Here are 100 books that Rebecca fans have personally recommended if you like
Rebecca.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
In both reading and writing fiction, the inciting incident – the murder, accident, or main event of a story – is less fascinating to me than the rich characters that surround it. I’m deeply interested in the lives of women and the ties between them, be they family or not. Whether we’re talking about familial sisters or sisterhood as a broader concept, the tensions, fierce loyalties, oppressions and liberations of women are where my interests will always lie. To my own sister and every one of the wise women who have cheered me on and helped shape my life so far, power to you all! I hope you enjoy these recommendations.
It’s always refreshing to read portrayals of unconventional female relationships, something I’m particularly interested in when writing my own novels. Because our relationships are rarely straightforward or predictable, are they?
As the title suggests, the relationship between Korede and her serial killer sister, Ayoola, is far from conventional…and while the story delves into some dark and gruesome places, it is a thriller that had me laughing as much as covering my eyes in horror. This accomplished debut goes firmly on my ‘couldn’t put it down’ list – it’s warm, funny, and page-turningly good!
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.
Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
I read this book for the first time while working on my PhD, and I love the novel for its beautiful, uncanny, and brutally honest portrayal of maternal love.
Based on the true story of an enslaved woman who escaped a Kentucky plantation to the free state of Ohio and then did the unthinkable in a desperate attempt to save her children from bondage, Morrison’s book is literally haunted by the ghost of the protagonist’s lost daughter, and figuratively haunted, by the stygian specter of American slavery. Toni Morrison was a true master, and for me, Beloved is her masterpiece.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
As an American artist and writer who has lived in European cities for the last decade and a half—first Berlin, now Paris—I often look for echoes of dislocation and longing in the books I read. My first published book explores the lives of people who fled other countries to arrive in a city filled with a complex and dark history.
I go in and out of obsession with the irascible crime novelist Patricia Highsmith. In her first Ripley book, we are introduced to an amoral but likable American character who journeys between Rome, Palermo, and Naples, trying to outrun his modest and murderous past.
The cities he encounters are dazzling, filled with old villas and beautiful things representing his new, forged identity.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
I read this book at the tender age of ten and instantly became ever so slightly obsessed with vampires; I love how the atmosphere builds slowly, sucking me to the point that I am genuinely afraid that the wolves might attack.
The description of the locations and the journal and letter writing are wonderful story breakers, and what a uniquely wonderful story it is. For me, it is a timeless masterpiece.
23
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
A book from the 1920s. The Jazz Age. This book will take you back to that age and time. A book about romance, class divide, and the ‘libertine.’
All the people you cheer for will die. And all the people who you don’t want to survive thrive! And yet, when you finish the book, the story will occupy your mind and heart for a long time. That is the impact of this book!
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Tangled canals. Crooked alleyways. Slumping palazzi 500-hundred years old. Venice is Italy’s most atmospheric city, right? Maybe. Genoa runs a close second. Both are misunderstood and misrepresented in literature. Outsiders don’t dip below the theme-park surface. Except for the late, great Michael Dibden. Dead Lagoon features Commissario Aurelio Zen, a flawlessly drawn Italian detective. What makes me so sure? Genetics, experience, passion. My mother’s family is Venetian (via Rome). I’ve spent decades diving deep into the Lagoon City. I even did a year of college there. When I follow Zen into those crumbling palaces to unnail their intrigues, or watch him dart down bleak alleys stinking of fish and corruption, I know the writing rings true. Dibden “gets” Italy, unlike other, better-known novelists using Venice as a soft-boiled backdrop.
Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
A double homicide in Sicily. Innocent, eccentric, small-town characters. The Mafia, the church, and a stifling, frightening nightmare world portrayed with humor, humanity, and a diamond-tipped eye for detail: that’s Leonardo Sciascia’s 1960s detective novel classic, To Each His Own (A ciascuno il suo). The writing is clean, clear, nervy, and seductive—some of the best crime writing, period. It even survives translation. This book is at least as good as The Godfather and better than anything by Andrea Camilleri. As you turn the pages, you’re not only transported to off-the-beaten-track, real-deal Sicily. You feel the grit. You smell it. You enter the heads and hearts of Sicilians. Written over 50 years ago, To Each His Own needs no refreshing. That world never changes.
This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks…
I am the ultimate dilettante. I consume huge amounts of history, literature, and current events. I am not interested in dumbing down what I write. I am endlessly curious and assume my readers are also. I started writing during the pandemic and have not quit. I have completed three novels and have been an avid reader my entire life. Join me!
I really enjoyed this historical mystery novel. It is an early example of a narrative being told from multiple perspectives, some unreliable; beware!
The novel is a classic with beautiful language and sentence construction. I feel there is an elegance and craft given to this narrative rarely found in today’s commercial mystery genre. Sit back and enjoy being seduced by Wilkie Collins.
HarperCollins is proud to present its range of best-loved, essential classics.
'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'
One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White'…
Interested in
romantic love,
Cornwall,
and
suspense?
11,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
romantic love,
Cornwall,
and
suspense.
