I loved this book because it is a deeply emotional story.
Partly it was the juicy sex scenes that drew me in and had me rooting for Ned and Charlie to get together and stay together. There were so many obstacles preventing these guys getting together: class differences, accents and vocabulary, the constant tension around being caught in an illegal sex act, and mutual misunderstandings regarding the other’s motivations at pivotal points in the story.
These are distinct, well-drawn characters with strengths, weaknesses, and vulnerabilities that are conducive to secrets. All this makes these people believable and lovable.
The narrative is structured in an interesting way, moving backward and forward in time, each time period informing the others. The story starts in the middle, but by the end the puzzle pieces all fall into place.
A second chance at love for two men who fought together in the trenches of WWI. Class, ideals and prejudice drove them apart, but now, in the safety of peacetime, an illicit gay relationship has its own joys and risks.
1916, Northern France. Corporal Charlie Villiers breaks the monotony of the trenches by having sex with whoever is willing, including the posh Lieutenant Ned Pinsent. Except their stolen moments are becoming more than just a distraction — Ned actually listens when Charlie talks. But can Charlie share how going over the top is crushing his soul with the golden boy…
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I devoured everything in the Sweet Valley world as a teen, though I was more into Sweet Valley Twins than Sweet Valley High for some reason. Maybe it’s because I liked the twins’ innocence, and the high school drama was too much (or too relatable!) to me. I like to escape to a happy ending! And in complete seriousness, I debated naming my daughter Lila because I didn’t want her to be associated with mean girl Lila Flower. In the end, I named her Delilah (Lilah—with an h!—for short) and that eased my worries.
At any rate, I’ll read a family saga any day. And we’ve established that I love historical romance and costumes, so give me all the Wakefield history.
I’ve long wished I could write such atmospheric scenes with so few words as Barbara Hambly manages, and to pack in so much detail while making it effortless for the reader.
The best scenes of all are multi-layered and hilarious. The base layer is being on a film set in a silent early Hollywood movie, with all the action of how it works, including the stars using lines that mean roughly what is on the cards between the scenes, but are far ruder. The next layer is a commentary on studio politics and rivalries, revenges and romances. The uppermost layer is Emma, the observer, and sometimes script writer, trying to solve the mystery while doing her job at the studio.
“You shall never have a penny of my money. Leave me alone or I will shoot you dead!”
1924. After six months in Hollywood, young British widow Emma Blackstone has come to love her new employer, glamourous movie-star Kitty Flint – even if her late husband’s sister is one of the worst actresses she’s ever seen. Looking after Kitty and her three adorable Pekinese dogs isn’t work Emma dreamed of, but Kitty rescued her when she was all alone in the world. Now, the worst thing academically-minded Emma has to worry about is the shocking historical inaccuracies of the films…
Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.
It's not strictly a biography, but it might as well be one. A brilliant stylist, Breslin creates a fictionalized dramatization that has the unerring ring of Runyon’s truth.
His chronicling of the raffish world of Broadway and adjacent side streets was the basis for the musical Guys and Dolls. Breslin uses copious dialogue and minutely observed incidents to flesh out things that happened or may very well have happened.
Immortalizes Damon Runyon in a biography of the Roaring Twenties journalist who covered the Mexican Revolution, World War I, the Lindbergh kidnapping, sports and theater
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Janet Smith was a young Scottish housemaid who was murdered in the home of her well-to-do employer in 1924. Never solved, the murder is one of the most celebrated crimes in Vancouver history, featuring political corruption, racial animosity, sex, drugs, and jazz. The book is a wonderful evocation of life in the city in the 1920s when it was emerging from world war and recession and finding its feet as a cosmopolitan community with pretensions to economic leadership. This is one of the first books I ever read about Vancouver history and it remains a favourite.
Literary Nonfiction. New Edition as part City of Vancouver's Legacy Book Project, with foreword by historian Daniel Francis. WHO KILLED JANEY SMITH? examines one of the most infamous and still unsolved murder cases in Canadian history: the 1924 murder of twenty-two-year-old Scottish nursemaid Janet Smith. Originally published in 1984, and out of print for over a decade, this tale of intrigue, racism, privilege, and corruption in high places is a true-crime recreation that reads like a complex thriller.
Anvil Press is pleased to be reissuing this title as part of the City of Vancouver's Legacy Book Project. This new edition…
Historical fiction, specifically historical mysteries, is my favorite category whether I’m reading for pleasure or writing my own stories, and the decade of the Roaring Twenties is certainly the most colorful era in American history. As a historian, I want to learn; as a writer, I want to teach. But—and this is a big “but”—it’s critical that historical novels are both accurate and subtle. If I find the author has misrepresented the history or larded the story, I’m done. Which is why I can recommend the following five Roaring Twenties series. All feature characters that grow as the series progresses so it’s best to begin at the beginning and proceed mostly in order.
