Here are 100 books that The Fountain Overflows fans have personally recommended if you like
The Fountain Overflows.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.
One of the funniest, sharpest novels about love and growing up ever written, Nancy Mitford's classic is now a major BBC and Prime Video series directed by Emily Mortimer and starring Lily James, Andrew Scott and Dominic West
'He was the great love of her life you know.' 'Oh, dulling,' said my mother, sadly, 'One always thinks that. Every, every time.'
Oh, the tedium of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny are on the lookout for the perfect lover.
I grew up rebelling against the roles I was expected to take on as a girl. I grew up not knowing that girls could fall in love with girls. I grew up with a strong sense of injustice and a desire to do something about it. The books on my list all feature strong female protagonists experiencing and/or taking on injustices of one kind or another. They are written by interesting women who write brilliantly. Some of the books are dear to me because nature provides comfort and strength beneath the chaos of human chatter, as it does for me.
Who can resist a story that begins, “I write this sitting in the kitchen sink. My feet are in it; the rest of me is on the draining board, which I have padded with our dog’s blanket and the tea-cozy”? Especially when you know the author also wrote 101 Dalmations?
I loved this coming-of-age story for the teenage narrator’s quirky, elegant writing. She’s an aspiring novelist, “capturing” the characters around her in her diary. She’s largely left to her own devices, along with her two siblings, on the grounds of a remote castle, with a bohemian stepmother and a distant father suffering from writer’s block. It’s a light, farcical story, tinged with sadness, set in the English countryside and featuring another unlikely female protagonist breaking the mold.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
This novel, published in 1949, is about three grown-up siblings who are still dominated by the memory of their famous parents, both accomplished performers, and their atypical early years, which they spent playing in theaters across Europe. Though the majority of the novel takes place after the parents have died, the ties of family remain paramount for the three protagonists. At times each one feels desperate to escape those ties, but their shared past exerts an irresistible pull on all three. Unusually, the novel is narrated in the first-person plural: the narrative often refers to “us,” but tells each sibling’s individual scenes in the third person. With its three intertwined threads, The Parasites vividly explores the lifelong influence of family bonds.
'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . .'
Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond,…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
I’ll bookend this list with what I consider to be a sort of updated take on Larry Clark’s Tulsa. Serbian photog Boogie has published similarly solemn collections on Moscow and war-torn Belgrade. With It’s All Good, he arrived in New York’s most violent neighborhoods circa 2010 to document the hard and often tragic lives of urban youth. Gangsters pointing their guns into the lens or jabbing their veins with needles might not make the most appealing coffee table book, but the photos themselves are even more sublime than anything shot by Clark, making this book a worthy successor.
“A whole lot of initiations happen every day. You hear about them on the news, but you don’t know it was an initiation. You hear about somebody getting shot somewhere in New York, and nobody knows why that person got shot; nine times out of ten it was a gang initiation. I am a three-star general in the Bloods, so I know what’s going on. The majority of crime in New York City is ’cause of gangs; drugs, killings, stabbings, robberies, even the bullshit car theft, the fucking pettiest crimes and misdemeanors are all ’cause of gangs.” —Kasino, from his…
I grew up on a farm on the Canadian prairies where my only entertainment was books. This was before TV and the internet. Reading about girls who overcame obstacles such as being orphaned, dealing with homelessness or a disability, helped me realize that girls can overcome anything with the right attitude and by being brave. These attitudes of fearlessness, positive thinking, and resourcefulness shaped my life and helped me realize many of my dreams, including being a published author. Books with strong female characters help girls realize their own dreams.
Abby, like most high school girls, wants to be liked, have friends, go to dances, and dress in the latest fashions. The only difference between her and everyone else is she and her family are homeless and living in her mom's van, and Abby doesn't want anyone to know. Tension builds as the weather gets colder in Minnesota and Abby fears being found out. The author touches on many current issues through a delightful cast of characters, showing just how resourceful teenagers can be and how difficult situations can make you stronger.
2020 Quick Pick for Reluctant Young Adult Readers—YALSA/ALA
“An empathetic tale that treats homelessness with respect and makes it visible.”—Kirkus Reviews
Seventeen-year-old Abby Lunde and her family are living on the streets. They had a normal life back in Omaha but, thanks to her mother's awful mistake, they had to leave behind what little they had for a new start in Rochester. Abby tries to be an average teenager—fitting in at school, dreaming of a boyfriend, college and a career in music. But Minnesota winters are unforgiving, and so are many teenagers.
Bann Seng Tan is an Assistant Professor of Political Science and International Relations at Ashoka University. His research interests are on the causes and effects of democratization, the politics of foreign aid, the political economy of natural disasters, aid in decentralization, resurgent authoritarianism, and the democratic peace. His policy proclivities revolve around the defence of the liberal world order. Democracy promotion is but one way to push against authoritarianism.
