duke lab and the struggle of its founders to swim against a tide of orthodox reaction. As a work of history, it is significant—and as a piece of dramatic historiography it is enthralling.
“Author Stacy Horn dissects all the things that go bump in the night—ghosts, poltergeists, your ex-boyfriend Klaus—in [her] macabre book.” —Marie Claire
A fascinating, eye-opening collection of “Investigations into Ghosts, Poltergeists, Telepathy, and Other Unseen Phenomena, from the Duke Parapsychology Laboratory,” Unbelievable by Stacy Horn explores science’s remarkable first attempts to prove—or disprove—the existence of the paranormal. A featured contributor on the popular NPR program “All Things Considered,” Horn has been praised by Mary Roach, bestselling author of Spook, for her “awe-fueled curiosity [and] top-flight reporting skills.” Horn attacks a most controversial subject with Unbelievable—a book that will appeal to…
The idea of paranormal beings living amongst us makes me irrationally giddy. It constantly distracts me as I wonder how they blend into society and live behind their closed doors. Happy to explore these possibilities, I love to read and write books where wolves, vamps, and witches are put through the wringer as they navigate a world that’s sometimes hidden, and other times not. Tenacious females, gutsy heroes, and heinous villains inhabit my dark paranormal and epic fantasy realms, but with added twists that make them not-your-usual paranormal tales. When not torturing my characters, I can be found reading tarot as I live my own otherworldly life in Dublin, Ireland.
"A necromancer and a vampire walk into a cemetery…and if you’re wondering how this joke ends, that makes two of us." Nickel City ticks all the boxes for reasons why I’ll deprive myself of sleep for a book. The cast leaps out of the pages; Sera the witty, brave, but soft-hearted heroine, her friend/ex-girlfriend, Dev, a feisty, sharp-tongued vampire hunter, and then Nate, the brooding vampire who Sera just can’t ignore. Three deadly enemies forced to work together against evil; what can go wrong, eh? Thomas slays with this enemies-to-lovers paranormal romance. With delicious simmering tension and laugh-aloud moments, it’s a clever, gripping read that now has me addicted to visiting cemeteries in the hopes of bumping into a certain vampire.
A necromancer and a vampire walk into a cemetery…and if you’re wondering how this joke ends, that makes two of us.I’m Seraphina Mason, Buffalo’s only resident necromancer. While other people are on normal sleep schedules doing regular human things, I spend my nights conjuring spirits, resurrecting the dead, and sometimes a bit of poltergeist removal, if you need it. But I’m not even the most dangerous nocturnal creature lurking around the cemeteries. That’s where vampire Nathaniel Caligari waltzes in—all devastating eternal beauty and brooding charm, ready to ruin my life. He’d rather have a wooden stake shoved through his chest…
I’m a weirdo, so of course I’m attracted to the idea that the universe may be weird, too. I like the idea that the universe is able to hold itself together ninety-nine percent of the time, but every once in a while it just has to let its freak flag fly. Even if paranormal experiences are nothing more than waking dreams, they may still be worth our attention (the same as any dream). Even if such experiences aren’t objectively “real”, they’re subjectively fascinating. I love exploring the line between reality and unreality. Like Fort, I don’t believe it to be as cut and dry as mainstream science would have us believe.
Charles Fort was the o.g. paranormal investigator. One hundred years ago, he made a sweeping study of all the weird stuff mainstream science refuses to examine. Even now we use the word “Fortean” to describe the study of ghosts, bigfoot, ufos, ESP, etc. Steinmeyer’s biography reveals the complicated man behind the adjective.
Was Fort a kook? Not really. Steinmeyer reveals him to be more of a gadfly, playfully thumbing his nose at science but never investing too much belief in his own eccentric theories, either. For Fort, the real and the unreal were two sides of the same coin. His quarrel was with those who insisted the quarter only had heads and refused to investigate the possible existence of tails.
'I am the first disciple of Charles Fort. Henceforth I am a Fortean'
Since Ben Hecht wrote this line in reviewing The Book of The Damned in 1919, Charles Fort - whose very name spawned an adjective, Fortean, defined in the Oxford English Dictionary as 'relating to or denoting paranormal phenomena' - has so divided opinion that to Theodore Dreiser he was "the most fascinating literary figure since Poe;" to The New York Times he was "the enfant terrible of science;" and to HG Wells he was "one of the most damnable bores who ever cut scraps from out of…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Toward the end of her career, Rebecca West wrote an unusually autobiographical novel, retelling her Edwardian childhood with the wisdom and sadness of hindsight. The Fountain Overflows, published in 1956, describes the struggles of an artistic family with a fiercely devoted mother and an impossibly wayward father. West brilliantly describes the hard work and ambitions of gifted children, but the book is mainly memorable for its strange, semi-magical atmosphere and the sense it gives readers of revisiting a lost world—for hanging over this book is the shadow of the First World War, a cataclysm that finally arrives in the sequel, This Dark Night.
The lives of the talented Aubrey children have long been clouded by their father's genius for instability, but his new job in the London suburbs promises, for a time at least, reprieve from scandal and the threat of ruin. Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up…
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
Harry Price is one of history’s great ghost hunters. In this book, you’ll hear his tales about his remarkable adventures at the Borley Rectory—which he has called the most haunted house in England—his investigation of a talking mongoose, and much more. Price discusses his methods, his tools, the behind-the-scenes experiences that pulled him into such unusual cases, and of course, his findings.
Harry Price devoted his life to the study of paranormal phenomena, leading him to become one of the most famous 20th centuries psychical/supernatural researchers of all time.This book contains a comprehensive study of some of Price’s most interesting cases which had taken place over his lifetime of investigation into a variety of paranormal events. From an allegedly haunted mansion from the days of his youth to his initial encounters with the famous Borley Rectory, the house that gained infamy as "the most haunted house in England" after its ten-year-long paranormal investigation by Price himself.Other investigations covered in this book include…
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