Daisy has solved 23 murder mysteries so far. These Christie-esque plots are set in London, at posh country estates, and in other parts of the British landscape. Daisy works as a journalist—an unusual job for a young woman in the ‘20s, especially one who is aristocratic and wealthy and, therefore, shouldn’t be working at all. Her assignments and social connections inevitably entangle her in murder investigations, which she solves with the help of a competent Scotland Yard inspector who in later books becomes her husband.
No stranger to sprawling country estates, well-heeled Daisy Dalrymple is breaking new ground at Wentwater Court to cover a story for Town & Country magazine. But her interview gives way to interrogation when suave Lord Stephen Astwick meets a chilly end on the tranquil skating pond.
With evidence that his death was anything but accidental, Daisy joins forces with Scotland Yard so the culprit can't slip through their fingers like the unfortunate Astwick slipped through the ice ...
Praise for The Daisy Dalrymple Mysteries:
'Appropriate historical detail and witty dialogue are the finishing touches on this engaging 1920s period piece.'…
Do you feel like you have a handle on the perils and possibilities of AI?
Do you understand the risks to us all in terms of international relations, employment, the environment, intellectual property, and “Zero Day” algorithms that could end the human race?
I gained a lot of clarity regarding these issues in The new Roaring Twenties and didn’t put the book down feeling any easier. In addition, the book cautions that we all need to educate ourselves about the inevitable changes AI is bringing into all our lives nearly every day, why we need do due diligence in accepting the news we receive over social media, and why we all need to be more human to each other in the “New Roaring Twenties.”
In short, a very important and indispensable read in 2023.
The world and its economic foundations are shifting beneath our feet!
We are at the threshold of the new roaring twenties—a resurgent era of technology-driven advancement with greater financial equity and economic expansion.
Not unlike the famed decade of the previous century, our next ten years will be filled with striking cultural shifts, new challenges, and, ultimately, abundant financial opportunities.
Paul Zane Pilzer, the economist/entrepreneur and New York Times bestselling author of 13 books, sees a better world on the horizon. In The New Roaring Twenties he imparts inspiration and a new template for escaping the shadow of a global…
Originally from Punta Gorda, Florida, I am an exiled Florida Man, living in Texas, and specialize in creative nonfiction. I love the absurd, the unusual, and enjoy finding ways to examine and teach history through unexpected topics and sometimes maligned or ridiculed things. My first book, for example, was on the infamous Yugo car. I then wrote a history of the ill-starred Sarajevo Olympics and the oh-for-twenty-six 1976-1977 Tampa Bay Bucs, and most recently a book on the wild heydays of Florida land development in the 1950s, 60s, and 70s. I have a PhD in history from Indiana University Bloomington and have appeared on NPR’s "Weekend Edition," APM’s "Marketplace," and C-SPAN’S "Book TV."
The 1920s in Florida was a time of incredible excess, immense wealth, and precipitous collapse. The decade there produced the largest human migration in American history, far exceeding the settlement of the West, as millions flocked to the grand hotels and the new cities that rose rapidly from the teeming wetlands. The boom spawned a new subdivision civilization—and the most egregious large-scale assault on the environment in the name of “progress.”
Christopher Knowlton, author of Cattle Kingdom and former Fortune writer, takes an in-depth look at the spectacular Florida land boom of the 1920s and shows how it led directly to the Great Depression.
The 1920s in Florida was a time of incredible excess, immense wealth, and precipitous collapse. The decade there produced the largest human migration in American history, far exceeding the settlement of the West, as millions flocked to the grand hotels and the new cities that rose rapidly from the teeming wetlands. The boom spawned a new subdivision civilization-and the most egregious large-scale assault on the environment in…
I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history.
One of the photographs in my book, One Thousand Buildings of Paris, was the first apartment that Hemingway and his wife, Hadley, shared when they moved to Paris.
Hemingway’s description of the apartment and the period is illuminating and introduces the reader to the famous and infamous and the life they led after the end of WWI and during the Roaring 20s when Paris was the center of artistic life.
Hemingway also reveals his likes and dislikes and his writing life there, and, notwithstanding their friendship, his jealousy of F. Scott Fitzgerald. I’m not a great fan of Hemingway’s writing. I actually prefer Fitzgerald and especially The Great Gatsby, but I digress.
A Moveable Feast reveals Paris as indeed a moveable feast to savor.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