Development aid is a type of foreign aid that is directed at the economic development of recipient countries. The failures of government-to-government development aid in Africa are Moyo’s focus. She notes that Africa is the only region that is regressing in major socio-economic indicators. She argues such aid distorts African economies, enables corruption, and incubates a culture of aid dependency. African governments can afford not to provide public goods because their revenue is guaranteed by development aid. To remedy such externalities, Moyo wants to end development aid to Africa. Instead of aid, she prefers free trade with the West and foreign investment from China. This book is remarkable for its willingness to challenge the conventions in development aid. Sometimes, we need to call a spade a spade.
In the past fifty years, more than $1 trillion in development-related aid has been transferred from rich countries to Africa. Has this assistance improved the lives of Africans? No. In fact, across the continent, the recipients of this aid are not better off as a result of it, but worse—much worse.
In Dead Aid, Dambisa Moyo describes the state of postwar development policy in Africa today and unflinchingly confronts one of the greatest myths of our time: that billions of dollars in aid sent from wealthy countries to developing African nations has helped to reduce poverty and increase growth. In…
I am an anthropologist of development who has conducted ethnographic research in India, Indonesia, and more recently, Australia. Throughout my career I have grappled with questions of how power works in development, particularly in and through processes of self-making. I seek new theoretical tools to examine these questions, but always grounded in the realities of the everyday. I came of age when post-development critiques were dominant, but both my idealism and cynicism have been tempered by working alongside local development actors. In my work I try to give readers a sympathetic portrait of their lives, beliefs, and hopes, and how these shape practices, relationships, and consequences of ‘development’.
Akhil Gupta asks why so many people in India suffer extreme poverty, and yet invite so little reaction.
His answer is structural violence. State inaction, or ineffective action, are part of the conditions that let people die from poverty.
The brilliance in Akhil Gupta’s work is inviting us to look at the state not as a coherent and unified entity, but as operating through multiple levels, agencies, and departments.
As someone interested in local development actors, I find his ethnographic accounts of low-level government offices and officials particularly compelling.
By showing everyday practices in these offices, and fine-grained encounters between officials and welfare recipients, Gupta shows how state indifference is produced, and challenged, in ways that shape life and death.
Red Tape presents a major new theory of the state developed by the renowned anthropologist Akhil Gupta. Seeking to understand the chronic and widespread poverty in India, the world's fourth largest economy, Gupta conceives of the relation between the state in India and the poor as one of structural violence. Every year this violence kills between two and three million people, especially women and girls, and lower-caste and indigenous peoples. Yet India's poor are not disenfranchised; they actively participate in the democratic project. Nor is the state indifferent to the plight of the poor; it sponsors many poverty amelioration programs.…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
I found the total dedication of Dr. Paul Farmer to solving the medical needs of the poor in Haiti, Peru, and elsewhere in the developing world through a combination of grassroots effort and high-level policymaking inspiring, to say the least.
The author of this biographical classic is a master of detail who captures the protagonist's complex essence and the stark medical reality facing the poorest of the poor. His story demonstrates how one person can profoundly affect the world, in this case, solving global health problems despite enduring tremendous personal sacrifice.
Tracy Kidder's critically acclaimed adult nonfiction work, Mountains Beyond Mountains has been adapted for young people by Michael French. In this young adult edition, readers are introduced to Dr. Paul Farmer, a Harvard-educated doctor with a self-proclaimed mission to transform healthcare on a global scale. Farmer focuses his attention on some of the world's most impoverished people and uses unconventional ways in which to provide healthcare, to achieve real results and save lives.
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
Published in 1903, this classic piece of investigative journalism describes novelist/journalist Jack London’s visit to London in 1902, during which he tried to understand how the poor live by living himself as a pauper. Full of vivid descriptions of the people he met as he stayed in doss-houses, walked across the city to find work, and scraped for food, this experience made a profound impression on him. He later said "No other book of mine took so much of my young heart and tears as that study of the economic degradation of the poor." The characters you meet in this book, and their stories, just burst off the page.
The People of the Abyss (1903) is a work of nonfiction by American writer Jack London. Written after the author spent three months living in London's poverty-stricken East End, The People of the Abyss bears witness to the difficulties faced by hundreds and thousands of people every day in one of the wealthiest nations on earth. Inspired by Friedrich Engels's The Condition of the Working Class in England (1845) and Jacob Riis's How the Other Half Lives, London hoped to expose the indignities faced by those left behind by industrialization. In 1902, Jack London traveled to England to live in…
