98 books like I Capture the Castle

This is the book I give as a present to friends. Despite its thinness–ideal to take walking!–the text is dense and can be read over and over. Much of Thoreau’s memoir, his yearlong experiment to see if he can live by himself next to Walden Pond in Massachusetts, is lyrical, poetic, and lives long in the memory. I have quoted it frequently in articles and conversations.

It is perfect for a walking holiday when there are snatches of time to read a few pages followed by plenty of time to mull the content. I guarantee reading Walden will change your life in some way.

I loved this non-fiction book, and reading it, I often broke down in tears, realizing this personal and innocent true teenage story was all leading up to the tremendous death of millions of innocent people.

This is the only Anne Frank book that I recommend to everybody from a young age. It is THE introduction to the real events of World War 2.

I had the pleasure of hearing Sarah Waters speak at the Derby Book Festival in 2015, bought a signed copy of her latest novel, and have been recommending it ever since. The Paying Guests is set in the wake of World War I, and the historical context is beautifully rendered. Frances Wray and her mother have been living a quiet and orderly life on a street where the houses have ‘a Sunday blankness to them… every day of the week.’ It’s a life stuck in time, in a house whose ‘heart stopped… years ago.’ Then the Wrays’ new lodgers arrive, and they are noisy, gaudy, messy, dramatic, attractive. The two worlds collide with Frances caught between them, and what follows is both a captivating love story and a gripping crime story.

Fun home is what the author and her family call the funeral home they were raised in. I was drawn into this graphic memoir of the author’s relationship with her father, with disturbing themes of suicide, unaccepted gender identities, and domestic abuse.

The story manages to stay buoyant despite it all, and the observations are funny. The author’s ability to capture her most painful memories in bright light and intricate detail catapulted this read to the top for me. 

I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this book by Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.

I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was. 

This is a story of redemption at its sweetest. Although written in 1911, it stands the test of time for today’s girls who think all is lost and find their happy place in the natural world.

I loved nine-year-old Mary Lennox’s exotic beginnings. Born in India to an absent mother and an often ill and busy English father, Mary’s frequent illnesses, lack of attention, and permissive nannies had turned her into an unlikable human. I had a hard time imagining this girl doing anything positive.

I thought for sure she was unretrievable. But when Mary, a seeming lost cause, is sent to live with a distant uncle, she is transformed. Inspired by a secret garden and determined to bring it back to life, she ultimately finds healing and happiness. Lost causes who are saved by birds and nature are my favorites! 

As a huge fan of Ian McEwan’s early novels with their dark drama, especially The Innocent, I initially gave up on this book after the first 70 pages—but then, thankfully, resumed a while later. 

What seemed a genteel novel about manners transforms into something much more sinister and dramatic. I loved the tense atmosphere of it, with much of the story condensed into one hot pre-war summer’s day and then the later serious repercussions from what, at the time, seem fairly harmless childish actions.

Despite draft-stage admonitions from his great friend, the Jesuit priest Ronald Knox, the amount of sex Waugh layers into Brideshead Revisited is surprising for 1945: functionally heterosexual couplings, more given over to class imperatives of property, inheritance and trophy wives, and the tentatively homosexual (depending on interpretation), as located in the awakenings of young adulthood, as sluiced by wine, aesthetic beauty, cigars and Venice in Summer.

But it’s Venice and its architecture that’s the actual location of the full sensual awakening, triggering the protagonist’s eventual journey to Catholicism as he passes time among the Venetian stone of churches… and a fountain: “This was my conversion to the baroque...I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.” Eroticized Ruskinalia, finally stepping beyond the Anglo-Catholicism of the Oxford Movement.

I was twelve when I fell in love with the old fashioned allure of the 19th century that I discovered in this book, which provided an early template (1868), for generations of books to follow that break down female stereotypes.

I identified with different aspects of all four March daughters, but most powerfully with Jo, the writer, who secretively pursues publication, prevails as a successful author, and no doubt provided a template for my own development as a writer.

And Marmee’s nurturing model of mothering was especially consoling to me as I grew up entangled in a difficult mother/daughter relationship, later to be recycled in my own books.

The first time I tried to read this book, I had to put it down. I like grammar, and this book is having none of it. Then I tried again a few weeks later because everyone said I should. Once I got used to it, I came to appreciate this stream-of-consciousness story filled with artists, poets, writers, lesbians, love triangles, and adventures, and, at its heart, unlikely female friendships between Black women living mostly in London, with plot twists and turns deepening their interconnectedness in often astonishing ways. 

The writing is so vivid that it made me feel as if I’d watched a film rather than read a book. A bright, multi-colored, hilarious, emotionally deep, socially aware, politically progressive, moving, and fast-paced film.